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Visual art

 Subject
Subject Source: Sackner Database

Found in 5468 Collections and/or Records:

I Never Liked to Work / Tot, Endre., 1987

 Item
Identifier: CC-40961-42940
Scope and Contents

The card depicts Tot in a t-shirt that reads "I never likeD to work," along with the hammer and sickle sign associated with communism. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987

I Only Have Eyes for You / Hambleton, Richard Art., 1980 - 1981

 Item
Identifier: CC-52873-74011
Scope and Contents

Wikipedia [2011]: Richard Hambleton (born June, 1954) is an artist-painter currently living and working in the Lower East Side of New York City. Richard Hambleton has been called the godfather of street art. He is the surviving member of a group who, together with Keith Haring and Jean-Michel Basquiat, had great success coming out of the New York City art scene during the booming art market of the 1980s. Much of Hambleton's work is compared to graffiti art, however, Hambleton considers his work to be "public art." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1980 - 1981

I understand (2 Jan 1968) / Dom Sylvester Houedard., 1968

 Item
Identifier: CC-56829-10000197
Scope and Contents

The top two plastic extensions are arms and the bottom two are legs.The full collaged text reads "I understand singly or in display." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968

I understand (2 Jan 1968) / Dom Sylvester Houedard., 1968

 Item
Identifier: CC-56829-10000197
Scope and Contents

The top two plastic extensions are arms and the bottom two are legs.The full collaged text reads "I understand singly or in display." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968

I wanna wake up... / Sackner, Sara., 1979

 Item
Identifier: CC-59864-10002921
Scope and Contents

Found pages of text are interwoven on a visual background and stitched around the borders. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1979

ICA Bulletin. No.144/Feb / Ferro A ; Butler B ; Soto J., 1965

 Item
Identifier: CC-37109-38951
Scope and Contents

Jesus Soto who contributed to this issue died in 2005 at age 81 years. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1965

Ich Als Kunstfigur; oder: was das ganze teater soll / Ulrichs, Timm., 1969

 Item
Identifier: CC-01025-1051
Scope and Contents

This print is depicted on pages 158-159 of Ulrichs exhibition catalogue, "Die Druckgrafik" 2003, a book held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969

[Ich Finde], 1987

 Item — Box 180: [Barcode: 31858072459500]
Identifier: CC-57621-57276
Scope and Contents

There are pseudo-German baroque texts running througout the book that spawn figures or heads from the letters. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987

Ich in Einem Stuck / Riha, Karl ; Jaschke G., 1991

 Item
Identifier: CC-03711-3782
Scope and Contents

The 13 pages of text consist of a single sentence with the word "ich" printed in bold type. Includes a line drawing by Gerhard Jaschke. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991

Icon Triptych / Radin, Betty., 1996

 Item
Identifier: CC-45277-47462
Scope and Contents

The icon is the same one used in Radin's book, "Solomon Icon." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

Icon/Image: Photographs in Miami Collections / Abbott B ; Badura M ; Satie A ; Michals D., 1984

 Item
Identifier: CC-08435-8602
Scope and Contents

This exhibition was curated by Ellen Lyons. The cover depicts photographs of Marvin Sackner and daughter Sara by Duane Michals. The Sackner Archive lent photographs by Bernice Abbott, Michael Badura, and Alain Satie to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

Idiot Menagerie: Hallucinagens and Graphic Constructs, 1987

 Item — Box 340: [Barcode: 31858072491255]
Identifier: CC-21383-21794
Scope and Contents

According to Kettner, "First (and only) edition. Average press run for Bomb Shelter: 300-500 copies. Light gray cover with matching text of heavy vellum offset stock. Mixture of art, visual poetry and prose poetry. An orgy of collage-like visions, whipped to a froth and served to the raging, cosmic furnace." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987