A survey intended to investigate media awareness and self perception, this brochure was designed as a site specific print piece for the Center House of the Seattle Center. -- Source of annotation: Marvin or Ruth Sackner.

This issue includes an extensive commentary on the printer, Robert Gibbings. -- Source of annotation: Marvin or Ruth Sackner.

The folder contains 26 examples of Chinese ceremonial papers The periodical includes an essay on the Pochoir machine along with examples. -- Source of annotation: Marvin or Ruth Sackner.

The folder contains five examples of Chinese ceremonial papers and a loose sheet of explanation. -- Source of annotation: Marvin or Ruth Sackner.

This issue includes an essay by Mike Hudson dealing with Jyoti Brunsdon's book, "The Cure," a work held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The typography in this book is the most experimental among the Max books. This book is the 1st printing of the first edition. -- Source of annotation: Marvin or Ruth Sackner.

This book is the 3rd printing of the first edition. -- Source of annotation: Marvin or Ruth Sackner.

This book is a masterpiece of collaboration between an artist and an avant garde publisher-printer who created one of the most beautiful artist books of the twentieth century. The original is signicantly larger than this facsimile that was also sponsored by the Iliazd club. The accompanying book is a catalogue of Ernst's visual artworks as well as a provider of documentary material for Maximilliana. -- Source of annotation: Marvin or Ruth Sackner.

This book "plots the logarithms of social measurement against stimulus values in decibels. It finds the sensation magnitude to be a constant that depends on interaction." Laxson uses scientific statements in a poetic mixture with social perceptions and feelings. These pages are printed in her typical arrangement of mixing different fonts and font dimensions. She also includes five pages of naive line drawings of a leader, a visionary, traffic, a friend, and a muse/guardian that contrast in style and content to the scientific, sophisticated typographic pages. Both inside covers have been collaged from edge to edge with letterpressed printed text. -- Source of annotation: Marvin or Ruth Sackner.

The first half of this book consists of portraits of famous men and women that are created by the author in specific and appropriate fonts. The second half of the book, People of Substance, the author combines type ornaments and icons to suggest a face with singular attributes like fear, passive, nice and money. -- Source of annotation: Marvin or Ruth Sackner.

The sculptures are the personal names the grandchildren call Ruth and Marvin Sackner. Joelle documents the work as follows: "Mi2 (Mimi) is set in Bodini Poster Italic. TA (Ta) is set in Trade Gothic Bold Condensed No.20 Oblique. Here they are! I used the laser cutter to make the different layers. It was designed in In Design." Joelle is a student at Rhode island School of Design. -- Source of annotation: Marvin or Ruth Sackner.

The sculptures are the personal names the grandchildren call Ruth and Marvin Sackner. Joelle documents the work as follows: "Mi2 (Mimi) is set in Bodini Poster Italic. TA (Ta) is set in Trade Gothic Bold Condensed No.20 Oblique. Here they are! I used the laser cutter to make the different layers. It was designed in In Design." Joelle is a student at Rhode island School of Design. -- Source of annotation: Marvin or Ruth Sackner.