Text over text
Found in 669 Collections and/or Records:
Physical Language Laboratory: Fig. 1. No.11 / Leda Black., 2000
Physical Language Laboratory: Fig. 1. No.11 / Leda Black., 2000
Pierre Albert-Birot's La Grande Vie, 1998
The image in blue and black inks consists of Albert-Birot's poem set in conventional typography, and rubberstamping text and abstract expressionistic flourishes with diagrams by de Charmoy. -- Source of annotation: Marvin or Ruth Sackner.
Pinspot: Invisible Cities Series. No.2 / Jody Zellen., 1999
This book is from the "Invisible City Series." Zellen describes her work in an afterward that states, "The photograph is a framed segment of reality, captured by an unknown photographer, It is a picture of a public place - an interior or exterior view that depicts the city as a place for action and change. The image is fragmented and distanced from the original through cropping and selection. In these images the places become uninhabitable and the people become isolated. The language is abstracted. The text becomes an image." The Sackner Archive holds a photograph from this series. -- Source of annotation: Marvin or Ruth Sackner.
Pinspot: Invisible City Series. No.2 / Jody Zellen., 1998
This book is from the "Invisible City Series." Zellen describes her work in an afterward that states, "The photograph is a framed segment of reality, captured by an unknown photographer, It is a picture of a public place - an interior or exterior view that depicts the city as a place for action and change. The image is fragmented and distanced from the original through cropping and selection. In these images the places become uninhabitable and the people become isolated. The language is abstracted. The text becomes an image." The Sackner Archive holds a photograph from this series. -- Source of annotation: Marvin or Ruth Sackner.
[PK], 2010
Place Mat Series: for Ruth / Helmes, Scott., 1986
Place Mat SeriesL for Marvin / Helmes, Scott., 1986
[Please do] / Levchin, Rafael., 1995
The author's Ukrainian name is Rafael Le Vchyn. This dense, complex collage consists of printed and handwritten texts. The collaged elements consist of printed texts and printed images taken from newspapers and periodicals. Fragments of black text with varied typefaces on white papers provide the background. Fragments of white text with varied typefaces on black papers create the image of a large head that resembles a visual/verbal space alien. This collage was purchased by Marvin Sackner from the artist at the Eye Rhymes conference in Edmonton, Canada in 1997. -- Source of annotation: Marvin or Ruth Sackner.
Please Don't Read This / Willi, Jean., 1982
[Poe] / Pimenta, Alberto., 1985
[Poems Take the Word] / Leftwich, Jim., 2007
Poesia / Ciani, Piermario., 1985
Poesia Visiva een Keuze / De Vree, Paul., 1979
The portfolio was water damaged and the prints were trimmed after the accident. The images remain intact. -- Source of annotation: Marvin or Ruth Sackner.
Poesia Visiva een Keuze / De Vree, Paul., 1979
Poesia Visiva / Tola, Luigi., 1990
Poesia Visiva: Tola / Tola, Luigi., 1990
Poetrywaste, 1986
Poetrywaste / Vittore Baroni., 1986
Poisons, their antidotes / Bonney, Sean., 2003
Martin Corless-Smith on the back cover describes these poems as "glass-sharp graffiti collages of political spin and half heard blah blahs rage with humour." -- Source of annotation: Marvin or Ruth Sackner.