Text over text
Found in 669 Collections and/or Records:
Curriculum Vitae VI / Phillips, Tom., 1992
[Cursive Handwriting] / Hatherly, Ana., 1970
The card, covered with cursive handwriting with flourishes, is particularly dense at the upper left and lower right sections. -- Source of annotation: Marvin or Ruth Sackner.
Curvd H&Z: An excerpt from Knots: being a homolinguistic translation of R.D.Laing. No.135/May / jw curry., 1982
Also designated th wrecking ballzark #38. -- Source of annotation: Marvin or Ruth Sackner.
[cut IT costs] / Leftwich, Jim., 2002
Cyclops, Ulysses / Joyce, Paul., 1997
Paul Joyce is the great grandnephew of James Joyce. This print uses texts from the chapter, Cyclops, in James Joyce's Ulysses. The phrase with the boldest font reads, "By Jesus I'll brain tht bloody jewman for using the holy name." -- Source of annotation: Marvin or Ruth Sackner.
Dante Alighieri: Empireo The Paradise Breathing / Mennitti-Paraito, Emanuele., 1990
Dante's Inferno First Edition Proof Print: Canto III Gateway, 1978 - 1979
This print is from the first version of the work which was mostly destroyed in a fire at Editions Alecto. Less than three copies of the prints from the first version survived. Some images of the prints were recycled in the second version of the book but this was not one of them. This print depicts blurred, Italian text in large, colored stencilled letters on a grey and brown background. In the left lower corner, Phillips has inserted a Humument fragment which reads, "yawning before him like a gulf in the depths of a dream the entrance to hell - memory as mourning merely - To the insensible." A handwritten selection in Italian from the Dante canto for which the print is illustrative has been placed in the upper center half of the print. Finally, Phillips has written 'NO' in the center of the print perhaps because he was dissatisfied that the handwritten text had not been properly centered. -- Source of annotation: Marvin or Ruth Sackner.
Dante's Inferno First Edition Proof Print: Swamp, 1978 - 1979
This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. This work was shown at the Sackner Archive during Art Basel Miami December 2001. -- Source of annotation: Marvin or Ruth Sackner.
Dattlocodice / Binga, Tomaso., 1983
Dear MMMMM / Behar, Zachary Sackner., 1989
Zachary Behar's first known typing. -- Source of annotation: Marvin or Ruth Sackner.
Dear Ruth, Best wishes for your birthday / Jackman, Sandra., 2008
Sandra Jackman writes about their trip to the Galapagos on the inside of the card. -- Source of annotation: Marvin or Ruth Sackner.
[Dense Calligraphic Text] / Hatherly, Ana., 1988
The drawing consists of dense lines of handwriting covering almost the entire page. -- Source of annotation: Marvin or Ruth Sackner.
Deophysite / Weiner, Hannah., 1997
This work is labeed '4' in this four poem sequence. The title is a nonsense word. Weiner died in 1997. -- Source of annotation: Marvin or Ruth Sackner.
Der Sechste Sinn-Herausgegeben von Gerhard Ruhm, 1969
Der Wasserhahn oder Die Wiederauferstehung des Schrotts, 1989
Diario?, 1981
Diario di Cavellini , 1980
Diary Dairy Daily / Kleinberg, Judy I.., 1984
Submitted as an entry to Homage To The Mad Diarist exhibition. -- Source of annotation: Marvin or Ruth Sackner.
Differenze / Accame, Vincenzo., 1972
Difficulties, The. No.1 / Tom Beckett, Earel Neikirk, editors ; Corman C ; Dawson F ; Eshleman C ; Eigner L ; Beckett T ; Higgins D ; Bernstein C ; Howe S ; Metcalf P ; Grossinger R ; Waldrop R ; Raworth T., 1980
The editors state in this first issue of The Difficulties that they "are starting a new journal of the arts which is to be devoted to process-oriented, language-centered work." The title is derived from a quote of Charles Olson. -- Source of annotation: Marvin or Ruth Sackner.