This piece consists of two poems in which complete and incomplete solid rectangles are formed from densely packed m's. -- Source of annotation: Marvin or Ruth Sackner.

One image is a rectangle of the words MATCHBOXES and a second image is a free form composed of red m's. -- Source of annotation: Marvin or Ruth Sackner.

The image is formed solely from slashes. -- Source of annotation: Marvin or Ruth Sackner.

The poem reads lisson and refers to Nicholas Logsdale's Lisson Gallery in London. -- Source of annotation: Marvin or Ruth Sackner.

This work contains the names Maria (?) and Enrique (?) in a constructivistic format. -- Source of annotation: Marvin or Ruth Sackner.

Three pages wee scanned and cleaned up with Photoshop and stored in binder. -- Source of annotation: Marvin or Ruth Sackner.

The poem is typed on red stock paper and is based upon John Donne's sermon with the noted paragraph that reads, 'No man is an Iland, intire of it selfe; every man is a peece of the Continent, a part of the maine; if a Clod bee washed away by the Sea, Europe is the lesse, as well as if a Promontorie were, as well as if a Mannor of thy friends or of thine owne were; any mans death diminishes me, because I am involved in Mankinde; And therefore never send to know for whom the bell tolls; It tolls for thee.' -- Source of annotation: Marvin or Ruth Sackner.

The poem is typed on white stock paper (another copy is on red stock paper) and is based upon John Donne's sermon with the noted paragraph that reads, 'No man is an Iland, intire of it selfe; every man is a peece of the Continent, a part of the maine; if a Clod bee washed away by the Sea, Europe is the lesse, as well as if a Promontorie were, as well as if a Mannor of thy friends or of thine owne were; any mans death diminishes me, because I am involved in Mankinde; And therefore never send to know for whom the bell tolls; It tolls for thee.' -- Source of annotation: Marvin or Ruth Sackner.

Charles Cameron writes, "dsh types red & black for yr notebook some EVE words suggesting words containing 'eve' for my future poems." Some of the words listed are relieve, level, thieve and clever. The paper is perforated for a binder. -- Source of annotation: Marvin or Ruth Sackner.

The title was probably not miss-typed by Houedard with carden for garden and peom for poem. -- Source of annotation: Marvin or Ruth Sackner.

Chopin makes an analogy between the images of two space ships (Apollo and Soyuz) joining in space, as depicted on postage stamps, to homosexuality. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by John Furnival and Dom Sylvester Houedard. The latter wrote an introductory essay. -- Source of annotation: Marvin or Ruth Sackner.

This is a typewriter, concrete poetic image of Basho's 'Frog, Pond, Plop.' -- Source of annotation: Marvin or Ruth Sackner.

This depicts working ideas for Frog Pond Plop, later realized in a different format as Opening Number No.6, 1965. -- Source of annotation: Marvin or Ruth Sackner.

The images created with typed text are of the brain and its component parts. The text is related to anatomy and physiology of the brain. -- Source of annotation: Marvin or Ruth Sackner.

Endwar titles a poem from a word(s) and fragments it(them) into clusters of letters and spaces, while retaining the same order of the letters, to form a new poem which can be read from top to bottom. -- Source of annotation: Marvin or Ruth Sackner.

Card No.8 was scanned into record. -- Source of annotation: Marvin or Ruth Sackner.