Visual poetry
Found in 4858 Collections and/or Records:
Wall Marks / Parritt, Simon., 1975
Wall Street Journal, The: [Sun Bank Advertisement]. Oct 16 / Anonymous., 1989
The illustration is of an eye with collage newstype. -- Source of annotation: Marvin or Ruth Sackner.
Wall Street Journal, The: [Sun Bank Advertisement]. Oct 23 / Anonymous., 1989
The illustration is of an ear with collage newstype. -- Source of annotation: Marvin or Ruth Sackner.
War Sand, 2010
McMurtagh resides in San Diego, California; presumably this collaboration took place through the mail. -- Source of annotation: Marvin or Ruth Sackner.
Wards of Obsolescence, 1995
Warum A. Hitler Doch Ein Kunstler Wurde, 1996
Theme deals with Hitler's career as a failed artist. The portrait of Hitler carried throughout the book is an abstracted image of his two most prominent features, his hairline and moustache. Andryczuk contributes a critical essay. -- Source of annotation: Marvin or Ruth Sackner.
Was Kann Schoner Sein / Dencker, Klaus-Peter., 2000
Eter Panji runs the Visual World Poetry press. -- Source of annotation: Marvin or Ruth Sackner.
Washing Chlorine Away / Galindo, Felipe., 1989
Watch What You Watch / Topel, Andrew., 2009
[waters] / Harris, Ken., 2000
Way Cool / Cole, David., 1999
David Cole wrote this visual poem during the last days of his life-threatening progressive pulmonary fibrosis. The text reads, "an illusion - projected up on - a cave wall - dancing windway oh - a quiet ebb tide - sea as if one eye - blinked - farewell." -- Source of annotation: Marvin or Ruth Sackner.
We are Driving a Nail in the Wall / Nikonova, Rea., 1996
Taken from the Archive of O!!Zone 1997. -- Source of annotation: Marvin or Ruth Sackner.
We have found the Remedy... / Gluschenko, Alexander., 1996
Taken from the Archive of O!!Zone 1997. -- Source of annotation: Marvin or Ruth Sackner.
We Monitor Your Phone Line 24 Hours A Day... / Anonymous., 1989
Weekend. Nov / Phillips T., 1990
This issue includes review by Steven Litt of Tom Phillips' exhibition at the North Carolina Museum of Art. -- Source of annotation: Marvin or Ruth Sackner.