Visual art
Found in 5469 Collections and/or Records:
Xerolage. No.16 / Bern Porter., 1990
The images in this issue are solely visual. -- Source of annotation: Marvin or Ruth Sackner.
Xerolage: (otto). No.12 / Greg Evason., 1987
The cover of one copy is printed on green paper stock, the other on grey paper stock. -- Source of annotation: Marvin or Ruth Sackner.
Xerolage: Smart Plow. No.8 / Joe Schwind., 1987
Xmas in July / Vieira, John., 2009
The leaflet is punched out with an image of Santa Claus carrying a sack of toys on his back. -- Source of annotation: Marvin or Ruth Sackner.
Xylon. No.14/Feb / Hans Rudolf Bosshard., 1968
Includes texts by Heinich Rumpel about Hans Rudolf Bosshard's life and work, and by Hans Jorg Wuger about Bosshard's constructivist art work. Bosshard explains the development of his project dealing with variations on a cube. -- Source of annotation: Marvin or Ruth Sackner.
Ya Koi Ya Ja Dee / bissett, bill., 1971
Yellow / Goodnough, Miko., 2000
[Yellow Skulls], 1993
[Yellow Skulls] / Bennett, John M.., 1993
Yellow Trax / Baroni, Vittore., 1982
Yes Thing No Thing / Torres, Edwin., 2012
Ying Yang Cube / Mayer, Peter., 1968
The editioned Ying Yang Cube with typography by Alan Rickman and its printed flat sheet meant for cutting it its form are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Yonder Glow / Clinton, Martina ; bissett b., 1971
bill bissett's abstract drawing is reproduced on the first page. -- Source of annotation: Marvin or Ruth Sackner.
You are Here / Harmon, Katharine ; Carroll L ; Scher P ; Messager A ; Hiller S ; Wolfli A ; Finster H ; Chwast S ; Kuitca G ; Oldenburg C ; Morgan E ; Kachadourian N ; Held Jjr ; Long R ; Langlands B ; Bell N ; Mora J ; Fahlstrom O ; Torres-Garcia J ; Kalman T ; Ruscha E ; Patterson S ; Boetti A ; Kenny C., 2004
You Are There / Johanson, Chris., 2000
You Paper Your Own Room / Phillips, Tom., 1977
Young Masters and Misses / Stokes, Telfer., 1984
According the Stokes' WEB site: "The several modes of storytelling in this book relate to different layers of time. The snapshots of renaissance buildings evoke the distant past in the present while the people in the scenes and text portray the recent past in the present. The photo realism of the imposed objects that sit on the pages and breal them up as illusionistic windows, suggest the present or the present now past. " -- Source of annotation: Marvin or Ruth Sackner.