Perloff states "It is the paradox of postmodern genre that the more radical the dissolution of traditional generic boundaries, the more important the concept of genericity becomes. "Hubert contributes an essay critically analyzing the book "Une Piece Ciruclaire" and Perloff one on Cage's "Roaratorio;" both books are held by Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The picture on the stick of chewing gum is a female nude. It required restoration at the bottom since the gum cracked in the mail. -- Source of annotation: Marvin or Ruth Sackner.

The pages of a book were altered in the style of Tom Phillips' "A Humument" to create a new poetry. -- Source of annotation: Marvin or Ruth Sackner.

This piece is a metaphor for charitable giving. -- Source of annotation: Marvin or Ruth Sackner.

The prints provide instructions including line drawings of the body postures for Yoga patterns of breathing. They also appeared in the periodical, Anti-Utopia No.4, 1990, a publication held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This booklet illustrates and poetically describes Korf's collage of 1986 "T" is for Time, and "T" is for Tea. -- Source of annotation: Marvin or Ruth Sackner.

This booklet illustrates and poetically describes Korf's collage of 1986 "T" is for Time, and "T" is for Tea. -- Source of annotation: Marvin or Ruth Sackner.

The silkscreen drawings were done by Castera based upon the ideas of Astrid Strid. -- Source of annotation: Marvin or Ruth Sackner.

This drawing was originally conceived as a scroll but when it was exhibited at the Miami Art Museum for an exhibtion"Visual Poetics" (2003), it was flattened and placed in a case and has remained as such. A derail of this drawing is depicted in Lewty's exhibition "The Centre of the Field" held at te Ikon Gallery Birmingham, Englanmd in 1984. -- Source of annotation: Marvin or Ruth Sackner.

This drawing consists of the layout for the text of Phillips' painting for the "Sackner Artchive." -- Source of annotation: Marvin or Ruth Sackner.

This drawing documents Phillips' process that resulted in the fromation of the signature painting commissioned for the Sackner Archive.It ultimately was designed with 90 small paintings. The sketches of the layout led to Phillips' creation of the word Artchive that becomes a mesostic with the lettters placed vertically down the center of the painting. -- Source of annotation: Marvin or Ruth Sackner.

According to Basinski, this prepared tube is an example of an "opem," which is a poem for improvisational performance. He indicates that one should perform the opems in ensemble via improvisational interpretation by "reading" and voicing the textual elements through the tubes (or not) and around them. These opems are instruments and should be treated as such and they are scores and, again, should be engaged as such. Use silents and sound. Play. Orchestrate. Duration is variable. This work was displayed in the Gallery's exhibition entitled, Object Poems (2011). -- Source of annotation: Marvin or Ruth Sackner.

According to Basinski, this prepared tube is an example of an "opem," which is a poem for improvisational performance. He indicates that one should perform the opems in ensemble via improvisational interpretation by "reading" and voicing the textual elements through the tubes (or not) and around them. These opems are instruments and should be treated as such and they are scores and, again, should be engaged as such. Use silents and sound. Play. Orchestrate. Duration is variable. This work was displayed in the Gallery's exhibition entitled, Object Poems (2011). -- Source of annotation: Marvin or Ruth Sackner.

Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue features silkscreened concrete poems on T-Shirts. -- Source of annotation: Marvin or Ruth Sackner.

This drawing made with printed letterform tautologic text achieves an optical image quality through differences in spacing of the letters. -- Source of annotation: Marvin or Ruth Sackner.