Text over text
Found in 669 Collections and/or Records:
Portrait des Kunsters als junger Bourgeois / Portrait of the Artist As a Young Bourgeois / Gerz, Jochen., 1968
This image with typed text, letraset, and abstract markings with the image of an eye in the center is reproduced in Annoncenteil Arbeiten auf/mit Papier, Luchterhand, 1971. It is also the cover design for Klaus-Peter Dencker's book, Text=Bilder Visuelle Poesie International. The inscription is written on the verso of the overlay of the photograph by Gerz. This photograph is designated as No.496 in Gerz's Catalogue Raisonne Volume III but mistakenly called a collage rather than photograph. Presumably, the original collage was either lost or destroyed. The book also depicts another similar collage with the same title that is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Postcard-correction: Gilden Kolsch / Olbrich, Jurgen O.., 1999
Postfluxpostbooklet: Autoportrait Pour Demain Aktion Papier Glace. No.43 / Luc Fierens ; Jaques Charlier., 1997
Postfluxpostbooklet: Folk Noism In(ter)vention. No.42 / Dmitry Bulatov ; Luce Fierens., 1997
Postfluxpostbooklet: Poem. No.23 / Don Boyd., 1991
Ppress Magazine. No.Black / Alan Sondheim, editor ; Waldrop K ; Acconci V ; Coolidge C ; Patterson B ; Waldrop R., 1972
A specimen page mentions the following: "The enclosed plates are hand printed in editions ranging from 1 to 240... This magazine appears only in a continuing edition. Works run out, new ones are added. Ppress remains in a state of flux." The issues are unnumbered and to distinguish the two held by the Sackner Archive, this one is designated as black for color of the typeface on the envelope, the other as red for its typeface. -- Source of annotation: Marvin or Ruth Sackner.
Preparation for Their Arrival / Lewty, Simon., 1983
This drawing was originally conceived as a scroll but when it was exhibited at the Miami Art Museum for an exhibtion"Visual Poetics" (2003), it was flattened and placed in a case and has remained as such. A derail of this drawing is depicted in Lewty's exhibition "The Centre of the Field" held at te Ikon Gallery Birmingham, Englanmd in 1984. -- Source of annotation: Marvin or Ruth Sackner.
Pres de Moi / Lalou, Frank., 1994
[Print from Echtzeit Exhibition] / Olbrich, Jurgen O.., 1988
[Print from Echtzeit Exhibition] / Olbrich, Jurgen O.., 1988
[Produced] / Leftwich, Jim., 2007
Proof from Noise for Sloane (Noise 1) / Maret, Russell., 1995
This print depicts the word, Mystery, in red ink, over a letters and the word, Mystery, in mirror written presentation, printed in gray. Only one copy of Noise 1 was made. -- Source of annotation: Marvin or Ruth Sackner.
Proteus, Ulysses / Joyce, Paul., 1997
Paul Joyce is the great grandnephew of James Joyce. This print uses texts from the chapter, Proteus, in James Joyce's Ulysses. The phrase at the top reads, "Ineluctable modality of the visible." Ineluctable means inescapable so that the phrase signifies "seeing is believing." -- Source of annotation: Marvin or Ruth Sackner.
Purgatory Pie Press Long Postcard: NICE=NEW who knew?. No.1 / Dikko Faust., 2009
Push-Machinery. No.19 / Daniel f. Bradley, editor ; Bradley Df ; curry jw ; Copithorne J ; Beining G ; Evason G ; Berry J ; lopes d ; Roldan e., 1992
The photocopied cover that depicts female nudes and a transvestite was done by jw curry. -- Source of annotation: Marvin or Ruth Sackner.
Quando (66/68) / Kemeny, Tomaso., 1970
This book is also included in Carrega's "Pantabox 69." -- Source of annotation: Marvin or Ruth Sackner.
Quantita Impre Vedibile / Bertini, Gianni., 1970
QuoiQ / Monaghan, Cillian., 2002
This print by James Joyce's grand nephew celebrates Finnegans Wake. -- Source of annotation: Marvin or Ruth Sackner.