Visual/verbal
Found in 2127 Collections and/or Records:
Experimentelle Texte: fundzeug: chamaleon. No.25 / Johannnes Jansen., 1991
The tortured calligraphic writing of Jansen resembles writing done by the American poet, John M. Bennett. -- Source of annotation: Marvin or Ruth Sackner.
Experimentelle Texte: Monologe nach dem Neolithikum. No.35 / Hartmut Andryczuk., 1994
Experimentelle Texte: Story of "O"/VocoVisual. No.9 / Vladen Radovanovic., 1986
Experimentelle Texte: Zerflogene Stelle Mehr. No.17 / Hansjorg Zauner., 1988
Explained / Anderson, William., 1986
Expo Montbelliard / Hubaut, Joel., 1994
Artist stamp depicts two rabbits fornicating. -- Source of annotation: Marvin or Ruth Sackner.
Exposition Itinerante des Dictions (Traveling Exhibition of Sayings) / Kolar, Jiri., 1983
The types of collages utilized by Kolar and found in this work were described in a glossary of his Albright-Knox exhibition catalogue "Transformations": banknotes, chiasmage, confrontage, crumplage, intercollage, prolage, rapportage, rollage, and sampl Each of collage may incorporate several forms. The verso of several collages incorporate fragments of other collages as if Kolar were sketching with collage rather than paint or pencil. The titles of the collages in Slavic are also written on the verso. Four few collages have been matted and are stored in a flat file drawer. -- Source of annotation: Marvin or Ruth Sackner.
Expositions Rencontres Services 2000/2001: [Altered Pages] / Hubaut, Joel ; Lebel JJ., 2000
Expressiones Hispanas 88/89 / Presser E., 1988
Pressers' collage "117 A/B Polonaise in F from Anna Magdalena Bach Notebook" held by Sackner Archive, is reproduced in this catalog. -- Source of annotation: Marvin or Ruth Sackner.
Exquisite Horse: A Printer's Corpse / Honn, Tracy, editor; Avadenka L; Chen J; Heft C; Ng K; Price R; Ellis EV; Gomez M; Soll I; O'Banion N; Kunc K; Norman B., 1997
This exquisite corpse collaboration was organized by the Silver Buckle Press at the University of Wisconsin-Madison Libraries under the direction of Tracy Honn. It consists of 16 prints of heads and 15 prints of tails on handmade papers of artistically rendered horses. Many contain witty references to horses in history, literature, mythology and including horse flies, the Trojan horse and the seahorse. With varying typography, imaginative imagery, unusual poetry and text, the multi-media prints are a visual/verbal spin off of the "Cadavres Exquis" of the French surrealists of the 1930's. It is the second volume of the series by this press; the first in 1992, edited by Barbara Tetenbaum was entitled,"A Printer's Exquisite Corpse." -- Source of annotation: Marvin or Ruth Sackner.
Extreme Limite (fric en vrac) [Serie Noire] / Hubaut, Joel., 1994
Hubaut has drawn on the blank pages of this exhibition catalogue that was proposed for Galerie Janos by Joel Hubaut and Arnaud Labelle-Roujoux. -- Source of annotation: Marvin or Ruth Sackner.
Eye: Cobalt Myth Mechanics. No.14 / Paul Hasegawa-Overacker, editor ; Finley K ; Hammons D., 1986
This issue Includes a photocopied erotic story by Karen Finlay, a contemporary performance feminist Artist, with handwitten additional text. David Hammons contributed a print on corrugated hardware to honor the memory of Michael Stewart, a graffiti artist killed by the police. -- Source of annotation: Marvin or Ruth Sackner.
Eye on Europe: prints, books & mutiples 1960 to now / Wye, Deborah, editor ; Weitman, Wendy, editor ; Tapies A ; Manzoni P ; Klein Y ; Arman ; Beuys J ; Lissitzky E ; Klee P ; Paolozzi E ; Hamilton R ; Roth D ; Darboven H ; Raetz M ; Broodthaers M ; Brossa J ; Penck A ; Mangelos ; Finlay IH ; Filliou R ; Goeritz M ; Hidalgo J ; Long R ; Fulton H ; Boltanski C ; Vostell W ; Obrist HU ; Ben ; Spoerri D ; Christo ; Tot E ; Knizak M ; Petasz P ; Brehmer KP ; Fahlstrom O ; Equipo Cronica ; Tilson Jo ; Nitsch H ; Clemente F ; Brus G ; Claus CF ; Hirst D ; Armleder J ; Closky C ; Tishkov L ; Noble P ; Langlands & Bell ; Banner F ; Stokes T ; Douglas H ; Gilbert & George ; Sackner RK ; Sackner MA ; Schrigley D ; Monk J ; Patterson S ; Messager A ; Armleder J., 2006
The Sackners lent several Futura prints to this exhibition. The surprises by their absence in this exhibition as noted here were the works by Tom Phillips, the Lettrists and the Italian visual poets (poesia visiva) among others. -- Source of annotation: Marvin or Ruth Sackner.
Eyeccupied NY / Brandstifter., 2009
Eyecuppied NY / Brandstifter., 2009
Fact. No.2., 1964
Factotumbook: Futurgappismo 1. No.21/Jun / Vittore Baroni, Carlo Battisti, editors ; Sarenco ; Ulrichs T ; Miccini E ; Baroni V ; Battisti C ; Damini B ; Cleveland B., 1979
Factotumbook: Futurgappismo 1. No.21/Jun / Vittore Baroni, Carlo Battisti, editors ; Sarenco ; Ulrichs T ; Miccini E ; Baroni V ; Battisti C ; Damini B ; Cleveland B., 1979
This is a varient copy of the issue. -- Source of annotation: Marvin or Ruth Sackner.
Factsheet Five. No.19 / Saunders J., 1986
Periodical edited by Mike Gunderloy that reviews small press publications including "zines" and books, e.g., Beatniks from Space #7, Artpolice Sum 1986, Anti-Isolation #2, Dead Fish #6, Box of Water #2, Lost & Found times #19. -- Source of annotation: Marvin or Ruth Sackner.
Factsheet Five. No.20 / Grumman B., 1987
Periodical edited by Mike Gunderloy that reviews small press publications including "zines" and books, e.g, Bikini Girl Vol.1 #9, Bold Print, Asylum Vol.2 #4. Bob Grumman reviews Kaldron #20, Xerolage #7, Photostatic #23, Malthus #2, Lost & Found Times #20, Atticus Review #12, Velocity, Red Lines #7, Industrial Sabotage #36 & 37. -- Source of annotation: Marvin or Ruth Sackner.