This issue is concerned with the real world of graphic design and the education of design students who will "shape the real world into a place more to their liking." -- Source of annotation: Marvin or Ruth Sackner.

The three volumes comprising this exhibition include: 1) Frederich Vordemberge-Gildewart Typographie und Werbegestaltung, 2) Ring, neue werbegestalter Amsterdamer Ausstellung von 1931, and 3) Kurt Scwitters Typographie und Werbegestalting. -- Source of annotation: Marvin or Ruth Sackner.

Profusely illustrated book that reproduces experimental typographic spreads from magazines, exhibition catalogues, posters, and ads. It also has a section on student work. Magazines represented among others include Ray Gun, Emigre, Bulldozer, Form + Zweck, The Downlow, Zed, Coil, Bikini, Wired, and Now Time. -- Source of annotation: Marvin or Ruth Sackner.

This autobiography deals with the personal philosophy, work ethic, and influences that affected Weingart's development as a typographic designer, photographer, and graphic artist beginning with his student years. -- Source of annotation: Marvin or Ruth Sackner.

Consists of handset, metal type, alphabetical texts with ornaments printed on different composition papers utilizing such typefaces as Helvetica, Bembo, Caslon, Centaur, Garamond, Bernhard Gothic Light, Modern Roman, News Gothic, Plantin, Chandelier, Cheltenham, Traftin, Packard, and Puritan. -- Source of annotation: Marvin or Ruth Sackner.

This profusely illustrated book focuses for the most part on works of contemporary Swiss typographers and graphic designers along with material produced by Swiss and German graphic design students. It serves as a good reference for cutting edge typography and graphic design done in Switzerland since WWII. -- Source of annotation: Marvin or Ruth Sackner.

This book depicts examples of the work of five Nurnberg letterpress publishing houses based upon the typoraphy of Hermann Zapf. -- Source of annotation: Marvin or Ruth Sackner.

This issue includes an illustrated article on the genesis of the letter 'A.' -- Source of annotation: Marvin or Ruth Sackner.

Marion Muller contributes an extensively illustrated essay on the calligraphic and graphic design works by Hans-Joachim Burgert. Marion Muller writes about "A Dictionary" by Peter Grundy. In it, Grundy provides concrete poems utilizing compositions with the letter(s) 'x' that describe a word beginning with 'ex.' For example, xaggerate, xtract, xact, xcrete, etc. -- Source of annotation: Marvin or Ruth Sackner.

Steven Heller contributed an essay on the cartoon pieces by Robert Grossman. Alan Haley submitted an essay on the typographer William Addison Dwiggins. Marion Muller wrote about "Fingernail Embossing." -- Source of annotation: Marvin or Ruth Sackner.

This issue contains an illustrated article on the genesis of the letter 'N.' -- Source of annotation: Marvin or Ruth Sackner.

This issue includes an article about Graham Clifford depicted his "dirty type" for use in an advertisement dealing with pain, sweat, dirt, and blisters. -- Source of annotation: Marvin or Ruth Sackner.

Steven Heller contributed an essay titled "Advertising Arts: America Becomes Modern(istic)." He traces the history of the advertising magazine first published in 1930. -- Source of annotation: Marvin or Ruth Sackner.

This issue includes an illustrated article on the genesis of the letter 'I' by Allan Haley. Marion Muller describes the work of Jan Baker in a illustrated essay "A Woman of Letters." The Sackner Archive has extensive holdings of this artist. -- Source of annotation: Marvin or Ruth Sackner.

Marion Muller writes a brief essay on Deltiology, i.e, the collecting of postcards. -- Source of annotation: Marvin or Ruth Sackner.