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Visual art

 Subject
Subject Source: Sackner Database

Found in 5468 Collections and/or Records:

Exodus / Burgo., 1990

 Item
Identifier: CC-42845-44885
Scope and Contents

The paintings in this catalogue are metaphysical. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

Expectations / Jackman, Sandra., 2005

 Item
Identifier: CC-43806-45902
Scope and Contents

The image is a slightly reclining chair and the edge of a wine glass, both symbols of the Passover Sedar. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2005

Experimental - Visual - Concrete: Avant-Garde Poetry Since the 1960's / Jackson, K. David, editor ; Drucker, Johanna, editor ; Vos, Eric, editor ; Bernstein C ; Bohn W ; Cluver C ; Drucker J ; Garnier P ; Hatherly A ; Kac E ; MacLow J ; Tardos A ; deMelo e Castro EM ; Menezes P ; Minarelli E ; Perloff M ; Pignotti L ; Polkinhorn H ; Saper C ; Solt ME ; Vos E ; DeCampos H ; DeCampos A ; Sackner MA ; Sackner RK ; Sarduy S ; Gomringer E ; Higgins D ; McCaffery S ; Minarelli E ; Berry J ; Doctorovich F ; Basinski M ; Foley J ; Young K ; Walther E ; Claus CF ; Fahlstrom O ; Williams E ; Spacagna J ; Schwitters K ; Ruhm G ; Pound E ; Pignatari D ; Phillips T ; Mon F ; Marinetti FT ; Mallarme S ; Kostelanetz R ; Higgins D ; Gomringer E ; Heissenbuttel H ; Bense M ; Apollinaire G ; Balestrini N., 1996

 Item
Identifier: CC-54520-989985
Scope and Contents This book is number 10 of Avant Garde Critical Studies and is based on the Yale Symphosophia held in April 1995 which was originally conceived to honor the Brazilian Concrete poet Haroldo de Campos on his 75th birthday. The symposium brought together over forty poets and performers and produced this volume of review and critical appraisal of an international perspective of avant garde poetic production. The volume includes the scholarly papers delivered at Yale and is divided into the following themes: Experimentation and Its Historical Moment; Experimentation in the Language Arts; Concrete and Neo-Concrete Poetry including Memoirs of Concrete; The Yale Symphosymposium on Contemporary Poetics and Concretism - A World View from the 1990s. The Sackners were invited to attend the symposium and were noted in the preface as follows: The Symposophia benefited from the perspectives of Ruth and Marvin Sackner, professional collectors representing the most extensive and complete archive of...
Dates: 1996

Experimental - Visual - Concrete: Avant-Garde Poetry Since the 1960's / Jackson, K. David, editor ; Drucker, Johanna, editor ; Vos, Eric, editor ; Bernstein C ; Bohn W ; Cluver C ; Drucker J ; Garnier P ; Hatherly A ; Kac E ; MacLow J ; Tardos A ; deMelo e Castro EM ; Menezes P ; Minarelli E ; Perloff M ; Pignotti L ; Polkinhorn H ; Saper C ; Solt ME ; Vos E ; DeCampos H ; DeCampos A ; Sackner MA ; Sackner RK ; Sarduy S ; Gomringer E ; Higgins D ; McCaffery S ; Minarelli E ; Berry J ; Doctorovich F ; Basinski M ; Foley J ; Young K ; Walther E ; Claus CF ; Fahlstrom O ; Williams E ; Spacagna J ; Schwitters K ; Ruhm G ; Pound E ; Pignatari D ; Phillips T ; Mon F ; Marinetti FT ; Mallarme S ; Kostelanetz R ; Higgins D ; Gomringer E ; Heissenbuttel H ; Bense M ; Apollinaire G ; Balestrini N., 1996

 Item
Identifier: CC-27838-28971
Scope and Contents This book is number 10 of Avant Garde Critical Studies and is based on the Yale Symphosophia held in April 1995 which was originally conceived to honor the Brazilian Concrete poet Haroldo de Campos on his 75th birthday. The symposium brought together over forty poets and performers and produced this volume of review and critical appraisal of an international perspective of avant garde poetic production. The volume includes the scholarly papers delivered at Yale and is divided into the following themes: Experimentation and Its Historical Moment; Experimentation in the Language Arts; Concrete and Neo-Concrete Poetry including Memoirs of Concrete; The Yale Symphosymposium on Contemporary Poetics and Concretism - A World View from the 1990s. The Sackners were invited to attend the symposium and were noted in the preface as follows: The Symposophia benefited from the perspectives of Ruth and Marvin Sackner, professional collectors representing the most extensive and complete archive of...
Dates: 1996

Expressiones Hispanas 88/89 / Presser E., 1988

 Item
Identifier: CC-14340-14648
Scope and Contents

Pressers' collage "117 A/B Polonaise in F from Anna Magdalena Bach Notebook" held by Sackner Archive, is reproduced in this catalog. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988

Extra Copy: Cum Permissu. No.4., 1970

 Item
Identifier: CC-13983-14288
Scope and Contents

The four pages of poetry are illustrated with six pages of what appears to be wallpaper pictures of a soccer team. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

Extrait du Portfolio: H. Chopin, Editions Ottezec / Chopin, Henri; Lagarde F., 1977

 Item
Identifier: CC-19077-19456
Scope and Contents

This card depicts a photographic portrait of Chopin. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1977

Eye: A Small Arena for Heroics. No.11 / Roger Boyce, editor ; Dean N., 1984

 Item
Identifier: CC-13986-14291
Scope and Contents

Covers were designed by Marc D'Estout. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

Eye: Futuristic Images 1984. No.10 / Bob Michna, editor., 1984

 Item
Identifier: CC-14026-14331
Scope and Contents

The theme of this issue was a directive to the artists to produce an image of the "future." Cover was created by Ronald Davis, a well known constructivist artist and signed by him. This issue also contains a signed print by Davis. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

[eye on leaf] / Konstriktor, Boris., 1990

 Item
Identifier: CC-07771-7923
Scope and Contents

The image is a incised eye on the incised twig leaf displayed on an painted intense black, background on a found Russian postcard. The verso has a printed Russian text. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

Eye: Players of a Glass Chess Game. No.12 / Richard Edelman, Robert Bowen, editors ; Herms G., 1985

 Item
Identifier: CC-14322-14630
Scope and Contents

Front cover of a print collaged onto masonite with abstract colored markings was designed by George Herms and signed by him on the inside front cover; back cover of a tape cassett on a blank music score was contributed by Kenneth Gore. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985

Face to Face / Dellafiora, David, editor., 2009

 Item
Identifier: CC-49744-70797
Scope and Contents

The drawings are of a head and shoulders. The pages are cut horizontally in five sections similar to the surrealist game of exquisite corpse. This was a student work project. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2009