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Visual poetry

 Subject
Subject Source: Sackner Database

Found in 4861 Collections and/or Records:

CORES & FORMAS: CONTEXTOS, 1991

 Item — Box Adl-Agu: [Barcode: 31858072490794]
Dates: 1991
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / PAINTINGS, PRINTS AND BROADSIDES

Coriandoli Dragees / Eugenio Miccini., 1969

 Item
Identifier: CC-38185-40081
Scope and Contents The two copies of this piece are identical except for different colored paper stock onto which the poems were printed. The original pieces came in a stapled plastic bag that deteriorated with time.Wikipedia: Eugenio Miccini (1925 in Florence "“ 2007 in Florence) is considered to be one of the fathers of Italian visual poetry. Graduated in Pedagogy, in 1963 he founded together with poets, musicians and painters Gruppo '70, creating the Italian term "poesia visiva" (visual poetry). Visual poetry is an art research characterized by predominance of the image on the typographical text, aimed to obtain compositions where words and images, signs and figures, are integrated without solution of continuity on the semantic plane (Dizionario della lingua italiana Devoto-Oli, Le Monnier). In Italy the Sixties have been rich of activities of Gruppo 70, starting from two meetings organized in Florence in 1963, focusing on "Art and Communication" and in 1964 "Arte and Technology", where discussion...
Dates: 1969
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Poem and Book Objects

Coriandoli Dragees / Eugenio Miccini., 1969

 Item
Identifier: CC-38185-40081
Scope and Contents The two copies of this piece are identical except for different colored paper stock onto which the poems were printed. The original pieces came in a stapled plastic bag that deteriorated with time.Wikipedia: Eugenio Miccini (1925 in Florence "“ 2007 in Florence) is considered to be one of the fathers of Italian visual poetry. Graduated in Pedagogy, in 1963 he founded together with poets, musicians and painters Gruppo '70, creating the Italian term "poesia visiva" (visual poetry). Visual poetry is an art research characterized by predominance of the image on the typographical text, aimed to obtain compositions where words and images, signs and figures, are integrated without solution of continuity on the semantic plane (Dizionario della lingua italiana Devoto-Oli, Le Monnier). In Italy the Sixties have been rich of activities of Gruppo 70, starting from two meetings organized in Florence in 1963, focusing on "Art and Communication" and in 1964 "Arte and Technology", where discussion...
Dates: 1969
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Poem and Book Objects

Corona Mundi. No.1 / Burk C., 1996

 Item
Identifier: CC-37481-39334
Dates: 1996
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Corona Mundi. No.2., 1996

 Item
Identifier: CC-20821-21229
Dates: 1996
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Corri Consuma / Miglietta, Enzo., 1991

 Item
Identifier: CC-06432-6550
Scope and Contents

The image of this drawing is constructivistic in content. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Corrosive Signs: Essays on Experimental Poetry (Visual, Concrete, Alternative) / Espinosa, Cesar, editor ; Harry Polkinhorn, translator ; deMelo e Castro EM ; Padin C ; Vigo EA ; Lora-Totino A ; Aguiar F ; Hatherly A ; Menezes P ; Cirne M ; Boso F ; DeCampos A ; DeCampos H ; Pignatari D ; Gomringer E ; Mon F ; Espinosa C., 1990

 Item
Identifier: CC-13791-14096
Scope and Contents

This book was initially published by Ediciones Literarias de Factor, Mexico in 1987 and is a survey of Latin American Concrete and Visual Poetry. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Cote Ouest / Hubaut, Joel., 1988

 Item
Identifier: CC-09787-9981
Scope and Contents

Card reproduces painting in sepia tones held held by Sackner Archive. Comments on Hubaut's work on verso by J.P. Chambon. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Cote Ouest / Hubaut, Joel., 1983

 Item
Identifier: CC-09852-10046
Dates: 1983
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

[Coup-Gramme], 1987

 Item — Box Arb-Avrin: [Barcode: 31858072490778]
Identifier: CC-33491-35140
Scope and Contents

This print appears to have been made for a periodical since the verso depicts two works by other artists. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / ARTIST BOOKS AND POETRY/BOOK OBJECTS

Courage / Rosenberg, Marilyn R.., 2008

 Item
Identifier: CC-49409-70454
Dates: 2008
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Couvert Ouvert (reprint) / Belloli, Carlo., 1980

 Item
Identifier: CC-21088-21497
Dates: 1980
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

[Cover Design for Dark Star] / Tom Phillips., 1998

 Item
Identifier: CC-31613-33112
Scope and Contents

The cover design for the CD is a poetry fragment from page 11 of "A Humument" that reads, church of familiar bones/ church of the neon lives/ skull sleep and feater/ tellthe pale face knows your name. The remainder of the text is xancelled with abstract markings. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Audiovisual Materials

[Cover Design for Dark Star] / Tom Phillips., 1998

 Item
Identifier: CC-31613-33112
Scope and Contents

The cover design for the CD is a poetry fragment from page 11 of "A Humument" that reads, church of familiar bones/ church of the neon lives/ skull sleep and feater/ tellthe pale face knows your name. The remainder of the text is xancelled with abstract markings. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Audiovisual Materials

[Cover Design for Kunapipi Vol.XVI No.2] / Tipping, Richard Kelly., 1994

 Item
Identifier: CC-28897-30223
Dates: 1994
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

[Cover No.702] / Suarez Londono, Jose Antonio., 1996

 Item
Identifier: CC-29418-30783
Scope and Contents

The front cover reproduces a work by Londono that incorporates text and image. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Cover of the Program Book of the Music Festival / Trinkewitz, Karel., 1988

 Item
Identifier: CC-01108-1137
Dates: 1988
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Cows/Clouds / Atchley, Dana., 1971

 Item
Identifier: CC-25715-26175
Scope and Contents

The lower third of these prints depict cows whose shapes and positions are repeated in the words of the text above. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1971
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Crabby Times. No.1., 1994

 Item
Identifier: CC-20606-21008
Dates: 1994
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Cratilismo: O Artista Ingles e a Palavra / Gerald Forty, curator ; Breakwell I ; Furnival J ; Houedard DS ; Phillips T ; Instone J ; Leverett D., 1979

 Item
Identifier: CC-18745-19119
Scope and Contents This is the catalogue for the XV Sao Paulo Bienal. The title was also termed 'Cratylus.' The cover design was taken from a painting by Tom Phillips. In this catalogue, Hiouedard made the following comments: Dom Sylvester Houedard was born on the island of Guernsey. He studied at Jesus College Oxford and in 1949 joined the Benedictine Abbey at Prinknash in Gloucestershire; he was ordained as priest in 1959. He was a pioneer of British concrete poetry and regularly contributed to magazines and exhibitions from the early 1960s until his death. He became literary editor of the Jerusalem Bible in 1961, and founded the Gloucestershire Ode Construction Company in 1967. One copy is stored as a reference text, the other alphabetically on the shelf. "During 1945 I realised the typewriter's control of verticals and horizontals, balancing its mechanism for release from its own imposed grid, (and) offered possibilities that suggested (I was in India at the time) the grading of Islamic...
Dates: 1979
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

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