Shaped poetry
Found in 788 Collections and/or Records:
C'est mon dada: Homage to the Square and other visual poems. No.16/Jan / Clemente Padin ; Malevich K ; Albers J ; Cage J ; Kosuth J ; Garnier P ; Dias-Pino W ; Zaj ; Brossa J ; Vigo EA ; Deisler G ; Cobbing B ; Bennett JM ; Blaine J., 2008
Padin composes the shaped poems of "Homage to the Square" in the styles of various poets and artists reminiscent of the typewriter poems composed by Jiri Kolar In Und No.2, 1969, a periodical held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Chair l'Occident - Cher / Chopin, Henri., 1961
This is the original of the typing which appears in Chopin's book of unnumbered pages, "Le Dernier Roman du Monde" in b&w. -- Source of annotation: Marvin or Ruth Sackner.
Charactures of Religious Figures / Plantu; Gotlib, Marcil., 2006
This issue deals with the Danish crisis in the Islamic world cause by publishing cartoons of the prophet Mohamet. -- Source of annotation: Marvin or Ruth Sackner.
[Chinese Palindrome: The World's Most Exquisite Literature] / Wang, Chung-huo., 1966
The photstats were printed on glossy photographic paper. They consist of several duplicates of varied exposures and magnifications. According to Dick Higgins, who owned these photostats fpr publication in his book "Pattern Poetry," the original book in the 1970s was not available in the USA. However, the Sackner Archive acquired the book in 2012. -- Source of annotation: Marvin or Ruth Sackner.
Chrac / Kozol, Myroslav., 2000
These prints are two stage proofs of a poem in white handwritten letters on a blue background. -- Source of annotation: Marvin or Ruth Sackner.
Christ and Disciples / Myslowski, Tadeusz., 1984
The shape of the poem is a cross. -- Source of annotation: Marvin or Ruth Sackner.
Cleaning Windows / Sutherland, W. Mark., 1993
Clown War: Monad. No.1(Extra) / A.F.C.., 1981
Cockles of the Heart / Mackowiak, Barbara., 1980
This poem in the shape of a heart is made up of well known phrases dealing with the word "heart." -- Source of annotation: Marvin or Ruth Sackner.
Cockles of the Heart / Mackowiak, Barbara., 1980
This poem in the shape of a heart is made up of well known phrases dealing with the word "heart." -- Source of annotation: Marvin or Ruth Sackner.
Colecao Enciclopedia Visual: Naquele Flutuar das Escritas: Caligramas / Dias Pino, Wlademir, editor; Carroll L; Apollinaire G., 1995
Features examples of Arabic and Oriental shaped poems. -- Source of annotation: Marvin or Ruth Sackner.
Collected Poems / Swenson, May., 2013
Collected Poems Volume Fifteen: Gibbering His Wares / Cobbing, Bob ; Manson P., 1996
The cover was designed by Peter Manson. The final section of this book consists of annotations to the poems. -- Source of annotation: Marvin or Ruth Sackner.
Collection "Pages sans Titre": untitled. No.3 / Michel Corfou., 1978
Several of the typings are portraits and each of the works enclosed by a line drawing of an egg. The issue of this periodical is stored in the Michel Corfou box. -- Source of annotation: Marvin or Ruth Sackner.
[Colors] / Kleinberg, Judy I.., 1983
Names of colors are printed in a rainbow shape. -- Source of annotation: Marvin or Ruth Sackner.
Colour Me Dutiful, 1986
The cast paper case is a death mask of a woman. Each drawing is a rubberstamped portrait of a woman's facial features dealing with her response to cosmetics. -- Source of annotation: Marvin or Ruth Sackner.
[come mani brinate...] / Caruso, Luciano., 1988 - 1989
The collage consists of nine overlapping leaves in a horizontal row that have handwritten text collaged onto a white paper disc. The latter is collaged onto a green paper background. An additional leaf is collaged at the top center of ther disc. Caruso has written and cancelled a phrase beginning "come mani brinate..." in the lower half of the disc. -- Source of annotation: Marvin or Ruth Sackner.
Contrafala (1977-1979), 1980
Couleurs Intimes: Poemes Calligraphies / Bearn, Pierre., 1953
Crevice/Map / Johanknecht, Susan; Newson, Jenifer., 1984
The text on one side, MAP, describes the contour of an imagined terrain in concrete poetic terms while the text on the other side, CREVICE, describes female anatomy in visual poetic terms. -- Source of annotation: Marvin or Ruth Sackner.