Typewriter poetry
Found in 1812 Collections and/or Records:
this fence between inside / outside / Houedard, Dom Sylvester., 1968
This Is Concrete Atrocity Paper / levy, d.a.., 1966
This is Visual Poetry. No.8/Mar / Derya Vural., 2010
On the back cover, it is stated that Derya Vural was born in 1974 in Germany. She lives in Istanbul and works as a child psychologist and addiction consultant. She is interested in modern/contemporary visual arts, maths and motor-sports. Her visual poems were published at Zinhar/Poetikhars (Turkish visual poetry website/magazine), www.391.org and exhibited at the Asian visual poetry exhibition in Russia since 2005. Infusoria 2009. She is going on publishing visual poems at her personal website, www.dryvrl.blogspot.com. -- Source of annotation: Marvin or Ruth Sackner.
This not so much, but however / McCarthy, Cavan., 1970
Three Operas, 1964
& thunder storms (220163-011063) / Houedard, Dom Sylvester., 1963
The earlist poem on this page of multiple small poems dated 220163 reads 'the creator's - primordial crime - scrubbed.' Another poem that Houedard produced on 160263 reads 'Bang sid gpd - bangbang said i - we are both a bit kinky.' In a concrete poetic version of this poem with the same date also held by the Sackner Archive entitled 'dialogue,' the ending has been changed to 'we are both a bit crazy.' -- Source of annotation: Marvin or Ruth Sackner.
Tiep Uit / Boumans, Bart., 1983
Time and PLace in Space / Sorensen, William Louis., 1973
This poem is reproduced on page 147 of Sorensen's book, 'Data,' that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Time: cosmic / Burgess, Molly., 1973
Time: emit / Burgess, Molly., 1973
Time: i m age / Burgess, Molly., 1973
Time: no / none / Burgess, Molly., 1973
Time: silentimes / Burgess, Molly., 1973
Time: time and again / Burgess, Molly., 1973
Time: time / emit / Burgess, Molly., 1973
Tipoemas y Anipoemas - Typoems and Anipoems 1968-2001 / Uribe, Ana Maria., 2002
Ana MarÃa Uribe (1944-2004) was an Argentinian poet whose writing practices and poetry resonate with our historical moment of transition from analog to digital media." Uribe was inspired by a poetics that led to close affinities between the use of the page and the capabilities of digital media: The concrete poets tied onto Mallarme's innovation and revolutionized spatial conventions byturning space into an integral component of the poem with semantic significance. The flat, twodimensional surface of the page, however, is fundamentally redefined on the computer screenonce again, for the poetic space of the screen is radically different from that of the page on numerous levels. Firstly, it is kinetic and interactive: letters can move and migrate, positions ofletters and words are no longer fixed and static, but in flux and transient; they are no longer predetermined but potentially open for creative interventions (Schaffner1" -- Source of annotation: Marvin or Ruth Sackner.
TIS, 1975
Title: Of the Work / Cobbing, Bob., 1977
To Encourage The Application Of Mathematical Methods / Themerson, Stefan., 1973
To Ray the Rays (AA) / Chopin, Henri., 1986
The central panel with an identical inscription to other prints of the series is red. -- Source of annotation: Marvin or Ruth Sackner.