Drawings and linocuts were done by Adele Aldridge and poems by William F. Claire. -- Source of annotation: Marvin or Ruth Sackner.

The paper reinforcements are mainly bunched in the page center. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue prints interviews with Tim Rollins (an art teacher) and KOS of the background behind the subject which began with the reading of a book on Grunewald in Rollins collection in 1982 by Carlos Rivera, a 12 year student with learning disability, who was asked to reproduce his favorite painting in the book. Rivera selected The Temptation of Saint Antony, did an impressive drawing of the work which was enjoyed by the rest of Rollins' class to the point where other artists' versions were shown. The latter included Schongauer, Brueghel, Bosch, Callot, Redon, Ensor, and Ernst. The influence of these images and the text on Rollins group over the years led them to do their own interpretations of the work as watercolor studies, paintings and finally prints at Crown Point press. The catalogue includes several reproductions including an etchings from "The Temptation of Saint Antony" series, a work held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The Thing Quarterly is a periodical in the form of an object. It's like a magazine, except that each issue is conceived of by a different contributor and then published as a useful object. -- Source of annotation: Marvin or Ruth Sackner.

William Jay Smith also contributed an afterward. The wood engravings are by John DePol and M.A. Gelfand is the printer. -- Source of annotation: Marvin or Ruth Sackner.

This photoessay by Sara Sackner published on the Phillips web site for the first time, documents the work at Tom's studio in London during the production of the fine press book Dante's Inferno in 1980. This is vol. 6, no. 1 of recent website updates. John Pull, webmaster, writes, " I first saw Sara's photos while visiting the Sackner Archive of Visual and Concrete Poetry (sic) in Miami Beach. I loved the image I saw of Tom and NIck Tite reviewing the plate and was floored by the cache of prints Sara loaned me for this special exhibition, 57 in '80. Fond appreciation to Sara for her generosity." -- Source of annotation: Marvin or Ruth Sackner.

Amazon.com: combination of poetry, prose, and graphic art from a Czech Surrealist who once painted the surface of a frozen lake. The twelve full-color pictures that form the book's central motif are from a 1976 Danish calendar and executed by froissage, a particular method invented by Novak of interpreting the lines formed by crumpling TC. The text to the art was written overnight in the spirit of automatism, and, again sixteen years later. The volume also includes poems from Novak's alter ego, Mr. Hadliz, as well as a conversation between the author and his subject. -- Source of annotation: Marvin or Ruth Sackner.

Joyce Kosh at age 16 years wrote this book in 1951 and printed it in 2001. -- Source of annotation: Marvin or Ruth Sackner.

Also designated as Black Series No.2. Includes reproductions of two drawings by Franciska Themerson. -- Source of annotation: Marvin or Ruth Sackner.

This consists of a set of pictures, one for each letter of the alphabet, with an attempt to include as many images as possible in the picture denoted by the first letter of its corresponding word. The book contains over 8000 items in its 26 pictures. The author also describes his working process in making the pictures, He includes an image of himself in all the pictures. The soft cover book accompanying the book lists all the images used for the puzzle book. -- Source of annotation: Marvin or Ruth Sackner.

The line drawings and cover were done by John Sweet. -- Source of annotation: Marvin or Ruth Sackner.

A forward was written by Michael Bell traces the life and work of Rosenblatt. Bell writes, "The drawings range in style from the simplest, almost whimsical scratches on the paper, expecially some of the latest observations on the shoreline of Vancouver Island, to highly compendia of signs and symbols, richly worked in obsessive surface patterns." -- Source of annotation: Marvin or Ruth Sackner.

This is a reprinting of the first commercial print that Furnival made after his graduation from the Royal Academy of Art. -- Source of annotation: Marvin or Ruth Sackner.

This poem was composed and printed in celebration of the 80th birthday of Bill Smith and the publication of his collected poems by the same title. The small engraving by George Wingate illustrates the poem. -- Source of annotation: Marvin or Ruth Sackner.

Each print consists of a visual and visual/verbal based poem printed from a collage. Each contains a previously published photograph of holacaust subjects. Reed Altemus is the publisher of Live Matter. -- Source of annotation: Marvin or Ruth Sackner.