This book reviews visual and concrete poetry with calligraphic themes in Italy during the seventies. Its translation into English without the images is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Carrega presents a classification system on the three unbound pages for these "active writings" by Italian visual poets. A fuller description of his system was published as a book with the same title (also held by the Sackner Archive). This anthology is an outstanding contemporary survey of Poesia Visiva. Handcolored additions to the prints, done on varied paper stock and color, were made by Scanavino, Sanesi, Marocco, Pozatti, Carrega, and Finotti. Collaged additions to the prints including b&w photographs, thread, and magazine clippings, were made by De Leonardis, Altamira, Brunetti, Carpi, Castagnotto, Carrega, Oberto, Niccolai, and Izzo. -- Source of annotation: Marvin or Ruth Sackner.

Carrega presents a classification system on the three unbound pages for these "active writings" by Italian visual poets. A fuller description of his system was published as a book with the same title (also held by the Sackner Archive). This anthology is an outstanding contemporary survey of Poesia Visiva. Handcolored additions to the prints, done on varied paper stock and color, were made by Scanavino, Sanesi, Marocco, Pozatti, Carrega, and Finotti. Collaged additions to the prints including b&w photographs, thread, and magazine clippings, were made by De Leonardis, Altamira, Brunetti, Carpi, Castagnotto, Carrega, Oberto, Niccolai, and Izzo. -- Source of annotation: Marvin or Ruth Sackner.

Carrega presents a classification system on the three unbound pages for these "active writings" by Italian visual poets. A fuller description of his system was published as a book with the same title (also held by the Sackner Archive). This anthology is an outstanding contemporary survey of Poesia Visiva. Handcolored additions to the prints, done on varied paper stock and color, were made by Scanavino, Sanesi, Marocco, Pozatti, Carrega, and Finotti. Collaged additions to the prints including b&w photographs, thread, and magazine clippings, were made by De Leonardis, Altamira, Brunetti, Carpi, Castagnotto, Carrega, Oberto, Niccolai, and Izzo. -- Source of annotation: Marvin or Ruth Sackner.

This is the English translation of Ugo Carrega's Scrittura Attiva, Bologna: Zanichelli, 1980, a book held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This book is stored in the Ugo Carrega box. -- Source of annotation: Marvin or Ruth Sackner.

The prints are reproductions of the following drawings, Diritti e Doveri (1977), Parole Parole Parole (1977), and Silenzo (1978). -- Source of annotation: Marvin or Ruth Sackner.

This collage has a circular shape and is bordered by an unpainted wooden frame. A related collage is illustrated on page 253 of Miccini's catalogue, Poesia Visiva 1962-1991, a book held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This issue by Marcucci consist of visual poems that have a comic strip quality. -- Source of annotation: Marvin or Ruth Sackner.

This copy is printed on beige paper stock, the other two copies on brown paper stock.This copy does not have a folded poster announcement wrapped around it. -- Source of annotation: Marvin or Ruth Sackner.

This copy is printed on brown paper stock, another on white paper stock.This copy also has a folded poster announcement wrapped around it. -- Source of annotation: Marvin or Ruth Sackner.

This collage is not depicted in the Adolf Hoffmeister 1902-1973 edited by Karel Srp. -- Source of annotation: Marvin or Ruth Sackner.