Visual poetry
Found in 4861 Collections and/or Records:
Delivre II Printers Sample, 1988
Print was reproduced from a unique collage commissioned by the Sackner Archive. Barron writes specific instructions to the printers on both margins of the proof. This is the second proof run by the printers. -- Source of annotation: Marvin or Ruth Sackner.
Delivre II Proof , 1988
Prints were reproduced from a unique collage held by the Sackner Archive. This proof, according to the artist, is the penultimate proof run "before the real thing." Includes specific instructions for changes to the printer. -- Source of annotation: Marvin or Ruth Sackner.
della mostro / Sanesi, Roberto ; Herbert G ; Thomas D., 1992
The Sackners purchased a cube sculpture paper covered in Sanesi's typical colored calligraphy of ink and gauche from the exhibition at the Palazzo Reale in Milan in 1983 titled "Jarry e la patafisica." Sanesi was born in 1930 and died in 2002. -- Source of annotation: Marvin or Ruth Sackner.
[Deluxe Hand Finish / Press Only] / Knapp, Dina; Burroughs WS., 1990
Demand/ Castro (October 28, 1967) / Houedard, Dom Sylvester., 1967
Demonstration, 1963
This complex collage, an illustration for Jules Verne's "Aound the World in Eighty Days," depicts a parade and a mob scene with American voting slogans and company names. The main image was cut from an engraving done around 1900. An exhibition catalogue of Kolar, Mesens, Schwitters & Hoffmeister at Grosvenor Gallery, st that Hoffmeister "...was the first artist to use typography as a total compositional medium regardless of the meaning of the actual words, concentrating on the purely visual image." Wescher (Collage 1968) wrote that he was the grand master of collage. This collage is depicted in Adolf Hoffmeister This collage is not depicted in the Adolf Hoffmeister book 1902-1973 edited by Karel Srp on page 283. -- Source of annotation: Marvin or Ruth Sackner.
Den Arbeitern von Kursk: ein vorlauffiges Denkmal von Wladimir Majakowski 1923 / Mayakovsky, Vladimir; Roschkow, Juri., 1980
Each of the 16 print rerproductions of the collages are stored within a folded unbound page. The German translation of the words in the collages is printed on the inside right cover of the unbound page. The photocollages reproduced in this portfolio are among the best visual poems of this era of Soviet history. The original of the montages are currently housed in the collection of the State Literary Museum, Moscow. -- Source of annotation: Marvin or Ruth Sackner.
Denaro e Violencia / Miglietta, Enzo., 1981
Text in the form of an intersecting square grid has been written in black ink on a white painted surface. Spots of red paint are placed at random overlying the grid. -- Source of annotation: Marvin or Ruth Sackner.
Denklandschaften, 1993
Denkstucke Sehspiele / Gappmayr H ; Gerz J ; Schmidt SJ ; Ulrichs T., 1978
Exhibition was curated by S.J.Schmidt. -- Source of annotation: Marvin or Ruth Sackner.
Dentro & Fuori / Perfetti, Michele., 1971
Image consists of printed material from magazines that depicts two, posed, female nudes in side view surrounded by Italian and English words and phrases. The title of this work appears as collaged, printed text at the upper left section of the piece. -- Source of annotation: Marvin or Ruth Sackner.
Der Anfang Vom Ende Des Anfangs / Grosz, Peter ; Wolff, Michael., 1986
Der Geklonte Sammler, 2002
Consists of portraits of 11 art and book arts collectors, including Marvin Sackner who is depicted as a flying airplane. The documentation sheet is attached inside the box top. -- Source of annotation: Marvin or Ruth Sackner.
Der Weg Ins Gluck / Benson, Bernard., 1987
Derives: Sur la Violence. No.35., 1982
des outils et des mots Bibliotheque menagere / Strid, Astrid., 1997
This is a catalogue depicting book objects with plexiglas supports by Strid along with prices. -- Source of annotation: Marvin or Ruth Sackner.
descending a staircase / Vleeskens, Cornelis., 2003
Desire, the Collective Unconscious / Stokes, Telfer., 1989
According to Stokes' WEB site: "A densely beautiful maze of memories, faces and words. All the parts that make it up, the snatches of conversation, the stolen shots, an eye, an ear, a mouth, the intense saturated colour, are held in place by a grid of fencing wire." -- Source of annotation: Marvin or Ruth Sackner.
Desire's Eris, 1983
Dessins a Fleur de Peau (Six Skin Deep Drawings) / Morelli, Francois., 1994
The pages reproduce rubberstamped drawings integrated with printed French and English texts. The envelope offers rubberstamped instructions, " The pages unfold to form six drawings...these drawings join to form various combinations." This copy was printed on Atsukuchi 75 G.; the other 300 copies were printed on Velin Chamois 145 G. -- Source of annotation: Marvin or Ruth Sackner.