The drawing was done on the facing pages of the Table of Contents. The book consists of critical analysis of Hubaut's work by Restany, Lebel and Frank, reproductions of polaroid photographs featuring Hubaut performing in his white jacket painted with distinguishing signs, and comments by Hubaut on these photographs. Forty-eight reproductions of colored polaroid photographs constitute a section of this book. All have the identical format and are printed on a black background. The photographs are centered, one to a page. The caption "hobby or not hobby -- mon dada comme un violin" is printed at the top of each page in white. The caption "epidemie completement d'ingres" is printed in white at the bottom of the page. -- Source of annotation: Marvin or Ruth Sackner.

The book consists of critical analysis of Hubaut's work by Restany, Lebel and Frank, reproductions of polaroid photographs featuring Hubaut performing in his white jacket painted with distinguishing signs, and comments by Hubaut on these photographs. Forty-eight reproductions of colored polaroid photographs constitute a section of this book. All have the identical format and are printed on a black background. The photographs are centered, one to a page. The caption "hobby or not hobby -- mon dada comme un violin" is printed at the top of each page in white. The caption "epidemie completement d'ingres" is printed in white at the bottom of the page. -- Source of annotation: Marvin or Ruth Sackner.

Contains Banana Rag No.20. Stored in Anna Banana Publications box. -- Source of annotation: Marvin or Ruth Sackner.

Contains Banana Rag No.19. Stored in Anna Banana Publications box. -- Source of annotation: Marvin or Ruth Sackner.

Contains Banana Rag No.23. Stored in Anna Banana Publications box. -- Source of annotation: Marvin or Ruth Sackner.

Stored in Anna Banana Publications box. -- Source of annotation: Marvin or Ruth Sackner.

Includes an essay on the Stendahl effect, i.e. being overcome with emotion on viewing art. Stored in Anna Banana Publications box. -- Source of annotation: Marvin or Ruth Sackner.

Contains Banana Rag No.21 & Artery Vol.1 No.3. Stored in Anna Banana Publications box. -- Source of annotation: Marvin or Ruth Sackner.

Stored in Anna Banana Publications box. -- Source of annotation: Marvin or Ruth Sackner.

Includes photograph of a detail of Furnival's standing screen, Fifty-One Towers of Babel (1984) in progress. This work is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

David Moss writes, "The ideas and intention and direction are fundamental Jewish notions. As direction is essential in reaching a physical destination, intention is needed to reach practical and spiritual goals. The Hebrew word kavanah brings together the ideas of direction, intention and concentration. Through kavanah we manage to stay directed and reach our desstiny in spite of life's many twists and turns. Aphysical expression of this idea is the traditional Jewish plaque known as the "Mizrach." Mizrach means 'East', and is derived from the root of 'shining', as in the shining forth of the rising, morning sun.The origin of this folk art piece was the custom of praying towards Jerusalem, which in most of the Jewish world meant facing east. Upon entering a room in which a Mizrach was hung, one would be immediately oriented for the direction of prayer." -- Source of annotation: Marvin or Ruth Sackner.

David Moss writes, "The ideas and intention and direction are fundamental Jewish notions. As direction is essential in reaching a physical destination, intention is needed to reach practical and spiritual goals. The Hebrew word kavanah brings together the ideas of direction, intention and concentration. Through kavanah we manage to stay directed and reach our desstiny in spite of life's many twists and turns. Aphysical expression of this idea is the traditional Jewish plaque known as the "Mizrach." Mizrach means 'East', and is derived from the root of 'shining', as in the shining forth of the rising, morning sun.The origin of this folk art piece was the custom of praying towards Jerusalem, which in most of the Jewish world meant facing east. Upon entering a room in which a Mizrach was hung, one would be immediately oriented for the direction of prayer." -- Source of annotation: Marvin or Ruth Sackner.

Each page contains a drawing of a fish or sea scene and a handwritten explanation. -- Source of annotation: Marvin or Ruth Sackner.

This book consists of reproductions of collages of antique engravings of mythologic creatures, e.g., sphinx, harpie, satyr, sirene, etc. on newspaper texts. The collage by Heyl depicts two images of mythological creatures on a chess board. -- Source of annotation: Marvin or Ruth Sackner.

This book consists of reproductions of found pages of heraldic illustrations, ink drawings on graph paper by Andryczuk, reproductions of old Germanic engravings and abstract drawings on chemistry texts by Knistoff. The drawing by the two artists consists of an offset printed page of German heralds with over-painted black and silver abstract figures . -- Source of annotation: Marvin or Ruth Sackner.

The laid-in photographs by Becker of assemblages or collages of quasi-surrealistic, found or reconstructed landscapes, figures, and objects illustrate the poetic and fictive text. -- Source of annotation: Marvin or Ruth Sackner.