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Typewriter poetry

 Subject
Subject Source: Sackner Database

Found in 1812 Collections and/or Records:

sex champs / Bennett, John M. ; Maureas, Billy., 2005

 Item
Identifier: CC-44842-47013
Dates: 2005
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Booklets

sex champs / Bennett, John M. ; Maureas, Billy., 2005

 Item
Identifier: CC-44843-47014
Dates: 2005
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Booklets

Sex Exacts Exact Sex Acts / Houedard, Dom Sylvester., 1969

 Item
Identifier: CC-51363-72452
Dates: 1969
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Sfumato: Homage to Leonardo da Vinci / Keith, Bill., 1993

 Item
Identifier: CC-08100-8260
Scope and Contents

The labyrinth form of this poem spells out its title. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1993
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Shakespeare Sonnet 29 / Ward, John Powell., 1965

 Item
Identifier: CC-57964-10001222
Dates: 1965
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Shape and Structure, 1960-1965

 Item — Box And-Andre: [Barcode: 31858072490810]
Dates: 1960-1965
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / ARTIST BOOKS AND POETRY/BOOK OBJECTS

short poem / Houedard, Dom Sylvester; Brown P., 1963

 Item
Identifier: CC-56072-9999519
Scope and Contents

This poem is attibuted to pete brown. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1963
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

[-Si pot] / Baroni, Vittore., 1980

 Item
Identifier: CC-23534-23979
Dates: 1980
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Sie-Sam / Rypson, Piotr., 1982

 Item
Identifier: CC-03219-3268
Dates: 1982
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Signal Art / Todorovic, Miroljub., 1984

 Item
Identifier: CC-58003-64268
Dates: 1984
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

signes mechaniques 1 / Mairey, Francoise., 1975

 Item
Identifier: CC-59586-10002663
Dates: 1975
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

SIGNOS 11, 1973

 Item — Box Ahe-Alt: [Barcode: 31858072490802]
Dates: 1973
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / PAINTINGS, PRINTS AND BROADSIDES

Signs Fiction / Wolf-Rehfeldt, Ruth., 2016

 Item
Identifier: CC-61650-10004113
Scope and Contents

This book was edited by Jennifer Chert and consisted of 861 reproduced images. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2016
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Silence: SILENCE [page 20] / Burgess, Molly., 1973

 Item
Identifier: CC-57025-10000387
Scope and Contents

Burgess made this work, her first typewritten, concrete poems while at Pinceton University where she graduated as Bachelor of Arts. Summa Cum Laude University Scholar and Independent Major in 1975. This page is gold leaf with a single typed word 'SILENT.' -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1973
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Silence: SILENCES SILENTS [page 18] / Burgess, Mali aka Burgess, Molly., 1973

 Item
Identifier: CC-57027-10000389
Dates: 1973
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Silence: SILENT LAUGHING CRYING SMILING [page 17] / Burgess, Mali aka Burgess, Molly., 1973

 Item
Identifier: CC-57026-10000388
Dates: 1973
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Silence: SILENT / SILENCE [page 19] / Burgess, Molly., 1973

 Item
Identifier: CC-57023-10000385
Dates: 1973
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Silence: view. No.12 / Barry Flanagan, editor ; Flanagan B ; Themerson S., 1965

 Item
Identifier: CC-39485-41441
Scope and Contents

Barry Flanagan contributed amorphous filled-in drawings to this issue. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1965
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

silver beech and copper birch / Cameron, Charles., 2013

 Item
Identifier: CC-58067-10001314
Scope and Contents

Composed on an IBM Selectric typewriter. Cameron comments that this work is both (obviously, as is) a visual poem and, (less obviously) the score for a choral prose reading aloud, in which an alchemical transformation between vegetative and metallic elements is accomplished as we transition from trees (higher voices) to metals (lower) -- and perhaps back up again. It has always struck me that a poet would be as interested in adjacent names (in this case, silver birch and copper beech) as in adjacent trees. If I was reporting a country walk, birch and oak might be the two trees that caught my eye -- but as a poet, birch and beech, with their corresponding metallic adjectives, would be far more resonant. This copy printed 2013 from a computerized version in HTML, late 1990s, after a typed original -- almost impossible to reproduce at this point -- back in the early '80s. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2013
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Siobhan (Grimke 1837) / Nichols, Leslie., 2011

 Item
Identifier: CC-58653-10001885
Scope and Contents The Letters on the Equality of the Sexes were written by Sarah Grimké in 1837. The portrait is of the Artist Siobhan Liddell. She was born in England and lives and works in New York. I met her whilel I was a resident at Vermont Studio Center in Johnson, Vermont. Wikipedia: Sarah Moore Grimke (1792-1873) and Angelina Emily Grimke (1805-1879) known as the Grimké sisters, were 19th-century Southern American Quakers, educators and writers who were early advocates of abolitionism and women's rights. Angelina Grimké married abolitionist Theodore Dwight Weld in May 1838, and changed her name to Angelina Grimké Weld. They were born in Charleston, South Carolina, USA. Sarah Moore Grimke was born on November 26, 1792 and Angelina Emily Grimke was born on February 20, 1805. Throughout their lives, they traveled throughout the North, lecturing about their first hand experiences with slavery on their family's plantation. Among the first American women to act publicly in social reform...
Dates: 2011
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

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