Visual poetry
Found in 4858 Collections and/or Records:
zaumpoems / spence, pete., 2001
Zaumzaumzaum / Segay, Serge ; Nikonova, Rea., 1990
[Zebra] / Lock, Rolf., 1995
This work depicts a zebra that is made up of the Latin names for this animal. -- Source of annotation: Marvin or Ruth Sackner.
Zebra / Topel, Andrew., 2009
Zeile Fur Zeile (Line by Line) / Bauer, Josef ; Gomringer E., 1977
Zeitschrift fur Tiegel und Tumult. No.3 / Chuck Stake., 1986
Zen Buddhism / Duro, Gianfranco., 1981
Internet: Duro was born in Angri. He studied at the Academy of Fine Arts in Naples. Since the seventies experiences and embraces the Mail-Art as artistic career, starting a correspondence with all artists in the world and can become one of the leaders at the national level. -- Source of annotation: Marvin or Ruth Sackner.
Zerosscopiz 845 / Editions Nepe., 1990
Zeus / Furnival, John; Lumgair, Chris., 1968
The translucent print is a diagram of Mythologic names with Zeus at the center of the chart. This overlays the print on papercard that depicts Zeus within a large "Y" (why?) shaped background preparing to hurl a spear. -- Source of annotation: Marvin or Ruth Sackner.
Zivot Je Kolaz / Das Leben ist eine Collage / Trinkewitz, Karel ; Weiss C ; Bense M., 1999
Christina Weiss and Max Bense contributed introductory essays for the catalogue. On page 105, a letter from Marvin Sackner to Trinkewitz in 1985 is included in the collage titled "Ehrung fur Andre Breton." The work also includes a sketch of Jiri Kolar packing a work for Marvin Sackner that Trinkewitz made while the Sackners visited Kolar's studio and Karel served as the translator. The brochures, placed separately between several pages, are gallery invitations to exhibitions of Trinkewitz's works. -- Source of annotation: Marvin or Ruth Sackner.
Zivot Je Kolaz; Das Leben ist eine Collage / Trinkewitz, Karel ; Weiss C ; Bense M ; Kolar J ; Havel V ; Manzoni P ; Breton A ; Ray M ; Pound E ; Rushdie S ; Phillips T., 1999
The illustrations in this book document the collage and calligraphic works of Trinkewitz from 1966 - 1998. -- Source of annotation: Marvin or Ruth Sackner.
Zusehen: Face [You See But You Don't See: Face] / Selbar, Kai., 1995
This print consists of a grid of the word "zusehen" printed repetitively over a faint portrait of a woman's face. Kai Selbar is aka Kai Hoesselbarth. -- Source of annotation: Marvin or Ruth Sackner.
Zwei Briefe fur Berty Skuber / Demetz, Hanspeter ; Becker-Glauch, Wulf ; Skuber B., 2003
This book reproduces two letters received by Berty Skuber that are intersperced with images of her labels and visual poems. The book is stored in Skuber's box. -- Source of annotation: Marvin or Ruth Sackner.
Zweitschrift, 1981
Zwirn: AEIOU & =SOMETIMES= Y. No.4B/Sum / Jim Clinefelter ; Sackner RK ; Sackner MA., 1999
Mention is made that Clinefelter's work is held by the Sackner Archive. With one exception, each page depicts a "...Rorschach Visualization of the Sounds of the Greatest Prominence in most Syllables." -- Source of annotation: Marvin or Ruth Sackner.
Zwischen dem Einst und dem Einst, 1993
This book documents Claus' language drawings from 1959-1989 in the first section. It includes texts by Claus and others such as Gerhard Wolf, the owner of the Janus Press, and Dieter Mahlow. Claus also writes about his involvement with Kaballa and Communism. He quotes Gershom Scholem from his book on Judaica 1963. Several of his drawings of this period incorporated Hebrew texts. The next section deals with the text of "Aggregat K." This work was first published in 1987 in 50 copies and is reproduced in an accompanying volume in 1500 copies. The text includes a letter from Claus to Nela and Alain Arias-Misson, a critical essay by Gerhard Wolf, Claus' notes on the project, and correspondence between Claus and Wolf. The third section deals with the background of "Versuchsgebiet K" and includes comments by Wolf. -- Source of annotation: Marvin or Ruth Sackner.