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Sound poetry

 Subject
Subject Source: Sackner Database

Found in 1304 Collections and/or Records:

I Poem From The Five Vowels / Cobbing, Bob., 1977

 Item
Identifier: CC-17756-18125
Scope and Contents

This poem was submitted for publication in Pink Peace. Cobbing notes on the verso of this print that this a new - and somewhat differently aimed version of the original two pages of the poem. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1977

Iconic Notation System / Curtay, Jean-Paul., 1982

 Item
Identifier: CC-17838-18208
Scope and Contents

Curtay provides symbols for sounds produced from manipulation of his body parts (body poetry) as well as a sample score. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1982

ieaou / Xisto, Pedro ; deSouza EA., 1966

 Item
Identifier: CC-58549-10001773
Scope and Contents There is an introductory manifesto on communication as follows: Free Information & Communication( meaning. reading. etc.) Any reference (see epigraphs for example) may ad libitum integrate the context of virtualities & correalities: the text of the poem being proposed as an (aesthetic) information already. All together, an approach by the way of analogy to a semiotic process within a probabilistic space-time of permutations & combinations of signs. The signs "” in our case the vowels "” correlate freely, even at random, one another, with the referent. and with the participant observer. Variables of creative reading. and other concrete means of communicating the poem; different languages: vertical, horizontal, transversal, circular sequences (divided. alternate, reiterated, aleatory, etc.); open, close, nasal, stressed (principal & secondary accents), unstressed sounds: staccato, legato, diphthongs, triphthongs, hiatuses, pauses, etc.: vocal timbres & registers:...
Dates: 1966

ieaou / Xisto, Pedro ; deSouza EA., 1966

 Item
Identifier: CC-54554-62358
Scope and Contents There is an introductory manifesto on communication as follows: Free Information & Communication( meaning. reading. etc.) Any reference (see epigraphs for example) may ad libitum integrate the context of virtualities & correalities: the text of the poem being proposed as an (aesthetic) information already. All together, an approach by the way of analogy to a semiotic process within a probabilistic space-time of permutations & combinations of signs. The signs "” in our case the vowels "” correlate freely, even at random, one another, with the referent. and with the participant observer. Variables of creative reading. and other concrete means of communicating the poem; different languages: vertical, horizontal, transversal, circular sequences (divided. alternate, reiterated, aleatory, etc.); open, close, nasal, stressed (principal & secondary accents), unstressed sounds: staccato, legato, diphthongs, triphthongs, hiatuses, pauses, etc.: vocal timbres & registers:...
Dates: 1966

Il Gruppo Teatro Itinerario / Apicella, Rossana., 1977

 Item
Identifier: CC-47181-49924
Scope and Contents

Edited by Giancarlo Pavanello. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1977

Il Gruppo Teatro Itinerario / Apicella, Rossana., 1977

 Item
Identifier: CC-26609-27079
Scope and Contents

Edited by Giancarlo Pavanello. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1977

Il Suono e le Parole / Alphonso Malinconico, curator ; Binga T ; Pignotti L ; Fontana G ; Claire P ; Blaine J ; Ferrando B ; Szkarosi E., 2006

 Item
Identifier: CC-58490-10001710
Scope and Contents

This book was purchased from Paula Claire at a luncheon meeting she hosted with the Sackners in London in September 2013. It provides an in depth review of the eight artist/poets works featured in this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2006

in memoriam dsh / Houedard, Dom Sylvester ; Cobbing, Bob ; Clark TA ; Cobbing B ; Sackner RK ; Sackner MA ; Weaver M., 1995

 Item
Identifier: CC-09884-10080
Scope and Contents It appears that Bob Cobbing was the author/editor of this book that mostly consisted of works of Houedard, several of which are held by the Sackner Archive. Cobbing writes in this book of Houedard's poetry (1949-1972) that he deserves publication of a large body of work because he was important in his innovative religious thinking, philosophy, poetry and criticism. He mentions that much of the material is held by the Sackner Archive and anyone 'doing the big book' would need to see and be inspired by that collection. The current book was edited by Cobbing and/or Thomas Clark.The composition of Houedard's typewriter poems using the portable Olivetti Lettera 22 as described by Houedard In Mary Ellen Solt's 'A World Look at Concrete Poetry': "there are 86 type units available on my machine for use w/2-color or no ribbon - or with carbons of various colors - the maximum size surface w/out folding is abt 10" diagonal--the ribbons may be of various ages--several ribbons may be used on a...
Dates: 1995

Incantation for 6 Voices / Helmes, Scott; Gallo P., 2001

 Item
Identifier: CC-38187-40083
Scope and Contents

Seven columns of varying colors contain spaced letters found in the word incantation. The poem was printed by Phillip Gallo and a recording of the poem was made during Helmes' residency at The Atlantic Center for the Arts in June 2001. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2001