Visual art
Found in 5486 Collections and/or Records:
The Painter's Garden / Montessori, Elisa ; Plath S., 1988
The Palace of the Queen / Corry, Corrine., 1987
The Pandemonium Spirit, 1986
According to Kettner, "First (and only) edition. Average press run for Bomb Shelter: 300-500 copies. From brief author's introduction 'In these writings and collages some "other," the "rawspirit," does the speaking. For that reason any attempt to understand this in a linear or logical context will be difficult or impossible. I see pandemonium as a break from the strictures of codified behavior into a liberated existence.'" -- Source of annotation: Marvin or Ruth Sackner.
The Paper Snake / Johnson, Ray ; Higgins D ; Fine AM ; Knowles A ; Herms G ; DiPrima D ; Stein G., 1965
In the text printed on the dust jacket by William Wilson, Ray Johnson is described as living "a life that is a continuous revelation of pure and radiant design, the image of that life is art. Since the life itself is designed of coincidences, like a walk taking a line, the aesthetic reciprocal of that life is a Ray Johnson collage. Ray Johnson is not neo-dada or abstract or extract: he is an artist representing the reality of his life; it happens that his life is a collage." -- Source of annotation: Marvin or Ruth Sackner.
(The) Paper Works: Paintings, Photographs, Texts / Williams, Guy., 1977
The Papertailor of Susannia / Lakner, Susanna., 2011
The Pencil Monologues / Maggi, Marco., 2000
The works are mainly dense, pencil drawings on aluminum foil that relate to micrography. -- Source of annotation: Marvin or Ruth Sackner.
The Perfect Kiss / Byars, James Lee ; Picabia F ; Apollinaire G ; Stein G ; Spoerri D., 1983
The Piccadillies / Roth, Dieter ; Ackerman M ; Mayer HJ ; Phillips T., 2006
All the images in this book were based upon a postcard from the collection of Rita Donagh (Richard Hamilton's wife). A postcard that it similar but with slight differences was used by Tom Phillips in hia book "The Postcard Century" to open the 1974 section. -- Source of annotation: Marvin or Ruth Sackner.
the Poemthought Equation(s) / Sonnenfeld, Mark., 1995
The Poet Exposed / Felver, Christopher ; Bernstein C ; Burroughs WS ; Cage J ; Ginsberg A ; Giorno J ; Hirschman J ; Hollo A ; MacLow J ; McClure M ; Padgett R ; Rothenberg J ; Saroyan A ; Schwerner A ; Coolidge C ; Sanders E ; Creeley R ; Antin D ; Ashbery J., 1986
Photographic portraits of 101 contemporary American poets are matched with their personal, handwritten signed prose, poetic statements, and/or drawings. -- Source of annotation: Marvin or Ruth Sackner.
The Poncho Series / Chacona, George., 1988
The Poor Fisherman / Finlay, Ian Hamilton ; Macmillan, Duncan., 1991
This exhibition of Finlay's works is based upon the painting by Puvis de Chavannes entitled "The Poor Fisherman." -- Source of annotation: Marvin or Ruth Sackner.
The Portrait, 1969
The Portrait, 1969
The Portrait Works / Phillips, Tom., 1989
Portraits of Ruth and Marvin Sackner, both held by the Archive, are reproduced in the catalogue. "The Dante Binding" (depicted on page 29), a portrait of Pella Erskine-Tulloch is also held by the Sackner Archive. Edward Lucie Smith signed his portrait on page 37 at a talk of his book "My Jamaica" held at Books & Books in Coral Gables that the Sackners attended. -- Source of annotation: Marvin or Ruth Sackner.
The Prayer, 2000
Inked drawing of a man smoking as men and eyes surround him. Signed by artist
The Preparation / Upon Unruled Wrapper / Miller, David ; Fisher, Allen ; Goeritz M., 1977
David Miller contributes an essay on his writing of The Preparation. Mathias Goeritz contributed the cover drawings that were also duplicated on two of the pages. -- Source of annotation: Marvin or Ruth Sackner.