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Sound poetry

 Subject
Subject Source: Sackner Database

Found in 1304 Collections and/or Records:

Semeion / Satie, Alain., 1982

 Item
Identifier: CC-62493-47646
Scope and Contents

Exhibited in Visualog 2, San Luis Obispu, California. Exhibition was curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1982

September Poems / Cobbing, Bob., 1968

 Item
Identifier: CC-17456-17822
Scope and Contents

Includes poems Oslo Solo, Fur Luke Fluke, dedicated to Fulcrum Press & Stuart, and p quiliar and a b...y z...i c...q d, first published in Poetsdoos No.7, a periodical held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968

Sequence 30 & 32 / Cobbing, Bob., 1974 - 1975

 Item
Identifier: CC-20574-20972
Scope and Contents

The inscription by Cobbing on the envelope indicates that these are two originals fom Sequence 33-25 (1974-1975). -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1974 - 1975

Serious Dissertations on Something or Other / Cobbing, Bob., 1989

 Item
Identifier: CC-17572-17938
Scope and Contents

This is the second edition of the book first published earlier in the year. It consists of interviews devised with the cut-up technique. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

Seven Sound Poems: 1st copy / Ball, Hugo., 1977

 Item
Identifier: CC-23218-23657
Scope and Contents

In Ball's diary he discusses his invention of a new genre of poems, "Verse ohne Worte" [poems without words], or phonetic poems. The Sackner Archive also has a third edition (1986) of this title. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1977

Seven Sound Poems 3rd edition / Ball, Hugo., 1986

 Item
Identifier: CC-21296-21706
Scope and Contents

These poems appeared in Hugo Ball's diary in which he discusses his invention of a new genre of poems, "verse ohre worte" (poems without words), which he also refers to as phonetic poems. The Sackner Archive also holds the 1st edition (1977). -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1986

Seven Sound Poems / Ball, Hugo., 1977

 Item
Identifier: CC-23217-23656
Scope and Contents

These poems appeared in Hugo Ball's diary in which he discusses his invention of a new genre of poems, "verse ohre worte" [poems without words], or phonetic poems. The Sackner Archive also has a third edition (1986) of this title. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1977

Seventy Not Out / Cobbing, Bob., 1990

 Item
Identifier: CC-17352-17716
Scope and Contents

Images are totally abstract. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

Shipped Flat / Panhuyzen, Brian., 1996

 Item
Identifier: CC-35166-36900
Scope and Contents

The lexicon of this piece was taken entirely from product names in the 1995 Ikea catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

short poem / Houedard, Dom Sylvester; Brown P., 1963

 Item
Identifier: CC-56072-9999519
Scope and Contents

This poem is attibuted to pete brown. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1963

Shorthand / Krakowiak, Katarzyna., 2012

 Item
Identifier: CC-60263-10003263
Scope and Contents This book was published on the occasion of "Possibility 02: Growth Part II." Internet: Katarzyna Krakowiak was born in 1980 in Poland. Her work explores sculpture and architecture with the use of various media, notably sound. In 2006 the Krakowiak graduated from the Sculpture Transplantation Studio, at the Academy of Fine Arts in Poznań, under Mirosław Bałka, where she worked as assistant from 2004 to 2007. From August 29 through November 29 2012, Krakowiak is presenting at the Polish Pavilion, 13th Venice International Architecture Biennial a major sound sculpture that presents architecture as a primary system of listening. "Making the walls quake as if they were dilating with the secret knowledge of great powers" is the amplification of the Polish Pavilion as a listening-system. This project is a design exploration into the interaction between sound and architecture in creating our environment. The sculpture collaborates with neighboring pavilions and echos the sounds that...
Dates: 2012