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Visual poetry

 Subject
Subject Source: Sackner Database

Found in 4858 Collections and/or Records:

Word & Image Bulletin. No.4/Nov., 1989

 Item
Identifier: CC-00403-414
Scope and Contents

Published for the Second International Conference on Word and Image University of Zurich, August 27-31, 1990 -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

Word Paths / Stetser, Carol., 2010

 Item
Identifier: CC-51391-72484
Scope and Contents

The four prints are titled Word Paths and are numbered 1 to 4. The images incorporate the title in a grid of nine squares of varying found texts. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2010

Word/Clock III / Christie, John., 1981

 Item
Identifier: CC-17089-17447
Scope and Contents

Depicts a poem object, held by the Sackner Archive, which was exhibited according to this card in "Book Works" 1981-1982. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981

[Wordly Rap] / Baroni, Vittore., 1984

 Item
Identifier: CC-33945-35617
Scope and Contents

In this collage, a silhouetted white paper hand overlays a collaged and silver painted 33 rpm record in the upper two thirds and a silhouetted black paper hand overlays a painted and collaged letter picture of a 45 rpm record. In the right lower corner, Baroni collaged a full figure side photographic view of the motion picture actress, Jayne Mansfield with the words "BOOBY TRAP" in letraset placed on the upper thigh. A yellow, red tipped, rubber balloon with the word "L'Atomica" is placed adjacent to her photograph. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

Words and Images: A Persistent Paradox / Bowman, Russell; Johns J; Ruscha E; Wiley WT; Nauman B., 1985

 Item
Identifier: CC-22436-22860
Scope and Contents

Bowman reviews contemporary use of words in conjunction with visual art. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985

Words and Music / Tom Phillips., 1975

 Item
Identifier: CC-30123-31521
Scope and Contents

There are fragments of images from "A Human Document" in the design of the record jacket. This is Phillips' first recording. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1975

Words and Music / Tom Phillips., 1975

 Item
Identifier: CC-30123-31521
Scope and Contents

There are fragments of images from "A Human Document" in the design of the record jacket. This is Phillips' first recording. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1975

wordseen: Wordworks by 13 Visual Poets and Artists / Sackner MA ; And M ; Basinski M ; Bennett JM ; Ernst KS ; Ganick P ; Grumman B ; Helmes S ; Peters M ; Rosenberg MR ; Weiss I ; Arimany E ; Luis C ; Padin C ; Was E., 2003

 Item
Identifier: CC-40452-42423
Scope and Contents Marvin Sackner wrote the essay for this catalogue, entitled "Introduction to WordSeen Exhibition." To begin, I must declare a conflict of interest in writing this introduction. Such a statement is required when a physician presents a paper to a scientific audience while having ownership in a company or being paid for conducting studies on medical devices or drugs related to his lecture. Since I am a physician and my wife Ruth and I own works by most of the artist/poets in this exhibition, I wish to be in front with this declaration. Nevertheless, I believe that I can be objective in my views since the works in this exhibition must stand visual relevance by attendees to this exhibition regardless of what I say just like medical studies must stand the test of reproducibility by other investigators. I hope you get the point about my opinions on conflict of interest. In this introduction to the exhibition, I shall comment on the differences between concrete and visual poetry as well as...
Dates: 2003

Work in Progress / Haack, Horst., 1992

 Item
Identifier: CC-09403-9590
Scope and Contents

The Sackner Archive is cited as holding Haack's works. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

Working Drawings for Humument Supplement Page 85 / Phillips, Tom., 1970

 Item
Identifier: CC-54428-989932
Scope and Contents

Working Notes, 11 pages with notes and 1 smaller page with a copy of the original page. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

Works: A Sampling / Ernst, Kathy ; Sackner MA ; Sackner RK ; Rosenberg MR ; Cole D ; Bennett JM ; Helmes S ; Murphy S., 2008

 Item
Identifier: CC-49706-70759
Scope and Contents

Eye a book object from 1983 held by the Sackner Archive is depicted in this book. The CD is titled "Visual Poetry in the Avant Writing Collection, Ohio State University. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2008

Works and Texts / Phillips, Tom ; Paschal H ; Hurrell B., 1992

 Item
Identifier: CC-04436-4519
Scope and Contents

This book served as the catalogue for the exhibition of Phillips' work in the Royal Academy Sackler Gallery, London. Huston Paschal writes in the introduction that "Phillips explores the timeless marks encoding meaning...and he is on a search for self." Several references are made to the Sackners in the text written by Phillips, and many works in the Archive are illustrated including "Oh Those Reds, Speaking in Tongues, The Dante Binding, Humument Globe, The Dante Diary, and A Humument Pages. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

Works and Texts / Phillips, Tom ; Paschal H ; Hurrell B., 1992

 Item
Identifier: CC-04437-4520
Scope and Contents

This book served as the catalogue for the exhibition of Phillips' work in the Royal Academy Sackler Gallery, London. Huston Paschal writes in the introduction that "Phillips explores the timeless marks encoding meaning...and he is on a search for self." Several references are made to the Sackners in the text written by Phillips, and many works in the Archive are illustrated including "Oh Those Reds, Speaking in Tongues, The Dante Binding, Humument Globe, The Dante Diary, and A Humument Pages. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

Works of Art from the Past Millennium / Horndeski, Gregory., 2000

 Item
Identifier: CC-35543-37283
Scope and Contents

Wade Wilson contributes an incisive essay on the technical, socio-political and artistic background of Horndeski's paintings. "The artist paints on a horizontal canvas, like Pollack, with a knife and uses fluid acrylic paints which permit him to "achieve some remarkable effects as the paints mix on the canvas." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000