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 Subject
Subject Source: Sackner Database

Found in 661 Collections and/or Records:

[Cursive Handwriting] / Hatherly, Ana., 1970

 Item
Identifier: CC-34755-36461
Scope and Contents

The card, covered with cursive handwriting with flourishes, is particularly dense at the upper left and lower right sections. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

Curvd H&Z: An excerpt from Knots: being a homolinguistic translation of R.D.Laing. No.135/May / jw curry., 1982

 Item
Identifier: CC-18251-18623
Scope and Contents

Also designated th wrecking ballzark #38. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1982

Curvd H&Z: Smokes: A Novel Mystery. No.434 / John Riddell., 1996

 Item
Identifier: CC-28164-29327
Scope and Contents

Each chapter is printed on a small loose sheet which has been rolled to resemble a cigarette. The "novel" is a detective story. The printed box resembles the shape of a cigarette box. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

Cyclops, Ulysses / Joyce, Paul., 1997

 Item
Identifier: CC-41567-43557
Scope and Contents

Paul Joyce is the great grandnephew of James Joyce. This print uses texts from the chapter, Cyclops, in James Joyce's Ulysses. The phrase with the boldest font reads, "By Jesus I'll brain tht bloody jewman for using the holy name." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

Dante's Inferno First Edition Proof Print: Canto III Gateway, 1978 - 1979

 Item — Folder 86: [Barcode: 31858072538436]
Identifier: CC-28341-29522
Scope and Contents

This print is from the first version of the work which was mostly destroyed in a fire at Editions Alecto. Less than three copies of the prints from the first version survived. Some images of the prints were recycled in the second version of the book but this was not one of them. This print depicts blurred, Italian text in large, colored stencilled letters on a grey and brown background. In the left lower corner, Phillips has inserted a Humument fragment which reads, "yawning before him like a gulf in the depths of a dream the entrance to hell - memory as mourning merely - To the insensible." A handwritten selection in Italian from the Dante canto for which the print is illustrative has been placed in the upper center half of the print. Finally, Phillips has written 'NO' in the center of the print perhaps because he was dissatisfied that the handwritten text had not been properly centered. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1978 - 1979

Dante's Inferno First Edition Proof Print: Swamp, 1978 - 1979

 Item — Folder 85: [Barcode: 31858072538428]
Identifier: CC-36710-38527
Scope and Contents

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. This work was shown at the Sackner Archive during Art Basel Miami December 2001. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1978 - 1979

Dattlocodice / Binga, Tomaso., 1983

 Item
Identifier: CC-22024-22440
Scope and Contents Tomaso Binga is an artistic name, her real name is Bianca Pucciarelli Menna. Sackner's original designation 'Overtyped Letter Picture #1'' was corrected by Bnga. Wikipedia: White Pucciarelli Menna, born in Salerno in 1931, acquired the stage name of Tomaso Binga as a form of protest in front of the privileges of the world male than female. It was a "marriage" between the self and the self Menna White Tomaso Binga, between the person and the artist [1] . He has taught theory and method of the mass media at the Academy of Fine Arts in Frosinone and since 1970 is responsible for writing the verbal-visual, sound poetry, visual and performing arts. It is among the leading figures of poetry phonetic-sound-performing along with Italian authors of the thickness of Adriano Spatola , Arrigo Lora Totino and Giovanni Fontana . In addition to having participated in numerous exhibitions, festivals and poetry of the avant-garde, led verbovisiva writing and sound poetry even in the face to the...
Dates: 1983

Dear MMMMM / Behar, Zachary Sackner., 1989

 Item
Identifier: CC-23908-24356
Scope and Contents

Zachary Behar's first known typing. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

Dear Ruth, Best wishes for your birthday / Jackman, Sandra., 2008

 Item
Identifier: CC-47794-68813
Scope and Contents

Sandra Jackman writes about their trip to the Galapagos on the inside of the card. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2008

[Dense Calligraphic Text] / Hatherly, Ana., 1988

 Item
Identifier: CC-34772-36478
Scope and Contents

The drawing consists of dense lines of handwriting covering almost the entire page. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988

Deophysite / Weiner, Hannah., 1997

 Item
Identifier: CC-60847-10003703
Scope and Contents

This work is labeed '4' in this four poem sequence. The title is a nonsense word. Weiner died in 1997. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

Diario di Cavellini , 1980

 Item — Folder 64: [Barcode: 31858072537982]
Identifier: CC-18772-19146

Diary Dairy Daily / Kleinberg, Judy I.., 1984

 Item
Identifier: CC-07768-7920
Scope and Contents

Submitted as an entry to Homage To The Mad Diarist exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984