Scope and Contents

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. Note at bottom from Phillips that was done in aquatint (unknown). Number XIX.

Scope and Contents

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. Text reads "fair / Florence, / Vice / good-bye my / exclamation..." Added: CEND.

Scope and Contents

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. A text of this image reads, "Semiramis & Dido & Cleopatra & Helen of Troy & Achilles & Paris & Tristan Und Isole De & Romeo and Juliet & Anna Karenina & Emma." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. "slight and lukewarm, / not / able to love, / We / can't / for / repent..." Added: CEND.

Scope and Contents

This suite of prints was given to all prepublication subscribers to Dante's Inferno. It originally conprised eight prints but one was given to Sara Sackner. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Pages from "Das Buch Sabeth" are depicted on pp 351-354 of Gilbert's "Bewegung im Stillstand, a book that is held by the Sackner Archive.Harvad University symposium 2004 (abridged pdf file): LIZAVETA MNATSAKANOVA (Netzkowa) is a Ukrainian poet fhom even many specialists have never encountered/. She is a rarity among contemporary poets: an elderpractitioner of visual poetry and the art of the hand-made book, an emigre living in Vienna, a trained musicologist who wrote widely about classical composers, and finally a prolific creator of poems and drawings. She has never sought a wide readership nor pushed for the publication of her works and yet now, uch to her delight, readers and audiences are seeking her out. She has spent as much time in academic settings as in the worldsof performed music, museum art, and modern poetry, yet Mnatsakanova is not entirely at home in any one of these worlds. She is a restless, energetic creator whose work opens the boundaries between poetry and music...

Scope and Contents

This catalogue documents Claus' working methods in producing his graphic works. There are no illustrations of examples per se. The exhibition was done to honor Claus with the Gerhard-Altenbourg Prize. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This catalogue documents all of Claus' prints. Each print is depicted and annotated. The exhibition was done to honor Claus with the Gerhard-Altenbourg Prize. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The title translates to "The Personal and the Other: Ten Years of Work." Eric Stephan contributes an introductory essay, in German and English, that points out Zylla's debt to Charles Bukowski and Jean Dubuffet. Jorn Merkert writes about Zylla's working methods. This catalogue mentions that Zylla's work is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The title relates to several printed (found) pages in the book depicting Mickey Mouse like characters playing in Swiss Cheese. Images drawn by the artist appear on printed maps, index pages, and on black and white paper stock. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book is a tribute to the German writer and publisher V.O.Stomps. The fold-out page consists of unsigned woodcut prints by members of Rixdorfer Drucke. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book is a compilation of artworks, prose and poetry pieces by writers and artists in homage to their publisher, Victor Otto Stomps (1897-1970). -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is a book of comic strips dealing mostly with letters and punctuation marks. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This last book that was written by Soresen (1942-2005) published shortly before his death outlines his career from 1963-2005. Includes images of altered photographic portraits of Gerhardt Ruhm, Mogens Otto Nielsen, and Eric Andersen. The dvd is in the European format and could not be played, -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The sheet consists of four stamps that depict UU's face and the dates of his birth and death. -- Source of annotation: Marvin or Ruth Sackner.