Visual poetry
Found in 4850 Collections and/or Records:
Good old / Morrocchi, Giuseppe., 1974
Gorbachov Czar / Suter, David., 1988
GP (Georges Perec) / Getzler, Pierre., 1982
The image printed on heavy paper depicts the face of Georges Perec surrouded by letters, numbers, circles and a grid. The original print was made in 1982. This copy was made at a later, unknown date. Stored in Perec box. -- Source of annotation: Marvin or Ruth Sackner.
Grafemas / Hamburger, Alex., 1992
Grapheme is defined as a "single graphic sign composed by different graphic traces that permit the visual understanding of the words in the written language, just as the phonemes allow the acoustic understanding in the oral language. Term created in the north-American linguistics, with a more rigorous and wider designation than letter since it also encompasses the diacritics, ideograms and punctuation dots." -- Source of annotation: Marvin or Ruth Sackner.
Great Men - Series # 1 , 1980
Great Men - Series # 2, 1980
Duplicates printed on different colored papers. -- Source of annotation: Marvin or Ruth Sackner.
Greek village by Syrakus, 1960
This collage is depicted in the Adolf Hoffmeister1902-1973 edited by Karel Srp on page 238. -- Source of annotation: Marvin or Ruth Sackner.
Green Man Ice Boy / Houedard, Dom Sylvester., 1967
greengreengreen... / Crozier, Robin., 1973
Greet Greetin - Let the Good Times Rule / Jackman, Sandra., 2014
Greetings / Jackman, Sandra., 1996
Painted and found collages are arranged with found text that reads, "From time to time - the mountain - tints - scattered from the clouds - perform - melodies - too slow to tell." -- Source of annotation: Marvin or Ruth Sackner.
Grigio quan Nero / Mussio, Magdalo., 1975
Magdalo Mussio (1925"“12 August 2006) was an Italian author, artist, animator and editor. A native of the Tuscany town of Volterra, Magdalo Mussio served during the 1960s as the editor of several Italian cultural publications, including Marcatrè and was widely throughout his country's art gallery circuit. He was also the creative artist behind a number of animated films, including Reale dissoluto, I ragazzi di Theresi, Il potere del drago and Umanomeno and published several books detailing his life and work and uniting his own creative writings with what has been described as an archaeology of images in a sweetly melancholic mixture. Among his best-known titles are In practica, Praticabili per memoria concreta and Il fastidio delle parole. Magdalo Mussio died after a lengthy illness in the year of his 81st birthday. -- Source of annotation: Marvin or Ruth Sackner.
groaning, 2010
McMurtagh resides in San Diego, California; presumably this collaboration took place through the mail. Although the pages are photocopied, the composition was made with a combination of ink jet printing and rubberstamping. -- Source of annotation: Marvin or Ruth Sackner.
Gronk Final Number Series: Write Me an Adventure. No.2 / bill bissett., 1983
Each page of this book reproduces a collage made from newspapers and magaziines. -- Source of annotation: Marvin or Ruth Sackner.
Gronk Flash Series: Exposure. No.4 / jw curry ; Nichol bp., 1982
Cover was designed by bp Nichol. -- Source of annotation: Marvin or Ruth Sackner.
Gronk Intermediate Series: Broken Mandala. No.2 / Steve McCaffery., 1974
Each page was composed in a photocopier and has the same phrase "complete charges from" obsessively repeated and overprinted. In some pages, this is combined with abstract marks, in others with images such as an eye or a standing gorilla. -- Source of annotation: Marvin or Ruth Sackner.
Gronk Intermediate Series: Sensations of the Retina. No.15 / Bob Cobbing., 1978
One copy has a green acetate cover, the other a blue one. -- Source of annotation: Marvin or Ruth Sackner.
Gronk: MAPS: a different landscape. No.8 / Steve McCaffery., 1971
Probably published in an edition of 400 copies. -- Source of annotation: Marvin or Ruth Sackner.
Gronk Random Number Series: Sound. No.5 / bill bissett., 1986
Gronk: RUSH: what fuckan theory: a study uv language. No.8 / bill bissett., 1972
The edition size was probably between 300 - 400 copies. On this copy, the word "RUSH" is rubberstamped on the cover. A duplicate has the label "Rush" and a simple line drawing of a landscape. Derek Beaulieu in "seen of the crime" views this work as an early seminmal work of conceptual writing. -- Source of annotation: Marvin or Ruth Sackner.