Sims Reed: This is an innovative collaboration between Iliazd and Raoul Hausmann, one of the principal protagonists of Berlin Dada and a pioneer of phonetic and visual poetry. The preface consists of a 'Hommage illettre d'Iliazd à Raoul Hausmann': 'Je suis fier de vous rendre hommage en disposant vos poemes et vos bois ou en tenant le plioir comme une plume.'. 'The typographic layout echoes the forms in the woodcuts, suggesting an architectonic underpinning to the very essence of the work. Poems and images seem to have the same skeletal foundation to their morphology, as a result showing two aspects of a single work.' (Johanna Drucker, Iliazd and the Art of the Book). Some water staining on cover, foxing on inside pages. -- Source of annotation: Marvin or Ruth Sackner.

The jacket is signed by Seiichi Niikuni "for Emmett Williams," Jun 1971.

This book without the drawing was published as Lettrisme New Series No.24, August 1971. The latter is also held by the Sackner Archive. The records are the first in a series "Anthologie Sonore de Lettries dites par leurs auteurs." A description of the contents of the records is given. Isadore Isou contributes a text ,"Le Lettrisme et l'esthetique infinitesimale devant la poesie et la peinture." The drawing consists of calligraphic markings and hieroglyphics additions to a printed fragment of wallpaper that depicts a classical art scene of a goddess dictating to a scribe. The drawings in the two copies of this book differ in the ink additions to the wallpaper pages which are themselves identical. A printed page that reproduces a handwritten text of Maurice Lemaitre describes the history of the records. -- Source of annotation: Marvin or Ruth Sackner.

This book without the drawing was published as Lettrisme New Series No.24, August 1971. The latter is also held by the Sackner Archive. The records are the first in a series "Anthologie Sonore de Lettries dites par leurs auteurs." A description of the contents of the records is given. Isadore Isou contributes a text ,"Le Lettrisme et l'esthetique infinitesimale devant la poesie et la peinture." The drawing consists of calligraphic markings and hieroglyphics additions to a printed fragment of wallpaper that depicts a classical art scene of a goddess dictating to a scribe. The drawings in the two copies of this book differ in the ink additions to the wallpaper pages which are themselves identical. A printed page that reproduces a handwritten text of Maurice Lemaitre describes the history of the records. -- Source of annotation: Marvin or Ruth Sackner.

Designated writers forum fours number 11. These poems are dedicated to the N.W. Territories of Canada and the poets William Angrave, Sean O'Huigin and Herbert Burke. -- Source of annotation: Marvin or Ruth Sackner.

The cover and illustrations in the text were done by Tom Phillips. The book is an anthology of previously published poems, e.g., White Sun Black Sun, Between, Sightings & Further Sightings, Poland/1931, etc. -- Source of annotation: Marvin or Ruth Sackner.

Cobbing writes that these originals were "ideas sorted out for use in Poems for the N.W. Territories (some used as Christmas Cards). In the event, most of this batch of work was mislaid and the N.W. Territory poems were largely created on the day of printing." The abstract markings of the monoprints are sound poems. -- Source of annotation: Marvin or Ruth Sackner.

This poem also was printed in book form and a copy is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Except for the McMaster University Library site on the internet that lists the date of publication as 1965 as in the Sackner copy, about five University Libraries list the date of publication as 1967. Thus, is the Sackner copy a first edition and the 1967 publication a second editions or is this a bibliographic error? The Sackner copy is not dated - the date is provided by Sharkey's holographic signature. Except for the title page, this poem is reprinted in its entirety in The Review of Contemporary Fiction Vol.7 No.2, 1987.It should also be noted that a 'proof copy' was printed in The Times Literary Supplement Thursday August 6 1964 and the Sackner Archive holds two copies of this publikcation. On fact. the final page of this book reads 'six poems from this sequence first appeared in the times lierary supplement.' -- Source of annotation: Marvin or Ruth Sackner.

Publication Of Antologia Polipoetica. -- Source of annotation: Marvin or Ruth Sackner.

This a collection of previously published essays on sound poetry that have been translated into Portuguese. -- Source of annotation: Marvin or Ruth Sackner.

This pamphlet consists of a critical essay about the contemporaneous state of sound poetry that was written by Heidsieck to accompany an exhibition about sound poetry. -- Source of annotation: Marvin or Ruth Sackner.

This pamphlet published in conjunction with an exhibiton is an essay about the contemporaneous state of sound poety. -- Source of annotation: Marvin or Ruth Sackner.

This book documents prize winners in Poetry for 2009. The CD is a selection of sound poetry by Bernard Heidsieck. Independent of each other's knowledge, for the first time, the Sackners met both Nanni Balestrini and Marco Giovenale, the editor and a prize winner of this book, respectively. -- Source of annotation: Marvin or Ruth Sackner.

Canal Street 42, a visual poetry collage held by the Sackner Archive is reprodiuced as a b&w photograph on page 11 of this exhibition catalogue. -- Source of annotation: Marvin or Ruth Sackner.