This print-out serves as a catalog for the exhibition at MoMA. -- Source of annotation: Marvin or Ruth Sackner.

Pages were reproduced from old scientific books and then collaged with images found in the same or similar books. The page numbers are not ordered but refer to those in their original book. -- Source of annotation: Marvin or Ruth Sackner.

This work is based on a poem by e.e. cummings from 1958. "L (a leaf falls) oneliness" -- Source of annotation: Marvin or Ruth Sackner.

This also was an exhibition catalogue for show at Palazzo Oliva in Sassoferrato, Italy. -- Source of annotation: Marvin or Ruth Sackner.

Curate is a British term for the assistant to a vicar of the Church of England. The egg shell has been divided into 16 segments, each with a different style of line-drawn hatchings. A lower case letter appears in negative relief on ten of the segments which spells, "excellent." This is a spoof on the British religious tradition. -- Source of annotation: Marvin or Ruth Sackner.

The layout and implications of this poem are similar to Arc d'Triomphe May 1968. Here the Eiffel tower formed by calligraphic text substitutes for Arc d'Triomphe and receives ejaculate from a penis shaped with calligraphic text, newspaper headlines and a collaged Albert-Birot print (Paridis). Text of the poem is a sympathetic response to the student rebellion in France during May 1968. -- Source of annotation: Marvin or Ruth Sackner.

The prints of these collages, also held by the Sackner Archive, were published by Writers Forum in 1982. -- Source of annotation: Marvin or Ruth Sackner.

This was the first purchase by the Sackners of a Tom Phillips artwork. It was acquired fom Galerie Bama in Paris. According to the colophon, this is a suite of 12 lithographs bvased on Brahms Opus 45. The images were derived from postcards collected by Phillips in Germany and have inset texts, which are treated fragments of the novel 'A Human Document' by W H Mallock, and titles quoting the textural material of the Requiem itself. One of the prints has been framed and hangs in the first floor hallway. In the BBC Music magazine (JUne 2013), comments about the CD of the month Brahms's 'A German Requiem' included the following.This Requiem does not mention Jesus nor is there a fire-breathing 'Dies Irae' striking fear into souls of potentially errant isteners! This is a requiem that sets a German not Latin text to music and doesn't pray for the well-being of the dead but instead comforts the living. -- Source of annotation: Marvin or Ruth Sackner.

The colophon utilizes typographical elements to depict the bearded face of a poet such that an exceptionally good, visual poetic, letter picture, image is presented. Each print is signed by the individual member of the group who composed them. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was dedicated to the 200 year memory of Georg Christoph Lichtenberg who was born in 1742 and died in 1799. He attended High School in Darmstadt and studied mathematics and natural sciences in Goettingen from 1763-1766. In 1770, he became an extraordinary professor of experimental physics. Lichtenberg was known for his spirit-rich aphorisms and scientific papers. These aphorisms include among others. 1) A half new invention with a completely new name. 2) Exceptions are not always confirmation of the old rule; they can be also the harbingers of a new rule. 3) It is strange that only extraordinary humans make the discoveries, which seem after so easy and simple; this presupposes that for the simplest project, conditions of the things to notice require very deep knowledge. -- Source of annotation: Marvin or Ruth Sackner.

The rubberstamping reads "LANDESTHEATER HANNOVER." This suggests that Ulrichs was unhappy about the productions in this locale and is using a visual metaphor for the slang expression "I really could care less for this shit, and shut the fuck up." -- Source of annotation: Marvin or Ruth Sackner.

The rubberstamping reads "LANDESTHEATER HANNOVER." This suggests that Ulrichs was unhappy about the productions in this locale and is using a visual metaphor for the slang expression "I really could care less for this shit, and shut the fuck up." -- Source of annotation: Marvin or Ruth Sackner.

The theme of this book relates to the Christian religion and the clocks depicted in it represent different times of the day as a metaphor for the Stations of the Cross. -- Source of annotation: Marvin or Ruth Sackner.