Typography
Found in 940 Collections and/or Records:
Fast 1/2 Minimum [Partial Reprint] / Ide, Christian., 1997
This pamphlet was distributed at the Frankfurter Buchmesse and is stored with Alinea material. -- Source of annotation: Marvin or Ruth Sackner.
Feb. / Plantureux, Serge ; Jarry A., 1990
Fellaparts / Emigre; Fella E., 1993
This is an advertisement for a new typeface design by Edward Fella. -- Source of annotation: Marvin or Ruth Sackner.
Fella's Flyers / Fella, Edward., 1997
Edward Fella designed, lettered and illustrated the posters that are lithographed on eight colors of Gilbert paper. Fella writes that "all the events announced actually happened, only the flyers didn't. They were each done after the fact and bear no stylistic bond to the work of any graphic designer represented herein; other than myself. Or so I disclaim." The loose sheets contain excerpts of reviews of Fella's work from Eye Magazine and Design Writing Research, held by the Sackner Archive, and other publications. Basically, Fella's experimental "battered typography" or "new typography of the nineties" that was designed over ten years ago is still currently criticized and analyzed. -- Source of annotation: Marvin or Ruth Sackner.
Filicornis: A Memorable Fancy / Robs., 1943
Several words in the introductory text, which are printed in an Italic typeface, appear to be made-up French words. The text in the second half of the book is printed in a more traditional type face and includes pages with spacial layout, text in the form of an eye, numbers which run beyond the set border and use of intervening capital typefaces. All the pages are bordered with a thin blue line. This copy is missing a reproduction of an original water color. -- Source of annotation: Marvin or Ruth Sackner.
Film Noir , 1978
The typographic layout approaches concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.
Film Noir, 1978
The typographic layout approaches concrete poetry. Bernadette [Mayer] heads The Poetry Project in NYC. -- Source of annotation: Marvin or Ruth Sackner.
Film Noir / Andrews, Bruce., 1978
The typographic layout approaches concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.
Fine Print: Czechoslovakia and the Book. No.1/Jan / Teige K ; Sutnar L., 1987
Several Czechoslovakian books depicted in this issue are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Fine Print: Eric Gill Centenary Issue. No.3/Jul., 1982
Matrix No.1 is reviewed. Don Cushman's book "Kill Jim," a work held by the Sackner Archive is reviewed. -- Source of annotation: Marvin or Ruth Sackner.
Fine Print: Fine Print on Type. / Charles Bigelow, Paul Haden Duensing, Linnea Gentry, editors., 1989
Not actually Volume 17 but since this book is a reprinting and summation of selected articles on type design over the run of sixteen volumes of Fine Print, designated Volume 17 by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Fine Print. No.1/Jan., 1984
Fine Print. No.1/Jan., 1989
Includes review of Matrix No.7 and a book by Janet Ing dealing with Johann Gutenberg and the controversy as to the credit for the invention of the printing press. -- Source of annotation: Marvin or Ruth Sackner.
Fine Print. No.2/Apr / Davids B ; Walkup K., 1984
Contains essays concerning fine art presses and educational courses in printing and book arts. Cover was designed by Betsy Davids. -- Source of annotation: Marvin or Ruth Sackner.
Fine Print. No.2/Apr / VanVliet C., 1983
Cover designed by Claire Van Vliet. -- Source of annotation: Marvin or Ruth Sackner.
Fine Print. No.2/Sum / Blumenthal J., 1990
Fine Print. No.3/Jul / Godine D., 1975
Edited and published by Sandra Kirshenbaum. -- Source of annotation: Marvin or Ruth Sackner.
Fine Print. No.3/Jul / Hamady W., 1983
Cover was designed by Wesley Tanner. -- Source of annotation: Marvin or Ruth Sackner.
Fine Print. No.4/Oct., 1975
Edited and published by Sandra Kirschenbaum. -- Source of annotation: Marvin or Ruth Sackner.