Visual art
Found in 5468 Collections and/or Records:
Focus on History of the "Mechanical Sketchbook" / Lister, David; Phillips T., 1989
Tom Phillips states "he remains sceptical that photography can be considered an art form" in this preview article on the RA 150 years of photography exhibition. -- Source of annotation: Marvin or Ruth Sackner.
Fogli di Zona: Four Small Girls. No.2 / Paul-Armand Gette., 1978
This is a publication of Zona. -- Source of annotation: Marvin or Ruth Sackner.
Foire International du Livre Ancien / Sims Reed ; Arp H ; Burliuk D ; Kruchenykh A ; Mayakovsky V ; Exter A ; Kamensky V ; D'Albisola T ; Apollinaire G ; Duchamp M ; Mallarme S ; Goncharova N ; Johns J ; Beckett S ; Malevich K ; Punin N ; Ray M ; Tzara T ; Miro J ; Crevel R ; Breton A ; Oldenburg C ; Rozanova O ; Ruscha E ; Teige K ; Tilson Ja., 2006
This catalogue is from the International Book Fair in Paris in May 2006. -- Source of annotation: Marvin or Ruth Sackner.
Follow Me / Iannone, Dorothy ; Filliou R., 1978
Fondation Joel Hubaut Pest-Moderne (Blue) / Hubaut, Joel., 1994
This print depicts five images of rabbits painted in the style of Matise, Bacon, Braque, Seurat, and Miro along with a tongue-in-cheek manifesto on the rabbit generation. -- Source of annotation: Marvin or Ruth Sackner.
Fondation Joel Hubaut Pest-Moderne (Red) / Hubaut, Joel., 1994
This print depicts five images of rabbits painted in the style of DuBuffet, Bonnard, de Chirico, Leger, and Kandinsky along with a tongue-in-cheek manifesto on the Rabbit Generation. -- Source of annotation: Marvin or Ruth Sackner.
for ash-tray / Houedard, Dom Sylvester., 1962
For Brenda / Finlay, Ian Hamilton ; Berman, Brenda., 1993
For G.S. by B.C. / Caruso, Barbara., 1988
For Ky, a lovely show of strength / Lord, Sam., 1967
For Linda From Wally / Depew, Wally., 1973
For Marvin (9.5) / Sackner, Sara; Sackner MA., 1980
The photograph depicts Marvin Sackner in bubble bath of hotel bathtub in Stuttgart during summer 1980; 9.5 refers to quality of hotel bathtub on Sackner's rating scale of 1-10. -- Source of annotation: Marvin or Ruth Sackner.
For Marvin, Friendly / Dupont, Albert., 1985
The subject is a portrait of Marvin Sackner created with Lettrist symbols. -- Source of annotation: Marvin or Ruth Sackner.
For Marvin / Skuber, Berty., 1992
The verso consists of calligraphic markings similar to the style employed by Irma Blank. -- Source of annotation: Marvin or Ruth Sackner.
For Ruth, Friendly / Dupont, Albert., 1985
The subject is a portrait of Ruth Sackner created with Lettrist symbols. -- Source of annotation: Marvin or Ruth Sackner.
for Sha(u)nt Basmajian / J(o(h)n)ston, Brian., 1991
Force Fields: Phases of the Kinetic / Guy Brett, curator ; Clark L ; Denes A ; Duchamp M ; Fontana L ; Houedard DS ; Klein Y ; Latham J ; LeWitt S ; Lijn L ; Lye L ; Manzoni P ; Matta-Clark G ; Michaux H ; Morellet F ; Oiticica H ; Roth D ; Schendel M ; Tinguely J ; Haacke H ; Moholy-Nagy L ; Smithson R ; Sackner RK ; Sackner MA., 2000
This exhibition was curated by Guy Brett. He writes in his essay, "The Century of Kinesthesia," that the works in the exhibition represent a language of movement or the physiognomy and poetics of language. Writing about dom sylvester houedard, Brett describes him as a Benedictine monk, poet, artist, and one of the most remarkable intellectuals in Britain. He developed a unique compressed prose style to theorise the discoveries of kinetic art and concrete poetry. The catalogue includes an extensive, illustrated chronology of the kinetic movement from 1910 to 1975 and also an anthology of previously published, selected essays by the artists in the exhibition. The Sackner Archive lent nine typewriter, optical works by Dom Sylvestre Houedard to the exhibition. -- Source of annotation: Marvin or Ruth Sackner.
Force Fields: Phases of the Kinetic / Guy Brett, curator ; Clark L ; Denes A ; Duchamp M ; Fontana L ; Houedard DS ; Klein Y ; Latham J ; LeWitt S ; Lijn L ; Lye L ; Manzoni P ; Matta-Clark G ; Michaux H ; Morellet F ; Oiticica H ; Roth D ; Schendel M ; Tinguely J ; Haacke H ; Moholy-Nagy L ; Smithson R ; Sackner RK ; Sackner MA., 2000
This exhibition was curated by Guy Brett. He writes in his essay, "The Century of Kinesthesia," that the works in the exhibition represent a language of movement or the physiognomy and poetics of language. Writing about dom sylvester houedard, Brett describes him as a Benedictine monk, poet, artist, and one of the most remarkable intellectuals in Britain. He developed a unique compressed prose style to theorise the discoveries of kinetic art and concrete poetry. The catalogue includes an extensive, illustrated chronology of the kinetic movement from 1910 to 1975 and also an anthology of previously published, selected essays by the artists in the exhibition. The Sackner Archive lent nine typewriter, optical works by Dom Sylvestre Houedard to the exhibition. This copy differs from the other copy held by the Sackner Archive in that "Hayward Gallery" is printed on the spine, the second and final destination of this exhibition. -- Source of annotation: Marvin or Ruth Sackner.
Ford Maddox Ford & Ezra Pound / Furnival, John., 1981
Double portrait of Ford and Pound face to face. -- Source of annotation: Marvin or Ruth Sackner.