The text, "Songlines," taken from Chatwin a deceased Australian writer, is typographically presented by Ides on hand dyed Japanese papers. The theme is the Australian Aborigine's idea about how plants and creatures came to inhabit the Earth. One hundred copies were published in German and 60 copies in English. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition, which featured fine press work, was curated by Francis Mattson and Daniel Tierney, Jr. -- Source of annotation: Marvin or Ruth Sackner.

The book is based upon a German translation of a Khlebnikov poem, viz. every other page has a line of poetry with two or three letters in bold type face, opposing a stylized, calligraphic-like rendering of these letters by Frenken. An original painted, calligraphic drawing by Frenken is present near the title page. -- Source of annotation: Marvin or Ruth Sackner.

This book is a reprint from the journal "Typografische Monatsblatter."; published in 1970. -- Source of annotation: Marvin or Ruth Sackner.

This issue consists of a photographic/typographic experiment by Stefano Massei and Rudy VanderLans. It features a mixture of type and image combinations inspired by television and advertising language. Further, it consists of a mixture of type and image experimentations inspired by television and advertising language and imagery. The issue is centered on a single poem by Los Angeles poet Charles Bukowski. These layouts also feature the first time designer VanderLans uses a page-makeup program to create the entire page without additional paste-up, except for the photographs, which are still stripped into "windows" conventionally. -- Source of annotation: Marvin or Ruth Sackner.

This issue was edited and designed by graduate students at Cranbrook Academy of Art during the early years of Katherine McCoy's tenure. -- Source of annotation: Marvin or Ruth Sackner.

Chris Riley contributes an in depth essay 'Sustainable Consumerism" in which he analyzes the brand as a business idea and the notion of cultural influence in advertising. Rick Poyner writes about reaction to the design manifesto of 1999 in his essay "First Things First." -- Source of annotation: Marvin or Ruth Sackner.

This issue is sub-titled "100 Tips for a Design Economy" and is a collection of slogans, comments, maxims and glossaries. There are several negative comments about current design and WEB site design practices expressed in bold colored poster-like pages. -- Source of annotation: Marvin or Ruth Sackner.

The theme of this issue is advertising. -- Source of annotation: Marvin or Ruth Sackner.

According to its editors, this issue is devoted to "collaboration, writing, intellectual property, entrepreneurialism, poetry, authorship, self-publication, reading and everything else that design is made of." -- Source of annotation: Marvin or Ruth Sackner.

Documents the concept behind the alternative rock magazine, Ray Gun, through an interview with its editorial director, Neil Feineman. -- Source of annotation: Marvin or Ruth Sackner.

Reprints a story, "The Spiral" by Italo Calvino, in a highly experimental typographic layout designed by Andrea Futter. Indeed, the other pieces in this issue from students in the Design Program of the California Institute of Arts are also among the most highly experimental works in the run of Emigre. -- Source of annotation: Marvin or Ruth Sackner.

This issue according to Emigre "features an overview of the work of Sheffield - based The Designers Republic, and a lengthy interview with founder Ian Anderson. This is perhaps Emigre's most sought after issue. Includes a special 12 page insert (calendar) specially designed by TDR for this issue of Emigre." -- Source of annotation: Marvin or Ruth Sackner.

This issue includes the lyrics of the included CD by Honey Barbara. -- Source of annotation: Marvin or Ruth Sackner.