Scope and Contents

The collaged element on the title page is a rubber band that has been used to create images on a photocopying machine that are depicted on the pages of this book. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is the catalogue for the exhibition organized to honor the 70th birthday of Jiri Kolar. It includes critical texts on Kolar's work by M. Butor, D. Mahlow, T. Messer. "Rote Zeichen" by Erinna Konig, scroll by Siegfried J. Schmidt, drawing by Hans Staudacher, print by Emmett Williams, and Poem-Visible Nr.19 collage by Winfred Gaul depicted in the catalogue are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is the deluxe edition of "Bonjour Monsieur Kolar!" catalogue for the exhibition organized to honor 70th birthday of Jiri Kolar. It includes critical texts on Kolar's work by M. Butor, D. Mahlow, T. Messer. "Rote Zeichen" by Erinna Konig, scroll by Siegfried J. Schmidt, drawing by Hans Staudacher, print by Emmett Williams, and collage by Winfred Gaul depicted in the catalogue are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The image is an ink, line drawing of face in side view superimposed on a photograph of a beach. It is the same image used for the announcement of a film by Nicola L. that is entitled, "Sand, Sea & Sky." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is a greeting card for the year 1999. -- Source of annotation: Marvin or Ruth Sackner.

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The facing left sided page is counted as a page in addition to the right sided page. There is no text in the body of this booklet. -- Source of annotation: Marvin or Ruth Sackner.

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All the pages are blank except for one with an abstract or letter collage composed of sand along with two pages of typewritten documentation. -- Source of annotation: Marvin or Ruth Sackner.

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The images of bodies, hands, and genitalia are deliberately grainy making interpretation difficult. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Black or white paint was applied to a page and while wet was pressed onto the facing page causing the two to stick together. The physical separation by Depew or the reader of the facing pages can cause tearing of the paper. Some copies have no separations, others multiple separations between the pages. Most covers have black and white paint on blue paper, few are on brown paper. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Only the center pages of the book are printed. The image has the shape of an orange tangerine with the color bleeding through a few adjecent pages. -- Source of annotation: Marvin or Ruth Sackner.

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The exhibition was curated by Krystyna Wasserman. -- Source of annotation: Marvin or Ruth Sackner.

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Following his classic work Book from the Sky", world-renowned Chineses artist Xu Bing presents a new graphic novel - one composed entirely of symbols and icons. Xu Bing spent seven years gathering materials, experimenting, revising, and arranging thousands of pictograms to construct this narrative. The result is a readable story without words recording 24 hours in the day of the life of a typical urban white-collar worker. Using an exclusively visual language, the text could be published anywhere without translation: anyone with experience in contemporary life can read it." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Vamp & Tramp: Stated edition of 50 (35 actual). 10.5" x 14" closed, 18" x 25" when fully opened. Hand-cut stencils. Pin-registered spray enamel paint on Rives BFK paper. Bound by Philip Zimmermann with an accordion spine strip. Housed in a custom spray-painted clamshell box. Phil Zimmermann: "Spaceheater Editions published Clifton Meador's BOOK OF DOOM during the summer of 1984, in Rhinebeck, NY, USA. Clif used multiple pin-registered hand-cut stencils to spray enamel paint onto Rives BFK paper. The edition was to have been 50 but only 35 were made. Clif did all of the spraying. [I] made most of the boxes and did all of the bindery work. "Clif's text and images tell a tale of an end-of-millennial apocalyptic journey into the depths of hell. When the pages are flipped over at the end of the book, it forms a downward spiral that is very reminiscent of the circles of Dante's Inferno. "Clifton Meador writes: 'The initial impetus for this book was to complicate the experience of...

Scope and Contents Vamp & Tramp: Stated edition of 50 (35 actual). 10.5" x 14" closed, 18" x 25" when fully opened. Hand-cut stencils. Pin-registered spray enamel paint on Rives BFK paper. Bound by Philip Zimmermann with an accordion spine strip. Housed in a custom spray-painted clamshell box. Phil Zimmermann: "Spaceheater Editions published Clifton Meador's BOOK OF DOOM during the summer of 1984, in Rhinebeck, NY, USA. Clif used multiple pin-registered hand-cut stencils to spray enamel paint onto Rives BFK paper. The edition was to have been 50 but only 35 were made. Clif did all of the spraying. [I] made most of the boxes and did all of the bindery work. "Clif's text and images tell a tale of an end-of-millennial apocalyptic journey into the depths of hell. When the pages are flipped over at the end of the book, it forms a downward spiral that is very reminiscent of the circles of Dante's Inferno. "Clifton Meador writes: 'The initial impetus for this book was to complicate the experience of...

Scope and Contents

The pages were made from pulped rea paper. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This exhibition was curated by Leslie Scheiberg and Mary Ellen Long. -- Source of annotation: Marvin or Ruth Sackner.