Visual art
Found in 5469 Collections and/or Records:
Books To Burn / Trusky T ; Ingberman J ; Lavater W ; Williams E., 1989
Exhibition was curated by Tom Trusky. The cover and pages are in the the shape of oversize matches. -- Source of annotation: Marvin or Ruth Sackner.
Bookworks / Sramek, Peter ; Sackner RK ; Sackner MA., 1995
Sramak indicates that the Sackner Archive holds the following of his books: 1) What Angels Think, and 2) Watching. -- Source of annotation: Marvin or Ruth Sackner.
Bop Paintings, Collages, Picture-Poems 1962-1971 / Horovitz, Michael., 1989
Bordeaux Vineyard: Ausonius / Furnival, John., 1986
In The Locative and Vocative Case. -- Source of annotation: Marvin or Ruth Sackner.
Boston Now: Figuration / Hamilton F., 1982
Botanic Code / Voigt, Jorinde., 2009 - 2010
One of the cards depicts a reproduction of the artist's drawing. -- Source of annotation: Marvin or Ruth Sackner.
Botanical Gardens / Nannucci, Maurizio., 2002
Boulevard Martime / Robic, Jean-Francois., 1998
Bounce Poem / Depew, Wally ; Wagner Dr., 1970
The images originating from woodblock prints depict a tennis ball bouncing against a tennis racquet as viewed in profile. This book was printed by D.r. Wagner and was also designated as Runcible Spoon Cretin concrete poetry series #1. Stored in the Wally Depew box of publications. -- Source of annotation: Marvin or Ruth Sackner.
Bound in Yellow. No. V / Dellafiora, David, editor., 2010
The title "Bound in Yellow " is a reference to 'yellow' as a concept.Yellow was adopted by the 19th French decadent movement to indicate artifice and "immortality" and the colour was used in publication such as the "Yellow Book" periodical of the 1890s. In Oscar Wilde's "The Picture of Dorian Gray", the book that has a major corrupting influence on Dorian is described as 'the yellow book'. -- Source of annotation: Marvin or Ruth Sackner.
Bound in Yellow. No. V / Dellafiora, David, editor., 2010
The title "Bound in Yellow " is a reference to 'yellow' as a concept.Yellow was adopted by the 19th French decadent movement to indicate artifice and "immortality" and the colour was used in publication such as the "Yellow Book" periodical of the 1890s. In Oscar Wilde's "The Picture of Dorian Gray", the book that has a major corrupting influence on Dorian is described as 'the yellow book'. -- Source of annotation: Marvin or Ruth Sackner.
Box 95 / Mekas J ; Maciunas G., 1995
The exhibition consisted of an international collection of artists' suitcases and boxes, often holding visual/verbal material. -- Source of annotation: Marvin or Ruth Sackner.
[Box Lid Design for Pacific] / Finlay, Ian Hamilton; Harvey, Michael., 1974
This design done by Harvey of Kamikaze & American fighter planes drawn in graphite on the background of an aircraft carrier drawn in ink was not utilized in the final version of the game because the concept of a box container was discarded. -- Source of annotation: Marvin or Ruth Sackner.
[Boxe] / Rauschenberg, Robert., 1975
bp nichol 1944-1988 / curry, jw; Nichol bp., 2000
The sheet consists of four stamps that depict Nichol's face and the dates of his birth and death. -- Source of annotation: Marvin or Ruth Sackner.
[bp Nichol stamps] / curry, jw; Nichol bp., 2005
Brache di Gutenberg, Le: Cronaca: A Ninive. No.3 / Walter Valentini., 1978
The poem printed on cellophane overlays the 11 color, constructivist print in this issue. -- Source of annotation: Marvin or Ruth Sackner.
Brache di Gutenberg, Le: Cronaca: Anatomie. No.32 / Luciano Caruso ; Emilio Villa., 1984
Edited by Luciano Caruso and Sonia Puccetti. Caruso's unique collage depicts a painted photograph of Caruso behind a wooden plank with a fragment of a blank music score collaged onto it. The accompanying poem was composed by Villa. -- Source of annotation: Marvin or Ruth Sackner.
Brache di Gutenberg, Le: Cronaca: Aurogramma. No.1 / Elio Marchegiani., 1977
Brache di Gutenberg, Le: Cronaca: Il Nababbo Della Notte. No.26 / Sarenco., 1984
Edited by Luciano Caruso and Sonia Puccetti. -- Source of annotation: Marvin or Ruth Sackner.