Text over text
Found in 669 Collections and/or Records:
[Getty Center Artist Book presented to Marvin A. Sackner] / Baker, Jan., 1992
This book was organized by Mel Edelstein and presented to the participants in the seminar "Reading and the Art of the Book" at the Getty Center for the History of Art and the Humanities. The Sackners were invited to this conference. Jan Baker used printed materials from the Center to form the collages on each page. -- Source of annotation: Marvin or Ruth Sackner.
[Getty Center Artist Book presented to Ruth Sackner], 1992
This book was organized by Mel Edelstein and presented to the participants in the seminar "Reading and the Art of the Book" at the Getty Center for the History of Art and the Humanities. The Sackners were invited to this conference. Jan Baker used printed materials from the Center to form the collages on each page. -- Source of annotation: Marvin or Ruth Sackner.
[gibberish] / Hill, Crag., 1984
Exhibited in Visualog 2, San Luis Obispu, California. Exhibiton was curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.
Give Me the Words / Hensel, Susan., 1997
The background text appears to be sentences derived from random thoughts analogous to automatic writing or painting. The pop-ups consist of the letters of the title filled with fragmented text. The inside back cover has a magnetic surface onto which have been arranged about 200 words and brief phrases that can be altered by the reader. -- Source of annotation: Marvin or Ruth Sackner.
(g)low - (g)loom / Cobbing, Bob., 1969
Gronk: Cluster: a pome for Corrine. No.2 / Hart Broudy., 1969
This periodical was usually printed in editions of 400. -- Source of annotation: Marvin or Ruth Sackner.
Gronk Intermediate Series: Sensations of the Retina. No.15 / Bob Cobbing., 1978
One copy has a green acetate cover, the other a blue one. -- Source of annotation: Marvin or Ruth Sackner.
Gronk: [Untitled]. No.1 / bp Nichol, editor ; McCaffery S ; bissett b ; UU D., 1970
Usually published in an edition of 400 copies. -- Source of annotation: Marvin or Ruth Sackner.
[Guter Jazz] / Burkhardt, Klaus., 1961
Hand Name / Caruso, Barbara., 1988
Hand Stamp Only / Evason, Greg., 1989
The pages reproduce drawings that were composed by rubberstamping postal marks. -- Source of annotation: Marvin or Ruth Sackner.
Harnessing the Power of Language - for Marvin & Ruth Sackner / Topel, Andrew., 2011
He Moved / Dedora, Brian., 1979
Poems in two languages, Russian and one which is unidentified are printed, page by page, to slide over each other leaving the English translation in the middle. -- Source of annotation: Marvin or Ruth Sackner.
He's a Mad Man / Anonymous., 2005
The subject of this piece is Jim Cramer, a frenetic television stock touter. -- Source of annotation: Marvin or Ruth Sackner.
Hidden Darts Reader / Smith, Josh., 2008
[history] / Zellen, Jody., 1997
This photograph continues Zellen's preoccupations with city life. This piece suggests the situation of immigration to an American city at the turn of the century. -- Source of annotation: Marvin or Ruth Sackner.
Hit'N'Run Lecture Series Announcement: What Fuckan Theory. No.2 / bill bissett., 2005
Stored in Room 3o2 Books box. -- Source of annotation: Marvin or Ruth Sackner.
[Holographic collage], 1995
homage to sackner / Priddle, Ross., 2003
Marvin Sackner sent Priddle a copy of an article that appeared in The Economist magazine in 2002 dealing with his latest invention, the AT 101. The article was entitled, "Shaken but not Stirred." Priddle's overprinting gives an appearance of shaking. -- Source of annotation: Marvin or Ruth Sackner.