Typewriter poetry
Found in 1812 Collections and/or Records:
Kruhy [93] My & Oni / Ovcacek, Eduard., 1964 - 1966
Kruhy [94] Ty & Jai / Ovcacek, Eduard., 1964 - 1966
Kruhy [99] / Ovcacek, Eduard., 1964 - 1966
Kruhy [101], 1964 - 1966
Kruhy [102] Tao Tao / Ovcacek, Eduard., 1964 - 1966
Kruhy [106] SOS / Ovcacek, Eduard., 1964 - 1966
Kruhy / Ovcacek, Eduard., 1964 - 1966
Kruhy, the title of this suite of prints adapted from typewriter poems, means circle in English. The donor of this work to the Archive, Petr Sevcik, provided an English translation of the poems on a page accompanying the portfolio. This is an unnumbered copy of the portfolio that calls for numbering. Further, it is incomplete since the numbered copy that is also held by the Sackner Archive includes 20 prints. -- Source of annotation: Marvin or Ruth Sackner.
Kruhy / Ovcacek, Eduard., 1964 - 1966
Kruhy, the title of this suite of prints adapted from typewriter poems, means circle in English. -- Source of annotation: Marvin or Ruth Sackner.
kt + / Mairey, Francoise., 2002
Card No.1 was scanned into record. -- Source of annotation: Marvin or Ruth Sackner.
ku + / Mairey, Francoise., 2002
Card No.1 was scanned into record. -- Source of annotation: Marvin or Ruth Sackner.
Kunst-Raume / Ulrichs, Timm., 1975
ky + / Mairey, Francoise., 2002
Card No.1 was scanned into record. -- Source of annotation: Marvin or Ruth Sackner.
Kykafrikaans / Boshoff, Willem Hendrik., 2003
These prints were generated from photographs of the original typings from the book with same title that is held by the Sackner Archive. The latter lent the original typings for these prints. A web site provides the background for each of the 12 poems. -- Source of annotation: Marvin or Ruth Sackner.
Kykafrikaans / Boshoff, Willem Hendrik., 1980
Kykafrikaans / Boshoff, Willem Hendrik., 1980
The Sackner Archive holds almost the entire manuscript for this book. A few pages were donated to the PAMM museum in Miami, Boshoff's typewriter poetry and art is all the more remarkable for the fact that he worked in complete geographical isolation from concrete poets and typewriter poets. The colophon indicates that the typings were composed on a Hermes 3000 model. This piece was exhibited in "Global Conceptualism" that started at Queens Museum and also travelled to Miami Art Museum. -- Source of annotation: Marvin or Ruth Sackner.