Visual art
Found in 5468 Collections and/or Records:
one cent: Hereafter bp 3rd ed. No.242/Apr / Arthur Cravan., 1990
Also designated one cent #242. Cover photograph of bp Nichol was taken by Tom Robe. This edition was preceded by two private printings of 3 & 18 copies. -- Source of annotation: Marvin or Ruth Sackner.
one cent: Stucco Homes in Silk Wrappings [Portrait 2]. No.249/Apr / jw curry., 1990
one cent: The Spitter. No.146 / John M. Bennett., 1984
The recto depicts a snake, the verso the following poem: I was Spitting on the Water Heater. -- Source of annotation: Marvin or Ruth Sackner.
one cent: wefish. No.202 / Joe., 1988
one cent: Work. No.210/Sep / MB Duggan., 1988
One Cubic Foot / Kyle H ; Carothers M ; Irland B ; Weier D., 1983
Exhibition featured twelve three dimensional paper book objects. Organized by the Center for Book Arts. Brief introduction by Norman B. Colp. -- Source of annotation: Marvin or Ruth Sackner.
one great night; The Art of the Book / Bart, Harriet., 2003
One / Nadau, Jean-Pierre., 2007
One of a Kind Post Card / Jackman, Sandra., 1984
Jackman thanks the Sackners for purchasing her work (1984) and informs them that she can see them in NYC. -- Source of annotation: Marvin or Ruth Sackner.
One of Many - Origens and Varients / Ruppersberg, Allen ; Roussel R ; Vida-Spence J ; Zellen J ; Moss B., 2006
Vida-Spence is a California psychoanalyst/art collector who contributes a long essay to this catalogue mentioning Jody Zellen and Brian Moss, two artists whose works are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
One Original and 20 Modifications / spence, pete., 1998
One Plus or Minus One / Stevens, Mary ; Lippard L., 1988
This catalogue documents is a feminist installation piece. -- Source of annotation: Marvin or Ruth Sackner.
One + Two (Collaborative Print Project) / Dellafiora, David, editor ; Iacovella, Anita, editor ; Lakner S ; Janke E ; Baroni V ; Lagerwerf M ; Bennett JM., 2014
In May 2004 printmaker Anita Iacovella and mail artist David Dellafiora undertook a series of printmaking workshops with young people. Each young artis tmade an edition of two prints, one unique to the maker and the other to be 'added' to by an artist from the Mail Art Network. Both prints were displayed along side each other at the Geelong Old Post Office and the Grovedale Neighbourhood House. -- Source of annotation: Marvin or Ruth Sackner.
Only Mail Art / Cauli, Torma., 2013
The images on the pages consist of reproductions of collages. -- Source of annotation: Marvin or Ruth Sackner.
On/Off. No.1 / Anonymous, editor ; Jardim E ; Plaza J ; Keppler R ; Valcarcel-Medina I ; Toledo A ; Lemos F ; Matuck A ; Tozzi C ; Silveira R ; Pacheco e Chaves A., 1974
Op Papier 2008 - 2010 / Werbachowska, Alicja ; Sackner MA ; Sackner RK., 2011
The Sackner Archive is listed as containing Alicja Werbachowska's work. The letter accompanying the catalogue from Galeria Wit was written in appreciation. -- Source of annotation: Marvin or Ruth Sackner.
Opening: An Excerpt from Code. No.5/Sep / Franciszkca Themerson ; Stefan Themerson., 1965
The card has two pop-ups, viz., the upper half a caricature of a face an the lower half a poem dealing with doves and magic. -- Source of annotation: Marvin or Ruth Sackner.
Opening: An Excerpt from Code. No.5/Sep / Franciszkca Themerson ; Stefan Themerson., 1965
The card has two pop-ups, viz., the upper half a caricature of a face an the lower half a poem dealing with doves and magic. -- Source of annotation: Marvin or Ruth Sackner.
Opening an Opening / Moss, David., 2013
David Moss writes in the brochure that "this work was inspired by the blue gates and doors of Zefat...an unspoken metaphor hovers over this ancient custom of painting entrances blue in Zefat...the text of this little book is the well-known verse of Psalms 118:19: "Open for me the gates of righteousness; I shall enter them and I shall praise God." The abstsract Hebrew letters of this verse are uniquely designed by Moss to fit into the four gate-like papercuts. -- Source of annotation: Marvin or Ruth Sackner.