Visual art
Found in 5469 Collections and/or Records:
[Oral Sex] / Depew, Wally., 1975
This is a collection of line drawings depicting oral sex. -- Source of annotation: Marvin or Ruth Sackner.
Orange Globe / Tuttle, Richard., 1985
Oratorio Pour La Nuit De Noel [Facsimile] / Leveque, Marc Sabathier ; Picasso P., 1987
Oratorio Pour La Nuit De Noel / Leveque, Marc Sabathier ; Picasso P., 1955
Oregon Biennial / Thompson M., 1991
Orientalia Rheno-Traiectina (140567) / Dom Sylvester Houedard., 1967
The white paste is streaked with red abstract markings. -- Source of annotation: Marvin or Ruth Sackner.
Orientalia Rheno-Traiectina (140567) / Dom Sylvester Houedard., 1967
The white paste is streaked with red abstract markings. -- Source of annotation: Marvin or Ruth Sackner.
Orientations: Space/Time/Image/Word / Cluver, Claus, editor ; Plesch, Veronique, editor ; Hoek, Leo, editor ; Boltanski C ; Kamensky V ; DeCampos A ; Pignatari D ; Xisto P ; deSouza EA., 2005
This book is number 5 in Word & Image Interactions. REgine Rapp contributes a chapter "Tango with Cows: Russian Futurist Book Art" in which she analyzes the book work of poet and artist Vasily Kamensky, a member of the group called Hylaea. Claus Cluver's essay "Mini-Icons: Letterforms, Logos , Logopoems" refers to the work of the Brazilian poets. Alan Prohm contributes an essay "Resources for a Poetics of Visual Poetry." -- Source of annotation: Marvin or Ruth Sackner.
[Original Postcard Work] , 1981
Ornamental Design, 1985
The paper base for this drawing is a sketchbook page. The forms with their descriptive colors are reminiscent of American Indian designs. -- Source of annotation: Marvin or Ruth Sackner.
Orte-Wege-Nomaden / Hainke, Wolfgang ; Monro, Niall ; Olbrich, Jurgen O. ; Ruch, Gunther ; Rungenhagen, Ulf ; Stake, Chuck ; Stirnemann, Manfred Vanci., 1986
Orworks. No.152 / Don Milliken., 1991
Ottava Ring / Helmes, Scott., 2009
Our Lady 1 / Houedard, Dom Sylvester., 1952
According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.
[Our Lady 2] / Houedard, Dom Sylvester., 1952
According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.
[Our Lady Abstraction 1] / Houedard, Dom Sylvester., 1953
[Our Lady Abstraction 2] / Houedard, Dom Sylvester., 1953
[Our Lady Abstraction 3] / Houedard, Dom Sylvester., 1953
According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.
[Our Lady Abstraction 4] / Houedard, Dom Sylvester., 1953
According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.
[Our Lady Abstraction 5] / Houedard, Dom Sylvester., 1953
According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.