Appears to have been made from a collage of chart papers with different markings. -- Source of annotation: Marvin or Ruth Sackner.

Nina Carroll aka Nina Steame. Drawing was done at Poets Conference January 7, 1972. -- Source of annotation: Marvin or Ruth Sackner.

These sheets consist of one photograph of Bob Cobbing and Jennifer Pike and two photographs that have been manipulated. -- Source of annotation: Marvin or Ruth Sackner.

Includes a photograph of panelists of the symposium "Books As Art" sponsored by the Boca Museum and FAU Friends of the Libraries. The Sackners participated in the panel and lent several books to the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

This book consists of photographs of a naked man and woman cut horizontally into four sections so that it is possible to combine the bodies (from back and front) in "more that 19,476 combinations." -- Source of annotation: Marvin or Ruth Sackner.

The poster is folded into 12 sections each of which contains a black and white photograph of Cutler-Shaw' head with her face covered with black and white reproductions of famous medical paintings or specimens. The composition of this work is reminiscent of Wallace Berman's Radio Ether series in which a hand holding a portable, transistor radio is collaged with varied images placed onto its face. -- Source of annotation: Marvin or Ruth Sackner.

This book documents the antics of J.S.G. Boggs, a visual artist whose ouevre consists of drawn reproductions of currency that are bartered as artworks to merchants for wares or sevices. It raises the questions of trust in anything as confoundingly insubstantial as money, and how to place a value in art and other things. The book is illustrated with reproductions of currency drawn and designed by Boggs. -- Source of annotation: Marvin or Ruth Sackner.

Thomas Lowe Taylor, the editot of this series of Chapbooks, contributed photographic illustrations and Susan Smith Nash wrote the afterword to this book that is designated Amabasis Chapbook #1. -- Source of annotation: Marvin or Ruth Sackner.

Work is made of pencil sharpeners in which "plastic" globe receptacles have been altered. -- Source of annotation: Marvin or Ruth Sackner.

The first French edition of Bon Voyage Freddie! was printed by hand by the artist and author in 1980 in 95 examples by Editions Kickshaw. -- Source of annotation: Marvin or Ruth Sackner.

The collaged element on the title page is a rubber band that has been used to create images on a photocopying machine that are depicted on the pages of this book. -- Source of annotation: Marvin or Ruth Sackner.

This is the catalogue for the exhibition organized to honor the 70th birthday of Jiri Kolar. It includes critical texts on Kolar's work by M. Butor, D. Mahlow, T. Messer. "Rote Zeichen" by Erinna Konig, scroll by Siegfried J. Schmidt, drawing by Hans Staudacher, print by Emmett Williams, and Poem-Visible Nr.19 collage by Winfred Gaul depicted in the catalogue are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This is the deluxe edition of "Bonjour Monsieur Kolar!" catalogue for the exhibition organized to honor 70th birthday of Jiri Kolar. It includes critical texts on Kolar's work by M. Butor, D. Mahlow, T. Messer. "Rote Zeichen" by Erinna Konig, scroll by Siegfried J. Schmidt, drawing by Hans Staudacher, print by Emmett Williams, and collage by Winfred Gaul depicted in the catalogue are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The image is an ink, line drawing of face in side view superimposed on a photograph of a beach. It is the same image used for the announcement of a film by Nicola L. that is entitled, "Sand, Sea & Sky." -- Source of annotation: Marvin or Ruth Sackner.