Sound poetry
Found in 1304 Collections and/or Records:
La 5eme Feuille (La Fabrication de L'Incantation) / Julien Blaine., 2001
This is also designated Poesie du troisieme millenaire no.3. -- Source of annotation: Marvin or Ruth Sackner.
La Djingine du Theopheles / Dubuffet, Jean; Martel, Andre., 1975
First edition in 65 copies was published in 1954. The drawings by Dubuffet are reminiscent of the "women series" by DeKooning in the same years (early fifties). -- Source of annotation: Marvin or Ruth Sackner.
la musa ciclista / Pavanello, Giancarlo, editor ; Belloli C ; Bentivoglio M ; Binga T ; Garnier P ; Jaschke G ; Liuzzi O ; Lora-Totino A ; Magro F ; Neri G ; Pavanello G ; Izzo M., 2003
la poesia fa male / Balestrini, Nanni; Premoli, Danilo., 1998
The poem that constitutes the book is laid out as a conventional poem but with a nonsense language. -- Source of annotation: Marvin or Ruth Sackner.
La Poesia Sonore / Heidsieck, Bernard ; Dufrene F ; Chopin H., 1981
This pamphlet announces events during the region for January 1981. -- Source of annotation: Marvin or Ruth Sackner.
La Poesie Lettriste, Aphonistique, Infintesimale et Supertemporelle / DuPont, Albert, editor ; Stechak, George, editor ; Amarger M ; Broutin GP ; Canal F ; Curtay JP ; Devaux F ; Dupont A ; Isou I ; Lemaitre M ; Leoncini E ; Letaillieur F ; Poyet F ; Sabatier R ; Sackner RK ; Sackner MA., 1992
The book is a compendium of Lettrist sound poetry. The videotape records performances of each poet with artistic integration of added images, text, and color. The etching was made by Isidore Isou and the prints on the covers of the two cases by Albert Dupont. The latter reprints the text of his performance at the Bass Museum, Miami Beach in 1987 during the exhibition from the Sackner Archive, "La Vie des Lettres." -- Source of annotation: Marvin or Ruth Sackner.
La Poesie Sonore / Chopin, Henri; Cros C; Dufrene F; Russolo L., 1990
La Poesie Sonore / Henri Chopin., 1984
The typing in the drawing consists of the numbers 84 and the handwriting to the nature of Big Brothers after George Orwell and the possibilities of a totalitarian state. -- Source of annotation: Marvin or Ruth Sackner.
La Poesie Sonore / Henri Chopin., 1984
The typing in the drawing consists of the numbers 84 and the handwriting to the nature of Big Brothers after George Orwell and the possibilities of a totalitarian state. -- Source of annotation: Marvin or Ruth Sackner.
La Solitude Sonore , 1971
La Solitude Sonore , 1971
Minor damage from paper clip imression at left upper edge along with a tear on left vertical edge. -- Source of annotation: Marvin or Ruth Sackner.
La Sonore recorded by Frederic Acquaviva / Henri Chopin., 2005
La Testa di Giano, 1981
Tape Cassette is a program broadcasted on Italian National Radio 1 on April 3, 1981. -- Source of annotation: Marvin or Ruth Sackner.
Lab/Ran, 1993
L'Accordeon / Joel Hubaut., 1991 - 1992
The first preparatory drawing for this work dealing with smoking and breathing utilized a red formica accordion as its main element. In the sculpture, this was changed to a machine-like aluminum piece. Two tape cassettes are played in the sculpture, a sound poem pronounced differently depending upon the breathing pattern, the other multiple breathing sounds including snoring and accompanying a sexual orgasm. Another element is the word "AIR" formed within Plexiglas by stacking cigarette packs. This work was commissioned for "The Beauty in Breathing" exhibition. -- Source of annotation: Marvin or Ruth Sackner.
Lapoemago Maggiore / Minarelli, Enzo., 1986
Laut und Luise , 1971
The poems in this book are mainly sound poems from made-up words. The afterward consists of an essay about Jandl's work by Helmut Heissenbuttel. There are slight differences in the layout of the poems and their order in this edition compared to its second publication in 1971. For example, the same poem on pages 194 and 195 of this edition (1966) is laid out on page 190 in the second edition (1971). -- Source of annotation: Marvin or Ruth Sackner.
Laut und Luise, 1971
The poems in this book are mainly sound poems from made-up words. The afterward consists of an essay about Jandl's work by Helmut Heissenbuttel. There are slight differences in the layout of the poems and their order in this edition compared to its first publication in 1966. For example, the same poem on page 190 of this edition is laid out over facing pages 194 and 195 in the first edition (1966). -- Source of annotation: Marvin or Ruth Sackner.