Visual poetry

L'Uomo e il Meccanismo / Miglietta, Enzo., 1992

Item

Identifier: CC-06506-6625

Scope and Contents

The original drawing for this book is held by the Sackner Archive. The images consist of black, red and blue stick figures on one side and mechanical gears with pulleys on the other. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Luxus. No.9 / Ciepielewska A ; Czechoski M ; Jarodzka B ; Jankowski J ; Jarodzki P., 1992

Item

Identifier: CC-07303-7446

Dates: 1992

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

[LVNG], 2000

Item — Folder 6: [Barcode: 31858072459443]

Identifier: CC-34957-36672

Dates: 2000

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / PAINTINGS, PRINTS AND BROADSIDES

Lyric Suite / Shiomi, Mieko., 1965

Item

Identifier: CC-55207-65629

Scope and Contents The collage elements were made from white paper. This work or anything similar to it is not listed in the Silverman's catalogue, "Fluxus Codex." Internet: Mieko Shiomi grew up in a musical family and received a classical musical education at an early age. She began to study musical theory and music at the State University of the Arts in Tokyo in 1957. In 1960, together with Takehisa Kosugi and others, she founded the group Ongaku (Music) and began to extend the radius of her own music to include improvisation and action. The group received stimulus from performances by artists such as John Cage, La Monte Young and George Brecht, who visited Tokyo in the early 60s. As from 1963, Shiomi had contact to Yoko Ono; through her, she got to know George Brecht's events, adopting the term "event" to describe her own works. On the invitation of George Maciunas in 1964, Shiomi went to New York, where she took part in the Fluxus events taking place there. Shiomi's events are characterised by...

Dates: 1965

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

m Bru-Bru, 1992

Item — Box 49: [Barcode: 31858072538618]

Dates: 1992

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / ARTIST BOOKS AND POETRY/BOOK OBJECTS

[M] / De Araujo, Avelino., 1983

Item

Identifier: CC-35582-37326

Dates: 1983

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

M-Factor, 1993

Item — Box 333: [Barcode: 31858072491024]

Identifier: CC-23827-24275

Dates: 1993

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / BOOKS

Mad Cows & toucannnnnnnnnnnnnnnrs / King, Doreen., 1999

Item

Identifier: CC-45105-47285

Dates: 1999

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Mad Mad Diary / McLean, Des., 1984

Item

Identifier: CC-06728-6847

Scope and Contents

From exhibition "Homage To The Mad Diarist", Epistolary Stud Farm, Tarpon Springs, FL. Des Mclean was a Professor of Art at Rowan University from 1966 until his retirement in 2002. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Made In Brazil (1) / De Araujo, Avelino., 1983

Item

Identifier: CC-35572-37315

Scope and Contents

This print differs from the one exhibited in Visualog 2, San Luis Obispu, California in that it does not have a collaged addition. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1983

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Made In Brazil (1) / De Araujo, Avelino., 1983

Item

Identifier: CC-16029-16370

Scope and Contents

Exhibited in Visualog 2, San Luis Obispu, California, an exhibition was curated by Karl Kempton. In contast to the other copy of this print, the eyes of the child depicted in this print are covered with a miniature band-aid. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1983

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Made in Brazil (2) / De Araujo, Avelino., 1983

Item

Identifier: CC-16032-16373

Scope and Contents

Exhibited in Visualog 2, San Luis Obispu, California, an exhibition curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1983

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Magazine of the Fine Arts, A / Cross D., 1975

Item

Identifier: CC-06228-6343

Scope and Contents

Cross alters the 1913 edition of Webster's dictionary to leave cluster of words to form a new poetry; examples of these pages are illustrated in this magazine. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1975

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals