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Visual poetry

 Subject
Subject Source: Sackner Database

Found in 4849 Collections and/or Records:

Gronk: RUSH: what fuckan theory: a study uv language. No.8 / bill bissett., 1972

 Item
Identifier: CC-30401-31820
Scope and Contents

The edition size was probably between 300 - 400 copies. On this copy, the word "RUSH" is rubberstamped on the cover. A duplicate has the label "Rush" and a simple line drawing of a landscape. Derek Beaulieu in "seen of the crime" views this work as an early seminmal work of conceptual writing. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1972

Gronk: There Were Dreams. No.4 / Barbara O'Connelly., 1967

 Item
Identifier: CC-36262-38052
Scope and Contents

The visual poems consist of line drawings of a female nude with integrated handwritten text. This copy has the rubberstamped :grOnk S2 N4 on the lower right side of the title page. The book is also listed as Ganglia's Concrete Poetry Series No.4 without the rubberstamped identification. Barbara O'Connelly is the wife of D.r. Wagner. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1967

Gronk: Untitled. No.8 / John Riddell., 1969

 Item
Identifier: CC-36272-38062
Scope and Contents

Usually published in an edition of 400 copies. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969

Grunes Erlangen, 1979

 Item
Identifier: CC-15150-15471
Scope and Contents

The pages were printed from writings and collages of newspaper and periodical clippings in which the word, grun (meaning green in English) was mentioned. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1979

Guaranto Guartare, 1991

 Item
Identifier: CC-36519-38320
Scope and Contents

The pages consist of three identical photographs that depict abstracted eyes and calligraphic markings/text. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991

Habit de Medecin / De Larmessin., 1989

 Item
Identifier: CC-15743-16074
Scope and Contents

After a work done in the 17th Century. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

[Halo Hell-o] , 1994

 Item — Folder 47: [Barcode: 31858072460045]
Identifier: CC-16144-16487
Scope and Contents

Poetic lines trace the silhouette of a woman's face. The eyebrow says insoporatble pesar (insupportable grief); the eye, madre erecta; the lips, watch out people for hell is coming back. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994

Handmade Books, Collages and Sculptures / Hamady, Walter ; Olson T ; Spector B ; Heft C ; Sackner MA ; Sackner RK., 1991

 Item
Identifier: CC-33092-34717
Scope and Contents

This catalogue features Hamady's assemblages. Toby Olson and Buzz Spector contribute critical essays on Hamady's work. Olson wrItes about his art pieces in the essay "One Night at the Farm" and Spector describes Hamady's work in an essay, "Biblioselfconsciousness: Walter Hamady's Gabberjabbs." The Sackner Archive is mentioned as holding Hamady's works. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991

Handschriftliches, 1993

 Item — Box 292: [Barcode: 31858072460714]
Identifier: CC-23752-24199
Scope and Contents

Five drawings were made by Cepl and 4 drawings and a collage by Broel. All of the works are unique in this edition of 30. Broel's drawings were superimposed on sheets of found handwriting by others while Cepl's are in his own calligraphy. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1993