The proceeds from this book went to support people with AIDS. -- Source of annotation: Marvin or Ruth Sackner.

Catalogue of the exhibition at the gallery, Barnsdall Art Park, Los Angeles, September - November 1992; includes 23 separate objects (2 booklets, 2 folios, 5 leaves, 1 folded sheet, 10 color postcards, 1 accordion-folded sheet and 1 poster). -- Source of annotation: Marvin or Ruth Sackner.

Published posthumously. Ninety-fifth book produced by Perishable Press Ltd. -- Source of annotation: Marvin or Ruth Sackner.

This card was addressed to John Pyros. -- Source of annotation: Marvin or Ruth Sackner.

This is a facsimile of Davis' sketchbook of 1926. -- Source of annotation: Marvin or Ruth Sackner.

These drawings were made on 12 pages attached to a base composed of 2 additional pages from the preface of a book on astronomy by Joannis de Sacro Bosco, Sphaera, Lyon France, 1564. The original pages that were perforated by termite holes contain engravings that Macia has incorporated into his new images. In addition, Macia has added his own written marginalia. -- Source of annotation: Marvin or Ruth Sackner.

These drawings were made on pages 12 & 5, and pages 28 & 21 of a book on astronomy by Joannis de Sacro Bosco, Sphaera, Lyon France, 1564. The original pages were perforated by termite holes that were filled with gold leaf. The pages themselves have engravings and marginalia that Macia has incorporated into his new images. Macia related that he was inspired to make these drawings after visiting the Sackner Archive and viewing Tom Phillips' A Humument. -- Source of annotation: Marvin or Ruth Sackner.

These drawings were made on pages 68 & 89, and pages 112 & 15?] of a book on astronomy by Joannis de Sacro Bosco, Sphaera, Lyon France, 1564. The original pages were perforated by termite holes that were filled with gold leaf. The pages themselves have engravings and marginalia that Macia has incorporated into his new images. -- Source of annotation: Marvin or Ruth Sackner.

These drawings were made on pages 32 & 17, and pages 42 & 39 of a book on astronomy by Joannis de Sacro Bosco, Sphaera, Lyon France, 1564. The original pages were perforated by termite holes that were filled with gold leaf. The pages themselves have engravings and marginalia that Macia has incorporated into his new images. The relief elements were cut from other pages in the book. -- Source of annotation: Marvin or Ruth Sackner.

These drawings were made on pages 110 & 99, and pages 70 & 75 of a book on astronomy by Joannis de Sacro Bosco, Sphaera, Lyon France, 1564. The original pages were perforated by termite holes that were filled with gold leaf. The main image in the upper drawing is a spider; Macia has created its web by repetitive writing of a poem by e.e. cummings, when skies are, in an almost micrographic style. -- Source of annotation: Marvin or Ruth Sackner.

These drawings were made on pages 46 & 35, and pages 54[?] & 61 of a book on astronomy by Joannis de Sacro Bosco, Sphaera, Lyon France, 1564. The original pages were perforated by termite holes that were filled with gold leaf. The pages themselves have engravings and marginalia that Macia has incorporated into his new images. The upper drawing depicts Macia's conception of the Tower of Babel. -- Source of annotation: Marvin or Ruth Sackner.

These drawings were made on pages 12 & 5, and pages 28 & 21 of a book on an astronomy by Joannis de Sacro Bosco, Sphaera, Lyon France, 1564. The original pages were perforated by termite holes that were filled with gold leaf. The pages themselves have engravings and marginalia that Macia has incorporated into his new images. -- Source of annotation: Marvin or Ruth Sackner.

This drawing was made on pages 151 & 152 as well as a page near the title page of a book on astronomy by Joannis de Sacro Bosco, Sphaera, Lyon France, 1564. The original pages were perforated by termite holes that were hidden by mounting them to a sheet of gold leaf. The title page with three adjacent pages within the two pages have termite holes not concealed with gold leaf. The pages themselves have engravings that Macia has incorporated into his new image. -- Source of annotation: Marvin or Ruth Sackner.

These drawings were made on pages 152 & 153 and the title and preface pages of a book on astronomy by Joannis de Sacro Bosco, Spaera, Lyon France, 1564. The original pages were perforated by termite holes that were filled with gold leaf. The pages themselves have engravings and marginalia that Macia has incorporated into his new images. -- Source of annotation: Marvin or Ruth Sackner.

This drawing was made on pages 174 & 163 of a book on astronomy by Joannis de Sacro Bosco, Sphaera, Lyon France, 1564. The original pages were perforated by termite holes that were filled with gold leaf. The pages themselves have engravings that Macia incorporated into the new image. -- Source of annotation: Marvin or Ruth Sackner.

This drawing was made on pages 192 & 177 of a book on astronomy by Joannis de Sacro Bosco, Sphaera, Lyon France, 1564. The original pages were perforated by termite holes that were filled with gold leaf. The pages themselves have engravings that Macia has incorporated into a new image. -- Source of annotation: Marvin or Ruth Sackner.

This drawing was made on pages 194 & a blank page of a book on astronomy by Joannis de Sacro Bosco, Sphaera, Lyon France, 1564. The original pages were perforated by termite holes that were filled with gold leaf. In addition to the engravings and marginalia of a previous owner that Macia has incorporated into a new surrealist image, Macia has written his own marginalia in Spanish. -- Source of annotation: Marvin or Ruth Sackner.

This drawing was made on unnumbered pages of a book on astronomy by Joannis de Sacro Bosco, Sphaera, Lyon France, 1564. The original pages were perforated by termite holes that were covered with gold leaf. The pages themselves have engravings that Macia has incorporated into his new images. -- Source of annotation: Marvin or Ruth Sackner.

This work was written and constructed on the day of the cease fire for the Gulf War and its theme deals optimistically to the coming of spring. -- Source of annotation: Marvin or Ruth Sackner.

The information below was taken from the the Hammond's documentation in this book: This is a book of sixty-four postage stamps. They were inspired by the stamps of Monaco. Each postage stamp is based on a unique, large-scale oil painting I made between 1993 and 2001. These sixty-four paintings comprise the complete "John Ashbery Collaboration." The paintings were inspired by titles created by the poet at my request. There is one stamp for each painting. The stamps were created in 2004 and 2005. The stamps are digitally printed on an Epson Stylus Photo 2200 with archival inks on Hahnemuhle's "Natural White" paper. They are hand cut. The book is made of Speckletone's neutral ph "Madero" and "Natural" papers, neutral ph bookboard, cotton thread and silk bookcloth. There are six of these books plus two artist's proofs. -- Source of annotation: Marvin or Ruth Sackner.