Visual art
Found in 5469 Collections and/or Records:
After Bamforth / Phillips, Tom., 1976
These prints depict pastoral scenes and are alo held by the Australian National Gallery. They are stored in a portfolio box among the Phillips material along along with three other prints (artist proofs) out of series made in 1972 -- Source of annotation: Marvin or Ruth Sackner.
After Bamforth: Scenes most are Brightest (2) (print) / Phillips, Tom., 1972
After Bamforth (The Happy Land) / Phillips, Tom., 1972
The landscape picture, painted in a "pointilistic" style of Seurat, is best appreciated when the viewer squints. Phillips also did a print portfolio with the same title that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
After Bamforth: Tom writes "I saw H Last night but it wasn't fine" / Phillips, Tom., 1971
This is the same image as the drawing held by the Sackner Archive entitled "After Bamforth (The Happy Land)" but the color registrations are slightly different. -- Source of annotation: Marvin or Ruth Sackner.
After Bamforth: Walse Me Around Again Willie / Phillips, Tom., 1972
After Bamforth: Walse Me Around Willie Again No.2 / Phillips, Tom., 1971
After Bamforth: Walse Me Around Willie Again / Phillips, Tom., 1971
After Marvell / Clark, Thomas A.., 1980
Blank colored pages of varying green hues to provide an allusion to Andrew Marvell's poem "The Garden." -- Source of annotation: Marvin or Ruth Sackner.
After Marvell / Clark, Thomas A.., 1980
Blank colored pages of varying green hues to provide an allusion to Andrew Marvell's poem "The Garden." -- Source of annotation: Marvin or Ruth Sackner.
After Perestroika / Gerlovina R ; Gerlovin V ; Komar & Melamid ; Bruskin G., 1991
It is mentioned that works of the Gerlovins are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
After Raphael / Phillips, Tom., 1973
The image after a painting by Raphael was created according to the proportions of the Golden Section (square root of 2). The lines making up these divisions are visible as faint black lines that have been enhanced by silkscreening a layer of clear varnish on this 31 color silkscreen print. -- Source of annotation: Marvin or Ruth Sackner.
Afterimage. No.5/Dec / Sligh C., 1989
Laura U. Marks interviews Clarissa Sligh, a visual/verbal artist who also makes books, in an article entitled "Reinscribing the Self." -- Source of annotation: Marvin or Ruth Sackner.
Afterimage. No.6/Jan / Neaderland L ; Zelevansky P., 1988
Contains reviews of ISCA Quarterly's First and Second Annual Bookworks Editions, and Zelevansky's "The Case for the Burial of Ancestors, Book Two." -- Source of annotation: Marvin or Ruth Sackner.
Afterwords / Lopes, Damian, editor; UU D; Evason G; curry jw., 1991
Agape, 1985
Agentzia 2: numero exposition / Gerz, Jochen, editor ; Bory, Jean-Francois, editor ; Harris DW ; Hall OBS ; Finlay IH ; Gerz J ; Furnival J ; Clay M ; Houedard DS ; Garnier P ; Nutbeem A ; Bory JF ; Bremer C ; Arias-Misson A ; Vigo EA ; Mayer HJ ; Niikuni S ; Spatola A ; DellaCasa G ; Blaine J ; Ulrichs T ; Nichol bp ; Carrega U ; Vicinelli P ; Shohachiro T ; Cinicolo-3 D ; Bevan A ; Blaine J., 1970
Note that "Tonto or" No.7 pamphlet that was included in this collection is stored in a portfolio box with other issues of "Tonto or." This collection also includes two Standing Poems by Ian Hamilton Finlay and Opening Numbers 2 & 4 edited by John Furnival. -- Source of annotation: Marvin or Ruth Sackner.
Agentzia: Petit Precis d' Erotomanie (Fugue). No.10 / Julien Blaine., 1968
The book consists of identical pages, viz., a printed arrow directed toward a round perforation of the page. -- Source of annotation: Marvin or Ruth Sackner.
Aggie Weston's: [Landscape Photographs]. No.4/Sum / John Blakemore., 1974
Each page reproduces a black and white photograph that depicts a close-up of flora and fauna in Derbyshire, England. -- Source of annotation: Marvin or Ruth Sackner.
Aggie Weston's: [Landscape & Seascape Photographs]. No.13/Sum / John A. Davies., 1977
Each page reproduces a black and white photograph that depicts a landscapes and seascapes in Ireland and North Wales. -- Source of annotation: Marvin or Ruth Sackner.
Aggie Weston's. No.16/Win / Richard Long., 1979
Edited by Stuart Mills. -- Source of annotation: Marvin or Ruth Sackner.