Typography
Found in 940 Collections and/or Records:
Shadow of a Sound / Voznesensky, Andrei., 1969
The Sackner Archive also holds an unsigned copy of the book. Both covers depict the same photographic portrait of the poet but the shading and cropping differ. -- Source of annotation: Marvin or Ruth Sackner.
Shadow of the Sound / Voznesensky, Andrei., 1970
Shalom / Richard C.., 1989
The word "Shalom" is rubberstamped in English with pseudo-Hebrew letters. -- Source of annotation: Marvin or Ruth Sackner.
Sign Language / Constantine, Mildred ; Jacobson, Egbert ; Depero F., 1961
Signes: Special Festival de Chaumont. No.4 / Obalk H., 1997
The issue has a supplement by Hector Obalk entitled, "Sensible a la Typographie." -- Source of annotation: Marvin or Ruth Sackner.
Silex (proof pages), 1967
Silver Flower Coo / Ford, Charles Henri., 1968
Each page is composed of text of varying size fonts and styles of "words and readymade phrases in magic paste-ups." -- Source of annotation: Marvin or Ruth Sackner.
Sixpointoneoctoberone / Reese, Harry., 1989
Title refers to San Francisco earthquake Oct. 1, 1989 which was 6.1 on the Richter scale. -- Source of annotation: Marvin or Ruth Sackner.
Slow Progress
Sloynic, 1999
Small Press Books: Minnesota, Wisconsin, Iowa, 1988
Contains interview of Steve Clay and Merce Dostak, proprietors of Granary Books. -- Source of annotation: Marvin or Ruth Sackner.
Smashed / Sych, Paul., 1996
The poster depicts the typographically stretched word, 'smashed' overlaying an image of a broken bottle and fabric with psychodelic colors making up the background. -- Source of annotation: Marvin or Ruth Sackner.
SO NU / Hompson, Davi Det., 1991
[So, where will I go] / Campo, Allan; Campo, Donna., 1998
This is a thank you message composed by the Campos after a visit to the Sackner Archive. The message is printed in varying type faces and reads, "So where will I go with my feelings. No idea at all. Accuse Moi? The charge: too much wonder. Guilty! There are no words, only gratitude..." -- Source of annotation: Marvin or Ruth Sackner.
Sock & Kiss / Fluke, Gordon, editor; Risseeuw, John L., editor; Bruggeman I; Carter S; Chen J; Ellis EV; Fluke G; Golden A; Hardwick T; Honn T; King S; Licher B; O'Connell M; Phelan M; Price R; Reese H; Risseeuw J; Schneider U; Smith EK; Faust D; Stern C; Tetenbaum B; Tisdale W; VanVleit C; Kennedy APjr; Faye JR; Stolz U., 2001
This portfolio, solicited and collated by Fluke and Risseeuw, was shown for the first time at the Cortona International Print Symposium: A Print Odyssey 2001. The editors define sock as "...in printing, the use of heavy pressure, usually on dampened paper, to drive types that may be uneven or worn deep into the paper for a readable text." They defined Kiss as "...in printing, a light impression with just enough pressure to transfer the ink from type to paper, leaving no permanent indentation in the paper." The paper stock for the prints varies widely as do the techniques of printing. -- Source of annotation: Marvin or Ruth Sackner.
Soleil! Soleil! / Saura, Salvador, editor ; Torrente, Ramon, editor., 1986
This book was first published in Mallorca, Spain by Edicions de l'Eixample in 1983. -- Source of annotation: Marvin or Ruth Sackner.
Some Came to Stay / Crombie, John., 2003
In the preface, Crombie states, "These rhymes were concocted as a pretext for a sequence of fantastical creatures inspired and printed from patterned vinyl wallpaper. " -- Source of annotation: Marvin or Ruth Sackner.