Visual art
Found in 5468 Collections and/or Records:
Fragments / Benes, Barton Lidice., 1978
Fragments de memoire / de Villiers, Jephan., 1996
Fragments for a Body of Knowledge / Hoyt, Shelley ; King, Susan E. ; Lyons, Joan ; Robinson, Sue Ann., 1992
Fragments of a Shattered Mirror [Reprint], 1999
The cover of this reprinted book, first published in 1963, was designed by dave pishnery. This book also includes reproductions of four covers designed by levy for The Free Lance and Cleveland Poems. -- Source of annotation: Marvin or Ruth Sackner.
Framing Gratitiude / Moss, David., 2013
The Hebrew calligraphy is the prayer said upon waking every morning, Modeh Ani - Thankful am I. David Moss writes, "Next to each work I created a small frame. I then inserted family photos into it...Each morning it helped me expand my awareness of and gratitude for the abundant mercy that had been showered upon me...The piece is meant to be framed with your own pictures." -- Source of annotation: Marvin or Ruth Sackner.
Frank Zappa 1940-1993 / curry, jw; Zappa F., 2000
The sheet consists of four stamps that depict Zappa's face and the dates of his birth and death. -- Source of annotation: Marvin or Ruth Sackner.
Frankly, We're Always Thrilled with the Holiday Season. / Rutkovsky, Paul; Rutkovsky, Fran., 1987
Franz Erhard Walther / Art Base., 2005
Free Stickers Catalogue / Ciani, Piermario ; Baroni V., 1991
Free Structure - Structured Freedom / Moss, David., 2013
This work was inspired by the Tzitzit, the ritual fringe prescribed in the fifteenth chapter of Numbers. David Moss writes that he wanted to capture the meaning and history of the Tzitzit "not only to display [its] symbolic pattern but to actually embody it...The background, garment and knotted parts of the Tzitzit were produced by serigraphy - the traditional silk-screen process used to obtain flat, even, opaque colors. That aprt is a fixed traditional art edition print. But I added by hand the free flowing strings that spout forth from these rigid, fixed knots. Every string in every print is unique, free and unconstrained.Is this a print or an original? Defined or free? Like the Tzizit it is the unification of both." -- Source of annotation: Marvin or Ruth Sackner.
Freedom of Information / Hopkins, Louise., 2005
A drawing on a book page depicted on page 20 is reminescent of the style of Tom Phillips' A Humument. -- Source of annotation: Marvin or Ruth Sackner.
Freesia!. No.1/Sum / Salzberg B., 1989
Freesia!. No.2/Fall., 1989
Freesia!. Spr., 1990
French Sardine Lugger / Finlay, Ian Hamilton; Boulton, Janet., 1996
This depicts an image of a sail boat after a model by Finlay. -- Source of annotation: Marvin or Ruth Sackner.
Fresh from New York / Susan Bee, curator ; Arakawa ; Schor M ; Spero N ; Rothenberg E., 1988
Exhibition curated by Susan Bee. -- Source of annotation: Marvin or Ruth Sackner.
Fritillary / Clark, Thomas A.; Clark, Laurie., 1980
Froissages / Kolar, Jiri., 1981
Gloria Picazo contributed a critical essay opening with a quote by Kolar "Someday it will be possible to make poetry out of anything." Foissage is described when "a mere piece of paper is wrinkled, then flattened down and finally set upon a support. The strange writing left in the piece of paper by the wrinkles is another of the means usedby Kolar to make a poem visible." -- Source of annotation: Marvin or Ruth Sackner.
from a photo / curry, jw ; Owen, D.M.., 2008
Stored in Room 3o2 Books box. -- Source of annotation: Marvin or Ruth Sackner.
From A to Z: 200 Contemporary American Poets / Ray, David, editor ; Berrigan D ; Bly R ; Hollo A ; Levertov D ; Eigner L ; Williams J ; Malanga G., 1981
Wang Hui-Ming contributes a section of wood carved poems that he describes as "pages visually [filled] with poetic rocks and puddles so that you have to slow down and read the poems carefully. There is no intent to achieve typographical niceties." -- Source of annotation: Marvin or Ruth Sackner.