Visual poetry
Found in 4861 Collections and/or Records:
Curvd H&Z: Card #48: Poema Achado. No.338/Nov / A. De Araujo., 1986
Curvd H&Z: Card #49: Series Dispersion. No.339/Nov / Greg Evason., 1986
Curvd H&Z: Card #55: If. No.356/May / Richard Truhlar ; Joe Brouillette., 1987
Curvd H&Z: Card #69: One Less Thing. No.387/Sep / Carus Cucurbitarium., 1988
Curvd H&Z: Card #70: Witness The End It Is Unwhite. No.389/Sep / Guy R. Beining., 1988
Curvd H&Z: Card #78: When We Blink?. No.408/Jun / Mark Laba., 1990
The assemblage by Laba was photographed by jw curry & Steve Venright. -- Source of annotation: Marvin or Ruth Sackner.
Curvd H&Z: Card #79: I Prefer To Go Away. No.409/Jun / Gerd Reitzenstein., 1990
Curvd H&Z: Card #82: Our Solar System. No.416/Dec / Dan Lovranski., 1990
Curvd H&Z: Card #92: (for Dom). No.428/May / Damian Lopes., 1992
Image is a stylized eye with parts of the eye depicted as a letter picture. -- Source of annotation: Marvin or Ruth Sackner.
Curvd H&Z: For Lola. No.290/Sep / Paul Dutton ; bp Nichol., 1984
Also designated th wrecking ballzark #64 and Hangnail #15. -- Source of annotation: Marvin or Ruth Sackner.
Curvd H&Z: Ich: translation #2 of 4 from the Czech. No.206/Jun / Vladimir Burda ; jw curry., 1983
The page of this leaflet consists of overlapping fingerprints. Also designated th wrecking ballzark #50 and one cent #111. -- Source of annotation: Marvin or Ruth Sackner.
Curvd H&Z: O2. No.263/Nov / jw curry ; Tony Kay., 1983
Also designated card #37 and th wrecking ballzark #61. The two copies of this card are printed on slightly different colored paper stock. -- Source of annotation: Marvin or Ruth Sackner.
Curvd H&Z: Snail Tracks. No.299/Nov / Mark Laba., 1984
Also designated th wrecking ballzark #65. -- Source of annotation: Marvin or Ruth Sackner.
Curvd H&Z: The Dark Night Of The Soul In The Poetry Mines. No.386/Sep / Tulli Kupferberg., 1988
Also designated card #68. -- Source of annotation: Marvin or Ruth Sackner.
custodian / Gut, Elisabetta., 1996
Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.
Cut Out Poems / Groh, Klaus., 1990
Cut Series / Monteiro de Almeida, Sergio., 1994
Cuts / Bradbury, Malcolm ; Phillips, Tom., 1987
Tom Phillips designed the dust jacket and provided 12 illustrations for the text. The original artwork is held by the Sackner Archive. The British trade edition book has larger dimensions than the American one. Cuts refers to U.K. governmental 'cuts' of the budget. -- Source of annotation: Marvin or Ruth Sackner.
Cuts / Bradbury, Malcolm ; Phillips, Tom., 1987
Tom Phillips designed the dust jacket and provided 12 illustrations for the text. The original artwork is held by the Sackner Archive. The British trade edition book has larger dimensions than the American one. Cuts refers to U.K. governmental 'cuts' of the budget. -- Source of annotation: Marvin or Ruth Sackner.
Cyclops, Ulysses / Joyce, Paul., 1997
Paul Joyce is the great grandnephew of James Joyce. This print uses texts from the chapter, Cyclops, in James Joyce's Ulysses. The phrase with the boldest font reads, "By Jesus I'll brain tht bloody jewman for using the holy name." -- Source of annotation: Marvin or Ruth Sackner.