The drawing was done by Gianfranco Baruchello. -- Source of annotation: Marvin or Ruth Sackner.

This is the manuscript of a talk on Tom Phillips' "A Humument" delivered by Schwenger before The Modern Language Association in a session that dealt with "Peritext" - all that surrounds a text. -- Source of annotation: Marvin or Ruth Sackner.

The card consists of several small drawings of people encountered during the Sandra Jackman's visit to the Prado Musem in Madrid. -- Source of annotation: Marvin or Ruth Sackner.

Each card was sent to Ruth Sackner at a different time and with a single letter in random order. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by Daniel Traister who contributed a critical essay. Marvin Sackner wrote the preface, "Humumentism": The Works and Ideas of Tom Phillips. Sackner coined a word, "Humumentism" to signify the art form of Tom Phillips, one that intregrates humanistic activities through individual creative thought that falls outside the current popular conception of artistic presentations. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by Daniel Traister who contributed a critical essay. Marvin Sackner wrote the preface, "Humumentism": The Works and Ideas of Tom Phillips. Sackner coined a word, "Humumentism" to signify the art form of Tom Phillips, one that intregrates humanistic activities through individual creative thought that falls outside the current popular conception of artistic presentations. The works to the exhibition were lent by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by Daniel Traister who contributed a critical essay. Marvin Sackner wrote the preface, "Humumentism": The Works and Ideas of Tom Phillips. Sackner coined a word, "Humumentism" to signify the art form of Tom Phillips, one that intregrates humanistic activities through individual creative thought that falls outside the current popular conception of artistic presentations. This is a varient copy with a yellow rather than red border on the cover. The works to the exhibition were lent by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by Daniel Traister who contributed a critical essay. Marvin Sackner wrote the preface, "Humumentism": The Works and Ideas of Tom Phillips. Sackner coined a word, "Humumentism" to signify the art form of Tom Phillips, one that intregrates humanistic activities through individual creative thought that falls outside the current popular conception of artistic presentations. This is a varient copy with a yellow rather than red border on the cover. The Sackner Archive lent Phillips' works to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

This book is an anthology of Varney's works to date of publication. -- Source of annotation: Marvin or Ruth Sackner.

The print reads:" One man in the dusk is so much like another." - angel, it was Bill - instantly, "Instantly!" the shortest. - it is large saving yourself the delicacy - open the suction miss Gott! - Have no scruple in using me on you; no one depends on your tools, and begin about it. Bobby you pesth - "Irma! Irma!" under his breath, - let him die doctor in another sofa. - we got an intellectual silenced - then, never God! pain wince." -- Source of annotation: Marvin or Ruth Sackner.

The print depicts deconstructed images all involving women. The texts read from image on left to right and top to bottom, "(1) a course in Sussex; (2) a photograph of a curious muse; (3) constant to the subject - the subject extended - he talked and his range came - pursuing the subject; (4) fair sex in various capitals - the politics show; (5) came across a picture of flesh; and circles - The Art revelation; (6) her, smiling her last. - they were Europe." -- Source of annotation: Marvin or Ruth Sackner.

This is an enlarged Humument page that begins, "A Humument his pen nights his way to bells..." -- Source of annotation: Marvin or Ruth Sackner.

Sandra Jackman writes about her participation at an exhibition at the Getty Foundation and the sale of a fourth book to the Boston Museum of Fine Arts Library. -- Source of annotation: Marvin or Ruth Sackner.

The assemblage consists of the outlines of two hands with a printed (technique unknown), colored, experimental typographic rendition of a poem by Emily Dickinson. -- Source of annotation: Marvin or Ruth Sackner.