Visual poetry
Found in 4861 Collections and/or Records:
Axle. No.43/Dec / Murphy P., 1997
Peter Murphy contributed four visual poems that consisted of photographic images with arrows, abstract marks, or building signs. In an essay "Private Correspondence: Visual Poetry, Its Viewing and Discourse," he mentions how few original visual poems are seen by the public. Most are seen as reproductions in magazines. -- Source of annotation: Marvin or Ruth Sackner.
Axle. No.46/Apr / Shepherd G., 1998
a...z / Miglietta, Enzo., 1978
[B] / Broel, Elisabeth., 1992
This collage has the shape of a leaf. -- Source of annotation: Marvin or Ruth Sackner.
[B] / Vitone, Rodolfo G.., 1999
Ba Ba Bab Babbo / Baroni, Vittore., 1980
Bab(B)-El-On / Wood, Reid; Altemus R., 2006
Each print consists of a photocopied colored mage of a visual poem. Reed Altemus is the publisher of Live Matter. Reid Wood is aka State of Being in the mailart network. -- Source of annotation: Marvin or Ruth Sackner.
Babel / Penn, Cheryl., 2013
The images of the pages are reproductions of collages. -- Source of annotation: Marvin or Ruth Sackner.
Babel / Secunda, Arturo., 1975
This print depicts a mountain-like, expressionistic image composed of stenciled letter and number forms with splattered black ink. In a letter to the Sackners, Secunda remarks that the image was influenced by Schwitters' sound poems, the randomness of the works of Cage, Beckett, Albee and Stein, as well as the Theatre of the Absurd. -- Source of annotation: Marvin or Ruth Sackner.
Bach's Goldberg Variations / Presser, Elena., 1985
Bach's Goldberg Variations / Presser, Elena., 1985
Back by Public Demand / Olbrich, Jurgen O.., 1985
Bad Breath Babble, 1991
Bad Breath Babble / Baroni, Vittore., 1991
Commissioned for "The Beauty in Breathing" exhibition. The center image of each assemblage depicts a standing man, viz., a silhouette with mint candies collaged over upside-down black lungs, a 3-dimensional model of clear, hollow plastic filled with c butts and mints, and a red plastic model with a hole in the chest for the heart surrounded by black pigment. Calligraphic and letraset messages along with related objects and images reinforce the antisocial and antihealth habit of smoking. -- Source of annotation: Marvin or Ruth Sackner.
Balance Poem / Shiomi, Mieko., 1965
Balance Poems / Depew, Wally., 1970
Bank Manager / Phillips, Tom., 1997
This print, which depicts a portrait overlaid by calligraphic poetic text, was reproduced from a drawing by Phillips in conjunction with the Dual Muse exhibition held at the Washington University Art Museum in November 1997. The Sackner Archive lent several works to this exhibition and also attended a symposium which took place there. -- Source of annotation: Marvin or Ruth Sackner.
Bank of Fun / Baroni, Vittore, editor ; Ciani, Piermario, editor ; Angelo L ; Baroni V ; Bates K ; Ciani P ; Cohen R ; Dogfish ; Echaurren P ; Mancusi T ; Wood R., 2003
One of the publisher's names, FUN, stands for Funtastic United Nations. The banknotes are fake currencies issued by made-up countries. The book documents the history of artists' currencies. -- Source of annotation: Marvin or Ruth Sackner.
Bar-Bar / Hubaut, Joel., 1988
This work consists of 40 separate drawings based on Hubaut's home town of Bar Fleur , France and Barcelona, Spain where he completed several art projects. -- Source of annotation: Marvin or Ruth Sackner.