Visual art
Found in 5469 Collections and/or Records:
Copy-Art / Olbrich, Jurgen O.., 1991
Copy Art / Olbrich, Jurgen O.., 1994
Corcoran Biennial, The 47th: Fantasy Underfoot / ElHanani J ; Nauman B., 2002
Corea-Video / Hubaut, Joel., 1989
Corea-Video / Hubaut, Joel., 1989
Corpos Radiantes, 1982
[Correspondence Art] / Luis; Baroni V., 1996
Correspondence Galea / Hubaut, Joel., 1989
Stationary designed by Joel Hubaut. -- Source of annotation: Marvin or Ruth Sackner.
[Correspondence with Jim Hol] / Petasz, Pawel., 1989
Cosmologies / Smith, Roberta; Lombardi M; Tomaselli F; Reinhardt A., 2007
Martin Wilner whose drawings are held by the Sackner Archive also exhibited his work in this exhibition. -- Source of annotation: Marvin or Ruth Sackner.
[cotton wad] (110767) / Dom Sylvester Houedard., 1967
[cotton wad] (110767) / Dom Sylvester Houedard., 1967
Couci Couca. No.5 / Wolfli A ; Jarry A ; Apollinaire G., 1985
[Cough] / Bradley, Daniel f.., 1990
This image, which can be interpreted as the artist's rendition of a cough, was published on the cover of the magazine edited by Joe O'Sullivan, "Bolton Quartly, Issue: Plague." -- Source of annotation: Marvin or Ruth Sackner.
Counting Omer / Moss, David., 2014
Moss writes,"The Mizvah of the Counting of the Omer is rather unique. It requires the mindful, unified counting of forty-nine days from the second day of Passover until Shavuot...For this piece, I wanted to create an Omer Calendar that would contain the entire set, would capture all the information needed for the three-part counting plus the Kabbalistic attributes for every day. As my artistic challenge, I sought to do this without using any Hebrew or Roman letters, or any numerals...thus you may proceed, day by day from one to forty-nine, ...This period helps make us aware of th passing of time, of the possibility of gradual but steady development and growth and can truly make us realize how much each day 'counts'." -- Source of annotation: Marvin or Ruth Sackner.
Country Life. No.29/July / Finlay IH., 1996
The cover depicts a stone sculpture in the garden of Ian Hamilton Finlay. It illustrates a statement of Saint Just, which is carved on nine rocks, "Paths to enlightenment in a garden of ideas." An essay within this magazine by Alan Powers entitled "The Sparta of the North," describes the poet's garden in Lanarkshire as one of the significant creations of our time. He states that Finlay recreated a poetic, classical garden as a place of beauty, and a journey of the mind; complex schemes of iconography provide entertainment and painted a moral. The essay is illustrated with nine colored photographs. The Sackners visited the garden with their daughter Sara in 1980. -- Source of annotation: Marvin or Ruth Sackner.
Country Life. Nov / Phillips T., 2001
An article by Jeremy Musson, "Bollards of Peckham Rye," describes the imaginative renewal scheme for the public spaces in Peckham, London. Tom Phillips is pictured in front of the gate and arch he designed for a garden inspired by flying birds and falling leaves, and in front of mosaic mural that reads "I love Peckham." -- Source of annotation: Marvin or Ruth Sackner.
Courrier des Galeries, Le. Apr / Satie A ; Sabatier R., 1989
[Cover and Pages 3-6] / Suarez Londono, Jose Antonio., 1996
The cover and three pages are illustrated with alphabetical stamps that commemorate the tenth anniversary of Jorge Luis Borges' death. -- Source of annotation: Marvin or Ruth Sackner.